> unpure-pure stuff is:
>
> http://lilypond.org/doc/v2.16/Documentation/notation/unpure_002dpure-containers
Looking more closely at this page, I don't fully understand how it
works. It is stated that the unpure-pure stuff affects y-axis
calculations, but the given example adjusts the *width*:
On Thu, Sep 6, 2012 at 1:21 AM, Nick Payne wrote:
> Elysium (the Eclipse plugin for Lilypond editing) is not listed in the
> documentation as one of the editing environments for Lilypond. It should
> probably be there
> http://elysium.thsoft.hu/
I didn't found licensing information on their websi
> The kludge I used is not documented anywhere -
Aaah :-)
> I looked in define-grobs.scm, saw that it was using
> ly:text-interface::print but that there was no callback for text,
> which means that it must be set in the code. So the stencil
> function (or a number of other ones) could be hijac
On 6 sept. 2012, at 08:06, Werner LEMBERG wrote:
>>> The reason we can't just override the text property is because it
>>> is junked and reset internally in LilyPond. The
>>> unpure-pure-container makes sure that the chord is taken into
>>> account in horizontal spacing calculations. Anytime y
>> The reason we can't just override the text property is because it
>> is junked and reset internally in LilyPond. The
>> unpure-pure-container makes sure that the chord is taken into
>> account in horizontal spacing calculations. Anytime you override a
>> stencil, try to use an unpure-pure-cont
"m...@mikesolomon.org" writes:
> not pretty, but effective...
>
> #(define (kludge grob)
> (ly:grob-set-property! grob 'text "foo")
> (ly:text-interface::print grob))
>
> \new ChordNames \chordmode {
> a b c:7
> \once \override ChordNames . ChordName #'stencil =
> #(ly:make-unpure-pure-contai
On 6 sept. 2012, at 00:11, luis jure wrote:
>
> i've been asked to typeset in lilypond a couple of chords with some
> non-standard notation (please see the attached image).
>
> i wouldn't know how to tweak the chord mode in lilypond to achieve
> this, so i was thinking of using \markup's. but
> - -dno-point-and-click was exactly what I was looking for;
> lilypond --help had not revealed that wisdom.
Indeed, it is missing for `lilypond -dhelp'. Looks like a bug...
Werner
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Hi everyone,
I have a non-default staff made with only two lines (which are NOT
symmetrical, i.e. they're nothing like -2 and 2). Instead, they are 0 and
-4. The staff was created with the following line:
\override Staff.StaffSymbol #'line-positions = #'(0 -4)
Since the lines are not equidist
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On 09/05/2012 05:50 PM, Thomas Morley wrote:
> see:
> http://lilypond.org/doc/v2.17/Documentation/usage-big-page#point-and-click
Thanks!
>
- -dno-point-and-click was exactly what I was looking for;
lilypond --help had not revealed that wisdom.
Than
On Wed, Sep 05, 2012 at 09:52:47PM +, David Bobroff wrote:
> I seem to remember that convert-ly used to, or used to have an option,
> to descend into sub-directories. Am I mistaken?
You're mistaken; convert-ly only applies to a single file. You're
probably thinking of somebody's "wrapper" sh
Elysium (the Eclipse plugin for Lilypond editing) is not listed in the
documentation as one of the editing environments for Lilypond. It should
probably be there (
http://lilypond.org/doc/v2.17/Documentation/web-big-page#easier-editing).
http://elysium.thsoft.hu/
Nick
Joshua Nichols wrote
>
> I am trying to export directly from LilyPond to png, with just the cropped
> snippet of music, and not something on an entire A4 piece of paper.
> Thoughts? Here's something I tried before, and I know I missing something:
>
try:
\paper{
indent=0\mm
line-width=120\mm
i've been asked to typeset in lilypond a couple of chords with some
non-standard notation (please see the attached image).
i wouldn't know how to tweak the chord mode in lilypond to achieve
this, so i was thinking of using \markup's. but elsewhere i'm using
\chords, and the results are very diffe
On 2012-09-05 23:39, Nick Payne wrote:
On 06/09/12 04:25, Christopher R. Maden wrote:
Poking around my system today, I noticed two interesting things about
the PDFs generated by LilyPond.
1) There is no metadata associated with the PDF. Well, the producer
and creator are set to the appropriate
On 9/5/2012 9:47 PM, Reinhold Kainhofer wrote:
> On 2012-09-04 11:37, David Kastrup wrote:> Stefan Thomas
> writes:
> >
> >> Dear community,
> >> how can I update all my ly files (including subfolders) with one
> >> command?
> >
> > Depending on operating system, something like
> >
> > find -name
2012/9/5 Nick Payne :
> On 06/09/12 04:25, Christopher R. Maden wrote:
>>
>> Poking around my system today, I noticed two interesting things about
>> the PDFs generated by LilyPond.
>>
>> 1) There is no metadata associated with the PDF. Well, the producer
>> and creator are set to the appropriate
On 2012-09-04 11:37, David Kastrup wrote:> Stefan Thomas
writes:
>
>> Dear community,
>> how can I update all my ly files (including subfolders) with one
>> command?
>
> Depending on operating system, something like
>
> find -name '*.ly' -exec convert-ly -ed {} \;
>
> might do the trick. Needle
On Wed, 05 Sep 2012 06:37:38 -0700, Arle Lommel wrote:
If the arrows were independent of the sharp and flat signs (which would derive
as normal from the key signature plus accidentals, as if the quarter-tone
shifts did not exist) and placed above/below the note heads, that would be it.
For
On 06/09/12 04:25, Christopher R. Maden wrote:
Poking around my system today, I noticed two interesting things about
the PDFs generated by LilyPond.
