On Sat, Sep 07, 2013 at 08:28:52PM -0700, Mark Stephen Mrotek wrote:
> Hello:
>
> A partial measure contains 1 and 1/16 beat. How is that notated in the
> command "\partial?"
>
> Thank you.
>
> Mark
You say 1 and 1/16 *beat*, but I suspect you mean one quarter
*note* and one 16th *note*, correc
On 08/09/13 15:02, Mark Stephen Mrotek wrote:
Mr. Payne,
Perfect! Thank you. I assume that the "-5/16" means that the measure
starts 5/16 before the end. Correct?
See the NR section on upbeats:
http://www.lilypond.org/doc/v2.17/Documentation/notation/displaying-rhythms#upbeats
_
Mr. Payne,
Perfect! Thank you. I assume that the "-5/16" means that the measure starts
5/16 before the end. Correct?
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Nick Payne
Sent: Saturday, Septembe
On 08/09/13 13:28, Mark Stephen Mrotek wrote:
Hello:
A partial measure contains 1 and 1/16 beat. How is that notated in the
command "\partial?"
Use Timing.measurePosition instead:
\version "2.17.25"
\relative c'' {
\set Timing.measurePosition = #(ly:make-moment -5/16)
c4 c16 |
c1 c
Carl:
Thank you for your reply and the reference. I shall read it.
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Carl Peterson
Sent: Saturday, September 07, 2013 8:43 PM
To: Mailinglist lilypond-use
On Sat, Sep 7, 2013 at 11:35 PM, Carl Peterson wrote:
> On Sat, Sep 7, 2013 at 11:28 PM, Mark Stephen Mrotek > wrote:
>
>> Hello:
>>
>> ** **
>>
>> A partial measure contains 1 and 1/16 beat. How is that notated in the
>> command “\partial?”
>>
>> **
>>
>
> Try \partial 16*17
>
> *sigh*.
On Sat, Sep 7, 2013 at 11:28 PM, Mark Stephen Mrotek
wrote:
> Hello:
>
> ** **
>
> A partial measure contains 1 and 1/16 beat. How is that notated in the
> command “\partial?”
>
> **
>
Try \partial 16*17
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Hello:
A partial measure contains 1 and 1/16 beat. How is that notated in the
command "\partial?"
Thank you.
Mark
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At the moment I can't give you a reason why this would work instead of the
code posted earlier, but here's the code I use in my current projects.
Put a \layout block somewhere inside your \score block with the following
contents (adjust it to your needs – this produces beamed groups with a
length
Hi Ed:
You have not told us what version you are running. What version of
LilyPond are you running?
This code should work for 2.14, 2.16, and 2.17.
Rachael
On 09/07/2013 08:28 PM, EdBeesley wrote:
Thanks everyone for your continued help. Rachael I'm afraid your example
didn't work. I did a
Thanks everyone for your continued help. Rachael I'm afraid your example
didn't work. I did actually study the relevant section of the manual for a
good half hour, and I can see why your example should work, but
unfortunately it doesn't :(
--
View this message in context:
http://lilypond.10690
Ed:
In the manual
http://www.lilypond.org/doc/v2.16/Documentation/notation/beams#setting-autom
atic-beam-behavior
is a discussion on changing how automatic beaming works. Scroll down until
you see the phrases:
\set Timing.baseMoment = #(ly:make-moment 1 8)
\set Timing.beatStructure = #'(
Hello Ed:
On 09/07/2013 07:38 PM, EdBeesley wrote:
Thanks Andrew I was going to do that but the whole part I'm writing has
the same beaming pattern throughout, so to keep it tidy I was hoping to
avoid doing it manually for every bar. And I figured I might as well try
and understand how it works
To do that, refer to the manual section 1.2.4 on beaming.
Andrew
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Hello Ed:
2/4 all 4 quavers will be beamed together.
\version "2.16.2"
\relative c'' {
\time 2/4
c8 b a g |
\set Timing.baseMoment = #(ly:make-moment 2 4)
\set Timing.beatStructure = #'(1)
\set Timing.beamExceptions = #'()
c b a g |
}
Rachael
_
Thanks Andrew I was going to do that but the whole part I'm writing has the
same beaming pattern throughout, so to keep it tidy I was hoping to avoid
doing it manually for every bar. And I figured I might as well try and
understand how it works now rather than later!
On Sun, Sep 8, 2013 at 1:27 A
You could use manual beaming, for example.
\relative c'' {
\time 2/4
c8 b a g |
c[ b a g] |
}
Andrew
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Hi everyone please excuse this extremely dumb question but I can't for the
life of me figure out how to change the default beam settings for one staff
such that in a time signature of 2/4 all 4 quavers will be beamed together.
I've read the manual entries and tried a bunch of different variations o
2013/8/23 Phil Holmes
> - Original Message - From: "Trevor Daniels" >
> To: "SoundsFromSound" ;
> Sent: Friday, August 23, 2013 9:52 AM
> Subject: Re: LilyPond Video Tutorials (Beginner)
>
>
>
> SoundsFromSound wrote Thursday, August 22, 2013 11:40 PM
>>
>> Hi Ben
>>
>> I wanted to le
On Sat, Sep 7, 2013 at 8:04 AM, David Kastrup wrote:
>
>
> The links do no harm. If at any point of time file size is a problem
> for any given person, he can reduce it himself.
>
>
I have a problem with this statement. If they do no harm, why then does the
Usage file say:
*"Note:* You should a
2013/9/7 Paul Morris :
> Aha! I think this explains why I get this:
>
> warning: cannot find or create new `StaffTwinNote'
>
> when I use music that includes my custom staff context in a \midi block.
