Re: Ticks

If you search for "Rhythmic Slashes" within the v2.18 snippets documentation, you'll find another way of creating those slashes - that approach has the advantage that the slashes will be silent in MIDI. Best, Robert > On 2 Jul 2014, at 23:06, Francisco Vila wrote: > > 2014-07-02 22:10 GMT+

Re:

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Re: [snippet] Repeats with parallelMusic

2014-07-02 12:13 GMT+02:00 David Kastrup : > However, this fix does not have regtests. I would appreciate it if you > could cook up a few short but difficult use cases for placing in the > regtests. > In order to find a sort of inspiration I've just re-wrote some snippets from the regression in

Re: Ticks

2014-07-02 22:10 GMT+02:00 Janek Warchoł : > > What about > > { > c' f' b' g' > \new Voice \with { > \consists "Pitch_squash_engraver" > \improvisationOn > \omit Stem > } { > c c c c > } > f'2 g' > } > > ? Ah yes, improvisation notes without the stems. Thank you! -- Fra

Re: solfege display for tie & slur (re-submit to list)

Thomas, Thank you very much and appreciate your effort.  Take your time. Looking forward to hear good news. Emmanuel, Ming.  On Wednesday, July 2, 2014 2:31:10 PM, Thomas Morley wrote: 2014-07-02 18:47 GMT+02:00 MING TSANG : > Hi forgot to include attachments. > > > On Wednesday, July 2,

Re: Ticks

Hi, 2014-07-02 22:01 GMT+02:00 Francisco Vila : > Hello, > From the attached image, I thought I could use percent repeats to > simulate four ticks in a measure. The problem is > >\repeat percent 4 { anything } > > always prints "anything" at least once at the beginning. > > How would you print

Ticks

Hello, >From the attached image, I thought I could use percent repeats to simulate four ticks in a measure. The problem is \repeat percent 4 { anything } always prints "anything" at least once at the beginning. How would you print such a tick notation in the very first measure? Thanks -- Fr

Re: solfege display for tie & slur (re-submit to list)

2014-07-02 18:47 GMT+02:00 MING TSANG : > Hi forgot to include attachments. > > > On Wednesday, July 2, 2014 9:39:38 AM, MING TSANG > wrote: > > > James: thank you for the email. > Thomas: Is it possible to modify 'solfege-engraver' not display / print > tied-to-notes? > Emmanuel, > Ming. > > > O

Re: parallelMusic and repeat

David Kastrup writes: > Federico Bruni writes: > >> Alexander Kobel wrote: >>> Federico Bruni wrote: Even this (just repeat without alternatives) does not work: \parallelMusic #'(VoiceA VoiceB) { \repeat volta 2 { r4 g' c e ~ | c,1 | e4 g, c e ~ |

Re: solfege display for tie & slur (re-submit to list)

Hi forgot to include attachments. On Wednesday, July 2, 2014 9:39:38 AM, MING TSANG wrote: James:  thank you for the email. Thomas: Is it possible to modify 'solfege-engraver' not display / print tied-to-notes?  Emmanuel, Ming. On Wednesday, July 2, 2014 8:41:13 AM, James wrote: On 0

Re: solfege display for tie & slur (re-submit to list)

James:  thank you for the email. Thomas: Is it possible to modify 'solfege-engraver' not display / print tied-to-notes?  Emmanuel, Ming. On Wednesday, July 2, 2014 8:41:13 AM, James wrote: On 02/07/14 13:34, MING TSANG wrote: Hi, Colin: >Thank you for you email. >I don't remember who the a

Re: Broken Hairpin height not affected by \alterBroken

Hi, On Wed, Jul 2, 2014 at 3:37 AM, Thomas Morley wrote: > > > Overriding the 'after-line-breaking property will work, though. > (Too lazy to turn it into a music-function) > > Yes, it does. This is an unfortunate limitation of \alterBroken--the spanner may not be broken at the time the proper

Re: solfege display for tie & slur (re-submit to list)

On 02/07/14 13:34, MING TSANG wrote: Hi, Colin: Thank you for you email. I don't remember who the author of 'solfege-engraver' is? By re-submit to the list again I hope the author will see this and be able to update it if it is possible. Emmanuel, Ming http://lists.gnu.org/archive/html/lilyp

Re: solfege display for tie & slur (re-submit to list)

Hi, Colin: Thank you for you email. I don't remember who the author of 'solfege-engraver' is? By re-submit to the list again I hope the author will see this and be able to update it if it is possible. Emmanuel, Ming On Monday, June 30, 2014 11:01:34 PM, Colin Campbell wrote: On 14-06-30 07

Re: [snippet] Repeats with parallelMusic

Pierre Perol-Schneider writes: > Hi James, > > 2014-06-30 18:21 GMT+02:00 James : > >> >> So are you saying we need to update the documentation? >> > > Yes, I think it could be a good thing to add somehow explanations for > repeats in parallelMusic mode. > But I'll send an email to the bug list

Re: where to put \partcombine for it to work

Hi, Jan-Peter: <><><> Message: 3 Date: Wed, 02 Jul 2014 07:52:13 +0200 From: Jan-Peter Voigt To: lilypond-user@gnu.org Subject: Re: where to put \partcombine for it to work Message-ID: <53b39e0d.9030...@gmx.de> Content-Type: text/plain; charset=ISO-8859-1 Hi Ming, partcombine takes two parameter

Re: Broken Hairpin height not affected by \alterBroken

2014-07-02 4:37 GMT+02:00 Javier Ruiz-Alma : > The 2nd Hairpin.height value in \alterBroken seems to get ignored. Is this > a limitation, or my bad syntax? > I'm dealing with a broken multi-bar hairpin. Not being able to adjust > heights per segment results in either too-narrow first or too-wide

Re: Broken Hairpin height not affected by \alterBroken

2014-07-02 4:37 GMT+02:00 Javier Ruiz-Alma : > The 2nd Hairpin.height value in \alterBroken seems to get ignored. Is > this a limitation, or my bad syntax? > None of them. I thing it could be considered as a bug. Cheers, Pierre ___ lilypond-user mailin

Re: perfect major thirds

- Original Message - From: "David Olson" To: Sent: Tuesday, July 01, 2014 9:31 PM Subject: perfect major thirds what should I write to actually do this? > The arrows represent the alteration > that changes a Pythagorean major > third