Nick Payne-3 wrote
> On 12/12/2012 5:44 PM, David Kastrup wrote:
>> Nathan <
> when.possible@
> > writes:
>>
>>> On Tue, Dec 11, 2012 at 3:12 PM, Olivier Biot <
> olivier.biot@
> > wrote:
Hi all,
How can I display the string number above fingerings in all cases?
[...]
>
On 12/12/2012 5:44 PM, David Kastrup wrote:
Nathan writes:
On Tue, Dec 11, 2012 at 3:12 PM, Olivier Biot wrote:
Hi all,
How can I display the string number above fingerings in all cases?
[...]
Both StringNumbers and Fingerings have script-priority set to 100.
Increasing one seems to solve
Nathan writes:
> On Tue, Dec 11, 2012 at 3:12 PM, Olivier Biot wrote:
>> Hi all,
>>
>> How can I display the string number above fingerings in all cases?
>>
>> [...]
>
> Both StringNumbers and Fingerings have script-priority set to 100.
> Increasing one seems to solve the problem:
Shouldn't we
On Tue, Dec 11, 2012 at 8:02 PM, ed stuckems wrote:
> Nathan:
>
> Thanks, your response is exactly what I was looking for.
>
> See below for more comments...
>
> [...]
>
> Perfect. This does exactly what I want.
>
> I actually saw the snippet but I don't understand how I identify
> something as e
Nathan:
Thanks, your response is exactly what I was looking for.
See below for more comments...
On Tue, Dec 11, 2012 at 5:43 PM, Nathan wrote:
> On Mon, Dec 10, 2012 at 9:31 PM, ed stuckems wrote:
>> (1) in a piano staff context, we'd like to increase the space between
>> the two staves compr
On Wed, Dec 12, 2012 at 12:37 AM, Nathan wrote:
> \override StringNumber #'script-priority = #150
Hi Nathan,
Many thanks, as this was precisely what I was looking for!
Best regards,
Olivier
___
lilypond-user mailing list
lilypond-user@gnu.org
https
Thank you for the info. I will keep this in mind.
Blessing in+,
Ming
>
> From: Reinhold Kainhofer
>To: MING TSANG
>Cc: lilypond-usermailinglist
>Sent: Tuesday, December 11, 2012 5:42:55 PM
>Subject: Re: problem of placing "\with {\consists #numbrUP}" on li
On Tue, Dec 11, 2012 at 3:12 PM, Olivier Biot wrote:
> Hi all,
>
> How can I display the string number above fingerings in all cases?
>
> [...]
Both StringNumbers and Fingerings have script-priority set to 100.
Increasing one seems to solve the problem:
\new Staff \relative c'' {
g8-1\1 a8-1\1
Hi David,
> In the interests of making the user interface friendlier, I added a
> feature for specifying repeats. You can now write something like this:
> \consists #(bars-per-line-engraver '(5 7*5 1 3*3))
Love it! Thanks.
Is there an easy way of making an systems-per-page-engraver along the s
Hi all,
How can I display the string number above fingerings in all cases?
Here's a small snippet that will semi randomly arrange fingerings and
string numbers:
%%% BEGIN snippet
\version "2.16.1"
theMusic = \new Staff \with {midiInstrument = #"cello"} {
\relative d {
\key c \major
\t
Am 11.12.2012 23:01, schrieb Olivier Biot:
>
> …
> How can this be easily achieved? Is there a way to mute the MIDI channel
> for one or a number of notes?
Hi Oliver,
you could use tags:
http://lilypond.org/doc/v2.16/Documentation/notation/different-editions-from-one-source#using-tags
music =
On Sat, Dec 8, 2012 at 7:21 PM, David Nalesnik wrote:
[...]
>
> Trying to work out the problem, I've done a little rewriting so I'll
> include the engraver here. You can just substitute this in the
> problematic file.
>
Well, I did break something. Here's the fix:
frameEngraver =
#(lambda (c
On Mon, Dec 10, 2012 at 11:30 PM, David Kastrup wrote:
> The behavior is undefined if I remember correctly: an error is not
> guaranteed by the standard. I think Guilev2 will produce an error, but
> LilyPond is still at Guilev1.
OK, thanks!
-David
_
On Mon, Dec 10, 2012 at 9:31 PM, ed stuckems wrote:
> Hello all,
>
> I'm creating piano music for someone and the recipient reviewed the
> score and asked for changes. Despite my best efforts, I haven't been
> able to make the requested changes without some help. Can someone
> help with the fol
On 11/12/2012 23:24, MING TSANG wrote:
> I have a second problen: When I code \nup on \new staff level.
> numbered pitch stack wrong for the last three note on T.B clef bass .
> Please refer to png.