> Everything still worked fine, so I did not look further into it before.
:-)
> I see where th
Urs Liska writes:
> Am 07.09.2013 13:49, schrieb Janek Warchoł:
>>
>> Ok, that'd be helpful indeed, but (correct me if i'm wrong) all the
>> links in the pdf are absolute paths pointing to the original source
>> file. Which means that:
>> - if i move my source file, the link doesn't work
>> - if
Am 07.09.2013 13:49, schrieb Janek Warchoł:
Ok, that'd be helpful indeed, but (correct me if i'm wrong) all the
links in the pdf are absolute paths pointing to the original source
file. Which means that:
- if i move my source file, the link doesn't work
- if i don't have the source file, the li
on 2013-09-07 at 14:04 David Kastrup wrote:
> You propose making life tough for a majority of people just to save file
> space for a preferred use modus of yourself.
well, i guess no-one of us really knows offhand what the "majority of
people" think or prefer, so i'll speak for myself.
in my op
Am 07.09.2013 14:54, schrieb David Kastrup:
Janek Warchoł writes:
2013/9/7 David Kastrup :
Janek Warchoł writes:
So, as i see it, the links are useful only for the person who produced
the pdf.
Sure. They point is that they _are_ useful.
My point is:
- if you don't compile the file yours
Janek Warchoł writes:
> 2013/9/7 David Kastrup :
>> Janek Warchoł writes:
>>> So, as i see it, the links are useful only for the person who produced
>>> the pdf.
>>
>> Sure. They point is that they _are_ useful.
>>
>>> My point is:
>>> - if you don't compile the file yourself, the links are use
Thanks for the pointers, Joseph. I did catch that my longstem tweak made
stems appear thicker on screen; I'm not incredibly concerned about that.
Thanks for that tip. I don't think it'll be too hard to sort out.
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Project-C
2013/9/7 David Kastrup :
> Janek Warchoł writes:
>> So, as i see it, the links are useful only for the person who produced
>> the pdf.
>
> Sure. They point is that they _are_ useful.
>
>> My point is:
>> - if you don't compile the file yourself, the links are useless anyway
>> - if you compile th
Aha! I think this explains why I get this:
warning: cannot find or create new `StaffTwinNote'
when I use music that includes my custom staff context in a \midi block.
Everything still worked fine, so I did not look further into it before.
I see where the problem lies now, but I don't think
Janek Warchoł writes:
> 2013/9/7 David Kastrup :
>> Janek Warchoł writes:
>>> I think that we should turn point and click off by default. It only
>>> makes sense with smart editors like Frescobaldi, which should be able
>>> to turn this on when they need it.
>>
>> I very much disagree. lilypon
2013/9/7 David Kastrup :
> Janek Warchoł writes:
>> I think that we should turn point and click off by default. It only
>> makes sense with smart editors like Frescobaldi, which should be able
>> to turn this on when they need it.
>
> I very much disagree. lilypond-invoke-editor alone supports e
Janek Warchoł writes:
> 2013/9/7 Marc Hohl :
>> Am 06.09.2013 23:27, schrieb Janek Warchoł:
>>
>>> Hi,
>>>
>>> 2013/9/6 Kale Good :
[...]
>>>
>>>
>>> I'm very surprised that this attachment went through. Nevertheless,
>>> please don't send so big attachments in the future - considerin
On 06/09/13 17:26, Kale Good wrote:
Hello all,
I haven't had a chance to do a serious proof read of this yet; I wanted to do it
today but some other work came up, so I'm sending it out more than a little
unfinished. All the notes and fingerings are there (or should be), but I haven't
tweaked layo
2013/9/7 Marc Hohl :
> Am 06.09.2013 23:27, schrieb Janek Warchoł:
>
>> Hi,
>>
>> 2013/9/6 Kale Good :
>>>
>>> [...]
>>
>>
>> I'm very surprised that this attachment went through. Nevertheless,
>> please don't send so big attachments in the future - considering that
>> this mailing list has about
2013/9/7 David Kastrup :
> Janek Warchoł writes:
>> Ah, i understand! Now
>> (http://github.com/openlilylib/snippets/commit/55a80652dc0da9506edb4826d4def58f3a34f145)
>> the file compiles, but there is no sound output, as if no
>> midiInstrument was specified. Can you look at
>> http://github.com
Am 06.09.2013 23:27, schrieb Janek Warchoł:
Hi,
2013/9/6 Kale Good :
[...]
I'm very surprised that this attachment went through. Nevertheless,
please don't send so big attachments in the future - considering that
this mailing list has about 1000 subsribers, sending your email meant
transfer
Janek Warchoł writes:
> 2013/9/7 David Kastrup :
>> Janek Warchoł writes:
>>
>>> apparently somewhere in midi generation there's a hard-coded "Voice"
>>> context, and midi doesn't want to work with custom-defined contexts.
>>
>> Wrong. \midi would be happy to work with any custom-defined contex
2013/9/7 David Kastrup :
> Janek Warchoł writes:
>
>> apparently somewhere in midi generation there's a hard-coded "Voice"
>> context, and midi doesn't want to work with custom-defined contexts.
>
> Wrong. \midi would be happy to work with any custom-defined context
> type, but you don't declare
2013/9/6 Tommaso Gordini
>
> \once \override Staff.clefGlyph #'whiteout = ##t
>
>
>
\once\override Staff.Clef #'whiteout = ##t
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