Re: temporarily disable Dot_column_engraver?

On Wed, 25 Jun 2014 10:14:13 -0700, Mark Polesky wrote: Keith OHara wrote: Put the small notes in a temporary Voice and give that Voice a Dot_column_engraver. Having this engraver in both a Voice and Staff is not problem here. You get two DotColumns, but that is what you want, and the Dots t

Sloped/Angled ottava spanner

It's been asked before . How does one angle an ottava (see attached) ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

RE: Positioning spanner at different height after line break

From: David Nalesnik Javier, On Wed, Jun 25, 2014 at 1:12 AM, Javier Ruiz-Alma mailto:jav...@ruiz-alma.com> > wrote: I have a TextSpanner going from one system to the next one below. The segment in the top-system needs to go under a slur, so I applied: \override TextSpanner.avoi

Re: Defining a command to perform a TextSpanner

Martyn Quick writes: > I've been using the TextSpanner in the following way: > > \version "2.18.2" > > music = { >   \textSpannerDown >   \override TextSpanner.bound-details.left.text = >     \markup { \upright "P.M." } >   e,8 e,\startTextSpan e, e, e, e, e,\stopTextSpan e, > } > > \score { >  

Defining a command to perform a TextSpanner

I've been using the TextSpanner in the following way: \version "2.18.2" music = {   \textSpannerDown   \override TextSpanner.bound-details.left.text =     \markup { \upright "P.M." }   e,8 e,\startTextSpan e, e, e, e, e,\stopTextSpan e, } \score {   <<   \new Staff { \clef "treble_8"     \music

Re: temporarily disable Dot_column_engraver?

Keith OHara wrote: > Put the small notes in a temporary Voice and give that > Voice a Dot_column_engraver. > > Having this engraver in both a Voice and Staff is not > problem here. You get two DotColumns, but that is what > you want, and the Dots that are caught by the DotColumn in > the Voice are

Re: Double key signature

Mats Bengtsson-4 wrote > Interesting! I have started typesetting some of Westhoff's solo violin > suites, which originally were typeset using a similar 8 line staff, see > http://imslp.org/wiki/Suites_for_Solo_Violin_%28Westhoff,_Johann_Paul_von%29 > As an additional feature, Westhoff used unequal

Re: Double key signature

There's a couple of examples of medieval music with 2 clefs at http://code.google.com/p/lilypond/issues/detail?id=2823 I assume it was to save paper and the need to draw extra staves in this case. -- Phil Holmes - Original Message - From: James To: Pierre Perol-Schneider ; lily

Re: long tacets

Hi, > I've wondered off and on for some time now if there is, or perhaps, should > be, a way to create long tacets without resorting to ugly hacks which don't > represent the actual information. > > One common example is an ensemble piece in which a particular instrument is > finished long eno

Re: long tacets

Hi, 2014-06-25 12:35 GMT+02:00 bobr...@centrum.is : > I've wondered off and on for some time now if there is, or perhaps, should > be, a way to create long tacets without resorting to ugly hacks which don't > represent the actual information. > > One common example is an ensemble piece in which a

Re: Positioning spanner at different height after line break

Javier, On Wed, Jun 25, 2014 at 1:12 AM, Javier Ruiz-Alma wrote: > I have a TextSpanner going from one system to the next one below. > > The segment in the top-system needs to go under a slur, so I applied: > > \override TextSpanner.avoid-slur = #'inside > > \override TextSpanner.outside-st

Re: Double key signature

2014-06-25 13:04 GMT+02:00 James : > Can someone explain how one would 'play' or even need a staff with two > clefs like this? :) > > As opposed to say two staff-lines each with its own clef? > Why not ? In fact, this staff is for the left hand of an organ piece. As Mats suggested it's probably

Re: Double key signature

On 24/06/14 10:26, Pierre Perol-Schneider wrote: Hi All, On the french list we are working on a Merulo score with an 8 lines staff, 2 clefs and 2 key signature : * http://lilypond-french-users.1298960.n2.nabble.com/Portee-a-huit-lignes-deux-clefs-et-deux-bemols-tt7581415.html * http://lil

long tacets

I've wondered off and on for some time now if there is, or perhaps, should be, a way to create long tacets without resorting to ugly hacks which don't represent the actual information. One common example is an ensemble piece in which a particular instrument is finished long enough before the en

Re: Double key signature

On 2014-06-25 10:19, Jacques Menu wrote: Hello Mats end Pierre, For the rest of us: what where the good points at the time in using 8 line staves? I guess the idea was to avoid ledger lines. /Mats ___ lilypond-user mailing list lilypond-user@

Re: multiple time sigs

"bobr...@centrum.is" writes: > I'm setting a piece in which the staves do not always have the same > time signature. In the manual I found the \layout block below which > almost solves my problem. In my example here, when the outer staves > have synchronous bar lines they cut through the middle

Re: Double key signature

Hello Mats end Pierre, For the rest of us: what where the good points at the time in using 8 line staves? JM Le 25 juin 2014 à 09:36:47, Mats Bengtsson a écrit : > Pierre Perol-Schneider gmail.com> writes: > >> >> >> >> >> Hi All, >> On the french list we are working on a Merulo score w

multiple time sigs

I'm setting a piece in which the staves do not always have the same time signature. In the manual I found the \layout block below which almost solves my problem. In my example here, when the outer staves have synchronous bar lines they cut through the middle staff. This occurs when outer stav

Re: Double key signature

Pierre Perol-Schneider gmail.com> writes: > > > > > Hi All, > On the french list we are working on a Merulo score with an 8 lines staff, 2 clefs and 2 key signature : * http://lilypond-french-users.1298960.n2.nabble.com/Portee-a-huit-lignes-deux-clefs-et-deux-bemols-tt7581415.html* http://lil

Re: Double key signature

Hi Keith, 2014-06-25 5:14 GMT+02:00 Keith OHara : > LilyPond supports custom key signatures, and will print this for d\minor > if you ask for an extended range of printed flats: > Never even try that !! That's great, thanks very much Keith. Pierre ___