On 24 Jul 2014, at 00:47, Mark Stephen Mrotek wrote:
> When I move the "\grace {g16 fs}" to before "\tuplet 3/2" the beaming is
> correct.
Doesn’t work for me.
On 24 Jul 2014, at 00:51, Mark Stephen Mrotek wrote:
> Corrected myself. Look at
> \grace {g16 fs} \tuplet 3/2 {e8 [ fs16 } g16 a16
Hans,
When I move the "\grace {g16 fs}" to before "\tuplet 3/2" the beaming is
correct.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Hans Aberg
Sent: Wednesday, July 23, 2014 3:3
Is this a bug in the example below? The grace notes inhibit the called for
subbeaming in the first measure; its OK in the following measure, and also when
adding \partial. One can take away the triplet and replace with 1/16 notes.
\version "2.19.10"
\language "english"
music = \new Staff
Am 23.07.2014 23:08, schrieb tisimst:
BTW, I've tried contacting Torsten again to see if he has a licensing
preference for LilyJAZZ and LilyJAZZText (OFL, GPL, or whatever). Waiting to
hear back now, though based on others' comments, he may be out of reach
since last year.
Yes, that seems to be
Hi,
2014-07-23 18:07 GMT+02:00 Brian Barker :
> At 13:46 23/07/2014 +0200, Karol Majewski wrote:
>>
>> And how to divide this:
>>
>> c4 c8 c8~ c4 c4
>>
>> or
>>
>> c4 c8 c4. c4
>
>
> Elaine Gould says (on pp.166-7) "Note-values sustained across a beat or
> half-beat must expose the beat structure
2014-07-23 22:56 GMT+02:00 David Kastrup :
> Ugh.
>
> We have shortcuts \chords, \lyrics, \figures, \drums. They are
> documented sparingly if at all.
>
> Check the output of
>
> git grep '\\\(chords\|lyrics\|figures\|drums\)\b'
>
> for the number of occurences which are definitely significant tho
Keith OHara wrote
> Torsten Hämmerle
>
> web.de> writes:
>
>> I've attached a zip file containing the current (albeit unfinished)
>> versions of the LilyJAZZ music and LilyJAZZ Text font plus the
>> corresponding LilyJAZZ.ily include.
>
>> The main obstacle is the rigid way Lilypond handles
Larry Kent writes:
> Thanks for the replies, David Kastrup, Thomas Morley, David Nalesnik. The
> problem is fixed, and if you care to read how, keep reading; otherwise,
> thanks again and have a nice day.
>
> While trying to figure out how to create a "tiny example" that would
> duplicate my pro
Thanks for the replies, David Kastrup, Thomas Morley, David Nalesnik. The
problem is fixed, and if you care to read how, keep reading; otherwise,
thanks again and have a nice day.
While trying to figure out how to create a "tiny example" that would
duplicate my problem, which I was sure had to be
And both do exactly what I was looking for. Thank you Mr. Kastrup and Mr.
Liska!
On Wed, Jul 23, 2014 at 3:15 PM, David Kastrup wrote:
> ivan.k.kuznet...@gmail.com writes:
>
> > In a vocal part I am notating, while the singer mostly
> > sings notated pitches, there are a few parts
> > where th
ivan.k.kuznet...@gmail.com writes:
> In a vocal part I am notating, while the singer mostly
> sings notated pitches, there are a few parts
> where the singer will speak text in notated
> rhythm.
>
> When this is done is scores that I have seen,
> sometimes it is done with just stems, flags and
> b
On Wed, Jul 23, 2014 at 09:36:26PM +0200, Urs Liska wrote:
> Can it be you have a path setting pointing to some hidden 2.19.8 install?
Apparently on June 16 (I have been using Lily for many years) a complete
install was made in my home directory.
It took a bit of work for lilypond not to keep try
Am 23.07.2014 22:03, schrieb ivan.k.kuznet...@gmail.com:
In a vocal part I am notating, while the singer mostly
sings notated pitches, there are a few parts
where the singer will speak text in notated
rhythm.