The reason is that there is no guarantee that at any given moment the
notes of the first voice
Hi all,
When adding artificial harmonics in a music score, the stopped note and the
artificial harmonic are written in a chord construct, as in:
However, the MIDI output, even with articulate.ly, will render both the
stopped note AND the actual harmonic, whereas in this situation one
obviously
Over here (Belgium) LilyPond is not as well known as MuseScore. Other
popular (paid) software are Sibelius and Finale.
I have to agree that even with my software development background and
TeX/LaTeX experience I find the learning curve of LilyPond rather steep.
But the path is very rewarding. I ca
Hi again,
some more thoughts that came up during the preparation of this teachers’
meeting:
- The LilyPond website could be a bit more enthusiastic about the
features of LilyPond. Many proprietary programs have a shiny *list of*
*features* with images on their site and LilyPond could attract more
Dear LilyPond community,
today, there was an informal meeting of future teachers in southern
Germany with the aim to share knowledge about helpful software for music
teaching at high-school.
LilyPond was presented and I contributed a summary about LilyPond usage
and installation. I had expected s
Hi Arle,
Below is a revised version that lets you just enter 1 and -1 to indicate your
offsets. It then multiplies that by 1.251178 to get the precise offset amount.
You could enter a slightly larger amount (like 1.1) for whole notes and adjust
to taste. This basically lets you work in unit
Brilliant, Paul. It isn't as easy as I'd hoped, but this works and is really
minimally difficult for me to use. I used 1.25 and -1.25 as values and it is
certainly close enough that I can't complain. This helps a *lot*.
Best regards,
Arle
On 2012 Dec 11, at 21:05 , Paul Morris wrote:
> Hi Arl
I've been looking for how to tweak the direction of noteheads within chords.
I've got a few instances where Lilypond’s default isn't as clear as when I flip
the direction of some of the noteheads. I've searched the repository and tried
various tweaks using direction, but nothing seems to matter.
On Mon, Dec 10, 2012 at 3:25 PM, James Worlton wrote:
>
> On Mon, Dec 10, 2012 at 2:50 PM, Keith OHara wrote:
>
>> Xavier Noria hashref.com> writes:
>>
>> > > subtitle = \markup { "Part for" \concat{"E"\flat} "saxaphone"}
>> >
>> > That would be a nice touch. The flat looks weird over here
Thomas Morley googlemail.com> writes:
> Attached a file demonstrating it.
Thank you for both attachements and all the hints!
(I did overlook your first attachement.)
(Hope, one of these solutions finds its way to the general lilypond-code.)
Greetings
Werner
___
You can put the syllables you would like to be treated as a single
syllable in quotes, e.g.
text = \lyricmode{ "ta ta ta" la la }
That will treat the first "ta ta ta" as a single syllable ...
___
lilypond-user mailing list
lilypond-user@gnu.org
htt
On 11/12/2012 02:51, MING TSANG wrote:
> I have trouble placing aa="\with {\consists #numbrUP}" or bb="\with
> {\consists #numbrDOWN}" .
I suppose you didn't include the " in the actual code, did you?
> Right now the test_number.ly compile with out as seen on test_numbr.pdf.
>
> I cannot compil
OK, that brings me a lot further.
But now I want to adjust the text within the bars (more than one syllable per
bar).
I tried to that with tildes (like I~will~follow Him), but then the score
doesnot compile
(warning: weet niet hoe "MS-Gothic"="C:/Windows/fonts/msgothic.ttc" in te
bedden Convert
Hi Keith,
> Is there anything you use a lot in your score that could sometimes force
> staves further apart,
> depending on how the note-spacing comes out ?
My score is frenched, so the estimates could be based on system extents BEFORE
the empty ones are removed…
Thanks,
Kieren.
__
Hi Maarten,
try to create an (invisible) Devnull Staff that also gets the chords as
musical content, and name that Devnull Staff (eg "inv"). Then assign the
lyrics to inv instead of upper.
Like this:
melody = \relative c' {
\repeat unfold 20 {c}
}
text = \lyricmode {
ta ta ta ta ta
}
harm
Hi,
I am trying to create a sheet for choir accompaniment, and have arranged
chord names above the pianostaff with my own notes.
Now I want to add the choir lyrics to the (partly empty) bars to better be
able to deal with rests.
I tried this, but Lilypond complains on not finding 'upper' or 'chd'
Le 10 déc. 2012 à 15:11, Max DeCurtins a écrit :
> Hello,
>
> I am just beginning to work on large, complex projects (e.g. multi-movement
> scores with chorus and orchestra, with extensive tagging) in Lilypond, and
> would like to get up to speed on current techniques for structuring projects,
31 matches
Mail list logo
