It works in Frescobaldi on a mac. That might be your best bet, and you'd get
all the other great benefits of using Frescobaldi:
http://www.frescobaldi.org/
The downside is that installing it on the mac is not a simple process, but
there is a good guide:
https://github.com/wbsoft/frescobaldi/wiki/
2013/8/31 David Kastrup :
> Thomas Morley writes:
>
>> \version "2.17.25"
>>
>> scalesAndTriads =
>> #(define-music-function (parser location m music)(ly:music? ly:music?)
>> (let* ((elts (ly:music-property m 'elements))
>> (pitches (map (lambda (x) (ly:music-property x 'pitch)) elts))
Fantastic. Works beautifully. Thanks very much.
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Micah Walter writes:
> In Lilypond, there is a distinction between specifying \key c \major and
> leaving the key blank.
Not really.
> In the former case, transposing instruments will change the key
> signature accordingly, while in the latter case, no key signature will
> be added. Using \tran
In Lilypond, there is a distinction between specifying \key c \major and
leaving the key blank. In the former case, transposing instruments will
change the key signature accordingly, while in the latter case, no key
signature will be added. Using \transpose c d, for instance, will add two
sharps if
Am 31.08.2013 20:47, schrieb David Kastrup:
Urs Liska writes:
Currently we have a blog post in the pipeline (one of the first 'guest
contributions') that shows how to generate sets of scales for any
given or all pitches. Jacques uses shell scripts for that.
Well, that's one advantage of LilyP
Jan Nieuwenhuizen writes:
> Below is something I hacked-up to auto-create PDF-preview and
> compilation windows,
Long time ago I wrote a small tool that is run external of Emacs. It
basically fires up a PDF viewer (evince) and an editor window (Emacs)
and waits until one of a list of files (e.g
Urs Liska writes:
> Currently we have a blog post in the pipeline (one of the first 'guest
> contributions') that shows how to generate sets of scales for any
> given or all pitches. Jacques uses shell scripts for that.
Well, that's one advantage of LilyPond's plain text format: you don't
_need_
Just FYI,
Currently we have a blog post in the pipeline (one of the first 'guest
contributions') that shows how to generate sets of scales for any given or all
pitches. Jacques uses shell scripts for that.
Urs
Jan Nieuwenhuizen schrieb:
>Hi,
>
>I was inspired by pair of video's this mornin
Thomas Morley writes:
> \version "2.17.25"
>
> scalesAndTriads =
> #(define-music-function (parser location m music)(ly:music? ly:music?)
> (let* ((elts (ly:music-property m 'elements))
> (pitches (map (lambda (x) (ly:music-property x 'pitch)) elts))
> (pitch-octaves (map (lam
2013/8/31 Jan Nieuwenhuizen :
> Hi,
>
> I was inspired by pair of video's this morning
>
> http://www.youtube.com/watch?v=qZU8dm9MtHo
> http://www.youtube.com/watch?v=qZU8dm9MtHo
>
> in which George Hess shows how to create a scale sheet in Finale and in
> MuseScore.
>
> It looks to me as a
Jan Nieuwenhuizen writes:
> While I was in the process of creating a screencast using Frescobaldi,
> it dawned on my how weird that is, because I'm realy bad at editing
> text in something that's not Emacs. However, Frescobaldi has become
> much, friendlier than our Emacs mode.
There are severa
Hello,
I apologize if this is an easy fix, but I've searched high and low, and
can't find an answer. I'm using Lilypond 2.16.2, and the vertical spacing
between titles (title, subtitle, composer, arranger, etc.) is a bit large
for my taste. How can I control the spacing of these elements?
As far
Hi all,
I've seen a number of things on google about making PDF point an click work on
the Mac. None seem to me like an official way of dealing with it.
Is there a well documented way to do it?
Thanks!
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Trevor:
Thank you for your reply and the references.
Mark
-Original Message-
From: Trevor Daniels [mailto:t.dani...@treda.co.uk]
Sent: Saturday, August 31, 2013 2:14 AM
To: Mark Stephen Mrotek; lilypond-user@gnu.org
Subject: Re: polymetics in piano
Mark Stephen Mrotek wrote Saturday,
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
On 30/08/13 14:49, David Kastrup wrote:
>> I am trying to modify an shared include file the allow it to
>> switch the score that uses it between A4 "normal" mode and an
>> cut-down A5 form (for an e-book reader).
>>
>> I can make set-paper-size condit
Thanks!
Perhaps it's interesting to note that this (to put the arrows above the
stave) is actually what is recommended by Gould in the book for multiple
strummed chords in succession.
But in my case I'm doing single strums.
Peter
There's a flamenco snippet in the LSR which does it slightly
Great! Thanks a lot!
Peter
On 08/30/2013 10:21 PM, Robin Bannister wrote:
Peter Bjuhr" wrote:
My starting point was that this could be achieved by using some kind
of alternative arpeggio, but so far this has not been a successful
approach.
Here is a rough sketch of such an approach, without
Thanks a lot Pierre! I find myself constantly confused with the changes
from version 2.16 to 2.17.
On Fri, Aug 30, 2013 at 7:38 PM, Pierre Perol-Schneider <
pierre.schneider.pa...@gmail.com> wrote:
> 2013/8/30 Gilberto Agostinho
>
>> Hello all,
>>
>
> Hi Gilberto,
>
>
>>
>> I altered the *syst
Mark Stephen Mrotek wrote Saturday, August 31, 2013 2:06 AM
> In a previous thread
> (http://lists.gnu.org/archive/html/lilypond-user/2013-08/msg00673.html), a
> Chopin Nocturne was discussed that has polymetrics starting on the second
> page of the score. I have looked at the .ly file (attached
bmathias wrote
> I apologize if this is an easy fix, but I've searched high and low, and
> can't find an answer. I'm using Lilypond 2.16.2, and the vertical spacing
> between titles (title, subtitle, composer, arranger, etc.) is a bit large
> for my taste. How can I control the spacing of these ele
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