When this is done is scores that I have seen,
sometimes it is done with just stems, fl
Il 23/lug/2014 21:04 "PMA" ha scritto:
>
> Hi List.
>
> My Debian version is Squeeze (oldstable),
> with default LilyPond at version 2.12.3-7.
>
Debian testing, despite the name, is very stable and it has 2.18. If you
want to keep the oldstable you can add testing repository and then pin the
lily
In a vocal part I am notating, while the singer mostly
sings notated pitches, there are a few parts
where the singer will speak text in notated
rhythm.
When this is done is scores that I have seen,
sometimes it is done with just stems, flags and
beams (but no note heads) such as in
the Charles I
On Tue, Jul 22, 2014 at 10:01 PM, tisimst
wrote:
> Karol,
>
> I've seen this kind of thing happen in other cases (but I can't remember a
> single one at the moment). The issue is that you must \unset the
> proportionalNotationDuration one note PRIOR to when it is to actually take
> effect. Like t
Am 23.07.2014 18:52, schrieb David Kastrup:
Urs Liska writes:
is it possible to take a music expression and print out its literal
input?
Sort of.
In other words: Could I write a function "\example" that takes a music
expression as an argument and that first outputs the input code as
text a
Or:
which -a lilypond
Then you can check the -v of each binary
Il 23/lug/2014 21:36 "Urs Liska" ha scritto:
> Can it be you have a path setting pointing to some hidden 2.19.8 install?
>
> What does lilypond -v give you when you invoke the executable explicitly?
>
> On 23. Juli 2014 21:32:36 MESZ
Can it be you have a path setting pointing to some hidden 2.19.8 install?
What does lilypond -v give you when you invoke the executable explicitly?
On 23. Juli 2014 21:32:36 MESZ, Paul Scott wrote:
>I have installed the GNU/Linux 64-bit 19.10 version several times
>(after uninstall-lilypond).
>
I have installed the GNU/Linux 64-bit 19.10 version several times
(after uninstall-lilypond).
Each time lilypond -v gives me GNU LilyPond 2.19.8
and running it on files with
\version "2.19.10"
gives:
error: program too old: 2.19.8 (file requires: 2.19.10)
TIA for any ideas?
Paul Scott
I've been using the textspanner to indicate vibrato on notes. This works on
the whole quite well, usually a bit better if I use a hidden grace note to stop
the textspan when finishing the vibrato. However, it doesn't quite work as I'd
hoped for notes at the end of a bar. I would like the vibr
PMA-2 wrote
> Hi List.
>
> My Debian version is Squeeze (oldstable),
> with default LilyPond at version 2.12.3-7.
>
> Has any of you successfully upgraded LP
> to version 2.18.0-1 on that system?
>
> Thanks,
> Pete
>
>
> ___
> lilypond-user mailing l
Hi List.
My Debian version is Squeeze (oldstable),
with default LilyPond at version 2.12.3-7.
Has any of you successfully upgraded LP
to version 2.18.0-1 on that system?
Thanks,
Pete
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Urs Liska writes:
> is it possible to take a music expression and print out its literal
> input?
Sort of.
> In other words: Could I write a function "\example" that takes a music
> expression as an argument and that first outputs the input code as
> text and then as a score?
>
> So that
>
> \ex
Larry Kent writes:
> Interesting quirk that popped up this morning, and I wonder if anyone else
> has come across anything similar.
>
> I'm working on an "a cappella" choral score, and the lyrics are
> misbehaving - but only in the bass part. Here's what is happening:
>
> 1. Lyric extenders do
2014-07-23 20:05 GMT+02:00 Larry Kent :
> Any thoughts on this, anyone?
http://www.lilypond.org/website/tiny-examples.html
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Hi Larry,
On Wed, Jul 23, 2014 at 1:05 PM, Larry Kent wrote:
>
> Any thoughts on this, anyone?
>
>
I think that this will be impossible to address without a minimal compiling
example showing your problem. See http://lilypond.org/tiny-examples.html
--David
Interesting quirk that popped up this morning, and I wonder if anyone else
has come across anything similar.
