2014-06-25 5:14 GMT+02:00 Keith OHara :
> Pierre Perol-Schneider gmail.com> writes:
>
>> On the french list we are working on a Merulo score with an 8 lines
> staff, 2 clefs and 2 key signature
>
>> As you can notice, I still have to manually set the distance between the
> key signatures.
>
> Lily
I have a TextSpanner going from one system to the next one below.
The segment in the top-system needs to go under a slur, so I applied:
\override TextSpanner.avoid-slur = #'inside
\override TextSpanner.outside-staff-priority = ##f
\override TextSpanner.staff-padding = 3.0
.to get the des
Mark Polesky gmail.com> writes:
> Normally, the dots on dotted notes in different voicesshould be aligned
The textbooks say we should set dots set independently for each voice
https://code.google.com/p/lilypond/issues/detail?id=2200
But slightly-misaligned dots in some cases drew some complain
Pierre Perol-Schneider gmail.com> writes:
> On the french list we are working on a Merulo score with an 8 lines
staff, 2 clefs and 2 key signature
> As you can notice, I still have to manually set the distance between the
key signatures.
LilyPond supports custom key signatures, and will prin
Davide,
First, much thanks for your very patient responses to my SIP API errors
with the Port version of Frescobaldi.
I'm happy to report that the app bundle, thus far, works flawlessly so no
further need for the Port install of Frescobaldi. I've opened some fairly
hairy scores which use book
I installed the app.
No problems at all.
The app run smoothly.
No problem on midi.
No problem on import xml.
great
Enrico
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I've used two score sections in situations like this, but then you get
separate midi files. Up to you.
Knute Snortum
(via Gmail)
On Tue, Jun 24, 2014 at 8:35 AM, Johan Vromans wrote:
> Carlo Vanoni writes:
>
> > This implies that I have defined the harmony for all of the song.
> > How to de
At 13:06 24/06/2014 +0200, Werner LEMBERG wrote:
It's not lilypond's job to imitate hand-written marks! In other
words, I want to see some *printed* editions with such entries [sc.
over bar lines] so that we can adjust lilypond accordingly, if necessary.
In some Puccini scores, marks for poss
Carlo Vanoni writes:
> This implies that I have defined the harmony for all of the song.
> How to define (and print) harmony for, say, just the intro?
Specify the chords of the intro, and leave the rest empty?
-- Johan
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On Tue, Jun 24, 2014 at 4:06 AM, Werner LEMBERG wrote:
> I fully understand what you say, and similar symbols are used for
> singers, too, however, I think this somehow contradicts what lilypond
> is intended to do: engraving well-formatted music. It's not
> lilypond's job to imitate hand-written
On Tue, 2014-06-24 at 06:59 -0700, Son_V wrote:
> Hi all, can't understand why I can't import Organ xml files
I would be interested to know how Denemo's musicxml import manages with
your file - version 1.1.4 at least. Although not at all sophisticated I
don't have any examples where it fails to pr
James Harkins-2 wrote
> If you ever need the score and a transposed part to have a different slur
> shape in places... this does it :)
>
> Just had to share -- actually I wasn't entirely sure this would work, but
> it's perfect!
>
> hjh
>
> \version "2.18.2"
> \language "english"
>
> music =
Hi all, can't understand why I can't import Organ xml files that I make in
Musescore (I find it a lot esaier to write with a direct reading of what I'
doing, then to load the xml files in Frescodaldi to get the graphical
output). I get this error message:
The file couldn't be converted. Error mess
Hi everyone,
I have a song with various sections (intro, verse, chorus, ...) defined as
variables.
I would like to add chords on top of some of these sections.
On the Lilypond manual all the examples add chords as a separate voice using <<
>> to bound everything togheter. I have score, tabs and
Very cool! Thanks for sharing! I didn't realize you could do such a thing. I
can see this coming in handy.
-Abraham
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View this message in context:
http://lilypond.1069038.n5.nabble.com/Nifty-trick-with-tags-and-shape-tp163576p163599.html
Sent from the User mailing list archive at Nabble.com.
>> I can't believe that it doesn't affect spacing. As soon as you
>> insert something visible into the score that has a timing value
>> (and a breathing mark definitely has, if probably not specified
>> exactly), it *must* take part of the horizontal formatting. You
>> even give a hint how to pos
Hi All,
On the french list we are working on a Merulo score with an 8 lines staff,
2 clefs and 2 key signature :
*
http://lilypond-french-users.1298960.n2.nabble.com/Portee-a-huit-lignes-deux-clefs-et-deux-bemols-tt7581415.html
*
http://lilypond-french-users.1298960.n2.nabble.com/file/n7581418/m
Thank you Abraham, this is just what I need.
Best, David
On 23 June 2014 21:07, tisimst wrote:
> David,
>
> You can manually place the left and right ends of the bracket like this
> (and
> adjusting to taste):
>
> \version "2.19.8"
> {
> \clef "bass"
> <<
> {
> 4
> }
> \\
On 24/06/14 08:13, Werner LEMBERG wrote:
>> - The mark generally doesn't affect the music spacing or beaming in
>> any way.
> I can't believe that it doesn't affect spacing. As soon as you insert
> something visible into the score that has a timing value (and a
> breathing mark definitely has, i
> - The mark generally doesn't affect the music spacing or beaming in
> any way.
I can't believe that it doesn't affect spacing. As soon as you insert
something visible into the score that has a timing value (and a
breathing mark definitely has, if probably not specified exactly), it
*must* ta
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