Am 2013-12-14 um 23:23 schrieb Carl Sorensen :
> On 12/14/13 9:32 AM, "Henning Hraban Ramm" wrote:
>
>> Hi,
>> someone of you wrote the following function for me some year before, that
>> allows me to set minor chords in lowercase instead of attaching „m“:
>>
>> ((= alteration FLAT) (m
Thanks, that worked. I ended up going with the following since it allows
you to use it inside a \relative section, but I'm confused as to why I
needed to use \transpose c c'' instead of \transpose c c' for it to work
correctly. Could you explain why?
\version "2.17.95" %version change since I swi
Alex Loomis wrote
> Could someone explain why this doesn't work?
I think you need to use $music-input instead of #music-input:
\version "2.16.1"
octava =
#(define-music-function
(parser location music-input)
(ly:music?)
#{
\partcombine $music-input \transpose c c' $music-input
#})
\octava { c' d'
Could someone explain why this doesn't work?
\version "2.16.2"
octava =
#(define-music-function
(parser location music-input)
(ly:music?)
#{
\partcombine #music-input \transpose c c' #music-input
#})
\octava { c' d' e' }
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Hi Paul,
Replace
> \override VerticalAxisGroup #'remove-first = ##t
with
\context { \Score \override VerticalAxisGroup #'remove-first = ##t }
Hope this helps!
Kieren.
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On Sat, Dec 14, 2013 at 07:42:46PM -0500, Kieren MacMillan wrote:
> Hi Paul,
>
> Replace
>
> > \override VerticalAxisGroup #'remove-first = ##t
>
> with
>
> \context { \Score \override VerticalAxisGroup #'remove-first = ##t }
Excellent! The \Score wasn't necessary. Here's what I have no
On Sat, Dec 14, 2013 at 06:01:39PM -0500, Alex Loomis wrote:
> Could you include a minimal example?
Sure:
\version "2.17.97"
showMultiRests = {
\set Staff.keepAliveInterfaces =
#'( rhythmic-grob-interface
multi-measure-rest-interface
lyric-interface
stanza-number-interface
perc
Could you include a minimal example?
On Sat, Dec 14, 2013 at 4:58 PM, Paul Scott wrote:
> On Sat, Dec 14, 2013 at 04:00:13PM -0500, Kieren MacMillan wrote:
> > Hi Paul,
> >
> > > If the following is the solution where can I put showMultiRests so that
> > > it doesn't override RemoveEmptyStaves
On Sat, Dec 14, 2013 at 04:00:13PM -0500, Kieren MacMillan wrote:
> Hi Paul,
>
> > If the following is the solution where can I put showMultiRests so that
> > it doesn't override RemoveEmptyStaves and show staves whether they are
> > both empty or not?
> > http://lsr.dsi.unimi.it/LSR/Item?id=312
Hi Paul,
> If the following is the solution where can I put showMultiRests so that
> it doesn't override RemoveEmptyStaves and show staves whether they are
> both empty or not?
> http://lsr.dsi.unimi.it/LSR/Item?id=312
That’s the hack I use…
You just put \showMultiRests in the part/music at the
In a simple Frenched score for many typical instruments often all (both)
parts have rests. Using RemoveEmptyStaves removes the staff the
multi-rests and only leaves rehearsal marks. How can I cause the staves
and multi-rests to be engraved?
If the following is the solution where can I put sh
Hi I just tried to put something together with just the S & A parts
into Noteworthy Composer
It's so bad that I doubt there's a point to doing more. I've
attached it but I'm not going to continue as it seems pointless.
Jay
On 2013-12-11 04:46, Janek Warchoł wrote:
Okay, it seems that the
On 12/14/13 9:32 AM, "Henning Hraban Ramm" wrote:
>Hi,
>someone of you wrote the following function for me some year before, that
>allows me to set minor chords in lowercase instead of attaching „m“:
>
> ((= alteration FLAT) (make-simple-markup "es"))
((= alteration FLAT) (
Hi,
someone of you wrote the following function for me some year before, that
allows me to set minor chords in lowercase instead of attaching „m“:
#(define (conditional-string-downcase str condition)
(if condition
(string-downcase str)
str))
#(define (pitch-alteration-semitones pit
TaoCG writes:
> David Kastrup wrote
>> TaoCG <
>
>> tao_lilyponduser@
>
>> > writes:
>>
>>> David Kastrup wrote
Again, it is totally unclear what you want to be your input and your
output.
>>>
>>> If my message reached you like this then indeed it is.
>>> On my side, via the nabb
David Kastrup wrote
> TaoCG <
> tao_lilyponduser@
> > writes:
>
>> David Kastrup wrote
>>>
>>> Again, it is totally unclear what you want to be your input and your
>>> output.
>>
>> If my message reached you like this then indeed it is.
>> On my side, via the nabble web interface, it looks fine
On Dec 14, 2013, at 2:16 PM, Mike Solomon wrote:
> On Dec 14, 2013, at 1:41 PM, Xavier Noria wrote:
>
>> Not specific to Lilypond but hope you don't mind the question, I have looked
>> for this in online music notation glossaries without success.
>>
>> I am transcribing a jazz ballad, and I
On Dec 14, 2013, at 1:41 PM, Xavier Noria wrote:
> Not specific to Lilypond but hope you don't mind the question, I have looked
> for this in online music notation glossaries without success.
>
> I am transcribing a jazz ballad, and I am told the player thinks the solo in
> double-time and I s
Not specific to Lilypond but hope you don't mind the question, I have
looked for this in online music notation glossaries without success.
I am transcribing a jazz ballad, and I am told the player thinks the solo
in double-time and I should reflect that switching to 8ths rather than
16ths.
Is the
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