I'm working on an "a cappella" choral score, and the lyrics are
misbehaving - but only in the bass part. Here's what is happening:
1. Lyric extenders do not appear in the bass part, alt
On 23/07/14 17:04, Urs Liska wrote:
Hi all,
is it possible to take a music expression and print out its literal
input?
In other words: Could I write a function "\example" that takes a music
expression as an argument and that first outputs the input code as
text and then as a score?
So that
At 13:46 23/07/2014 +0200, Karol Majewski wrote:
And how to divide this:
c4 c8 c8~ c4 c4
or
c4 c8 c4. c4
Elaine Gould says (on pp.166-7) "Note-values sustained across a beat
or half-beat must expose the beat structure of the bar", "Only very
straightforward rhythms may be written across th
Hi all,
is it possible to take a music expression and print out its literal input?
In other words: Could I write a function "\example" that takes a music
expression as an argument and that first outputs the input code as text
and then as a score?
So that
\example {
\relative c' {
c8 d
On Jul 23, 2014, at 6:25 PM, Phil Holmes wrote:
> - Original Message - From: Mike Solomon
>
>> I’ve never seen a hemiola in 4/4 - the most frequent use of it I’ve seen is
>> in 3/8 in Händel’s music.
>
> Something of a cheat, but check out Sea Fever, by John Ireland - the
> penultima
On Wed, Jul 23, 2014 at 3:13 PM, Mike Solomon wrote:
> I’ve never seen a hemiola in 4/4 - the most frequent use of it I’ve seen is
> in 3/8 in Händel’s music.
I've seen a few in the Piano part of 'Oh Holy Night', which is in 12/8ths time.
Christ van Willegen
--
09 F9 11 02 9D 74 E3 5B D8 41 56
On Jul 23, 2014, at 3:51 PM, David Kastrup wrote:
> Mike Solomon writes:
>
>> On Jul 23, 2014, at 3:19 PM, David Kastrup wrote:
>>
>>> "Karol Majewski" writes:
>>>
Thanks David, but you answered an old question :)
My current question is related to:
c4 c8 c8
Mike Solomon writes:
> On Jul 23, 2014, at 3:19 PM, David Kastrup wrote:
>
>> "Karol Majewski" writes:
>>
>>> Thanks David, but you answered an old question :)
>>>
>>> My current question is related to:
>>>
>>>
>>> c4 c8 c8~ c4 c4
>>>
>>> vs
>>>
>>> c4 c8 c4. c4
>>
>> Jazzers would pick
On Jul 23, 2014, at 3:19 PM, David Kastrup wrote:
> "Karol Majewski" writes:
>
>> Thanks David, but you answered an old question :)
>>
>> My current question is related to:
>>
>>
>> c4 c8 c8~ c4 c4
>>
>> vs
>>
>> c4 c8 c4. c4
>
> Jazzers would pick #1, Baroque composers #2.
>
I don’t r
"Karol Majewski" writes:
> Thanks David, but you answered an old question :)
>
> My current question is related to:
>
>
> c4 c8 c8~ c4 c4
>
> vs
>
> c4 c8 c4. c4
Jazzers would pick #1, Baroque composers #2.
--
David Kastrup
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Thanks David, but you answered an old question :)
My current question is related to:
c4 c8 c8~ c4 c4
vs
c4 c8 c4. c4
--Karol
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"Karol Majewski" writes:
> Hi,
>
> I have question that is not related directly to lilypond. It refers to
> notation rules. How to divide a long note that starts at first
> half-beat in 4/4:
>
> r8 c8 ~ c2.
Probably does not start at a good time for that. If you tie together a
short and signifi
Aha, thanks for explanation. Anyway, this behavior of Lily is confusing.
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And how to divide this:
c4 c8 c8~ c4 c4
or
c4 c8 c4. c4
Again - couldn't find such rhythmic structure in my collection of hand engraved
scores.
--Karol
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