1) There is no metadata associated with the PDF. Well, the producer
and creator are set to the appropriate software. However, when a
top-level ti
On 9/5/2012 9:50 AM, Tiresia GIUNO wrote:
> On Wed, 5 Sep 2012 10:43:49 +0200
> Federico Bruni wrote:
>
>> Then it may depend on the context: you may need to use Staff instead
>> of Timing. I've not looked at your example...
> Nope.. If you find an answer, please let me know. This issue interests
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Hash: SHA1
Poking around my system today, I noticed two interesting things about
the PDFs generated by LilyPond.
1) There is no metadata associated with the PDF. Well, the producer
and creator are set to the appropriate software. However, when a
top-level titl
Stefan Thomas writes:
> I think it should be possible to type in something like
> \makerests 2/4. { c4. }
> or
> \makerests #2 #4. { c4. }
I'd rather go for \makerests 4.*2 { c4. } since 4.*2 is a valid
duration, can be parsed with a ly:duration? predicate and deconstructed
using ly:duration-log
Stefan Thomas writes:
> Dear David,
> I'm always astonished what can be done with scheme and lilypond!
> But I think this snippet (which You must have been written quite fast)
> is not 100% perfect.
> For example
> \makerests 4/4 c4
> should produce c4 r4 r2
That's what I meant using "unit of
I think it should be possible to type in something like
\makerests 2/4. { c4. }
or
\makerests #2 #4. { c4. }
2012/9/5 Stefan Thomas
> Dear David,
> I'm always astonished what can be done with scheme and lilypond!
> But I think this snippet (which You must have been written quite fast) is
> not
Dear David,
I'm always astonished what can be done with scheme and lilypond!
But I think this snippet (which You must have been written quite fast) is
not 100% perfect.
For example
\makerests 4/4 c4
should produce c4 r4 r2
and
\makerests 6/8 { c4. }
should produce
c4. r4 r8
In case of 6/8 the base
2012/9/5 Tiresia GIUNO :
> I notice that putting three 16th rests keeps extended also the 16th
> beam:
> \relative { d16[ r r r e16] r r8 }
>
> So it must be the 8th rest that stop the 16th beam.
Ok, example found.
All I can say is that it's not because of a collision.
\relative c' {
\o
Stefan Thomas writes:
> What is it supposed to do?
> Dear David,
> I would like to do something like this:
> %%%snippet %%
> % fully written out example
> \relative c' {
> \time 4/4
> c8 r8 r4 r2
> r2 fis8 r8 r4
> \time 3/4
> c8 r8 r4 r4
> r8 e r4 r
> }
> %% desired form of how to input
On 5 September 2012 19:18, wrote:
> Hi all,
>
> I’m quite new to lilypond and currently workng on some madrigals ( choir
> with 6 voices ) from the 16th century. The barlines are set between staves
> only.
>
> The output of lilypond is really beautiful. But the page layout could have
> some more
>
> What is it supposed to do?
>
Dear David,
I would like to do something like this:
%%%snippet %%
% fully written out example
\relative c' {
\time 4/4
c8 r8 r4 r2
r2 fis8 r8 r4
\time 3/4
c8 r8 r4 r4
r8 e r4 r
}
%% desired form of how to input code
\relative c' {
\time 4/4
\mak
[apologies for reposting, but I had the wrong subject heading, which means nobody would have read this before.]Hi Keith,Thanks for this answer and my apologies for taking a while to acknowledge it. For some reason I missed it at the time and only today found it.The bit there is a different system t
2012/9/5
> Do you think the property strechability would do the job?
>
>
>
I don't know what exactly you want to achieve, but there is for example the
top-system-spacing, which you can use to shift the first system lower:
http://lilypond.org/doc/v2.16/Documentation/notation/flexible-vertical-
Nick Payne-3 wrote
>
> \relative {
> <<
> { d16[ s8. e16] }
> \\
> { s16 r r8 s16 }
> >>
> r r8
> }
>
the most funny and shortest way I could find:
\relative d16[ << \\ {r16 r4} >> e16] r r8
Eluze
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View this message in context:
http://lilypond.1
Stefan Thomas writes:
> Dear community,
> I don't like to write lots of rests by hand into bars with only very
> few notes.
> Using the wonderful script extractMusic of Gilles, which I found at
> http://gillesth.free.fr/Lilypond/extractMusic/extractMusic.ly I've
> defined functions that fill up a
On Wed, 5 Sep 2012 10:43:49 +0200
Federico Bruni wrote:
> Then it may depend on the context: you may need to use Staff instead
> of Timing. I've not looked at your example...
Nope.. If you find an answer, please let me know. This issue interests
me a lot.
___
Dear community,
I don't like to write lots of rests by hand into bars with only very few
notes.
Using the wonderful script extractMusic of Gilles, which I found at
http://gillesth.free.fr/Lilypond/extractMusic/extractMusic.ly I've defined
functions that fill up automatically a 3/4 or 4/4 bar with r
Hello
2012/9/5
> **
>
> The output of lilypond is really beautiful. But the page layout could
> have some more tweaking.
>
> There are 6 staves per system and 2 systems per page
>
> The first page is really perfect. Title and subtitle and the 2 systems
> are using the available space of the page
Thank you very much for this reply.
--
View this message in context:
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Sent from the User mailing list archive at Nabble.com.
___
lily
Hi all,
I'm quite new to lilypond and currently workng on some madrigals ( choir with
6 voices ) from the 16th century. The barlines are set between staves only.
The output of lilypond is really beautiful. But the page layout could have
some more tweaking.
There are 6 staves per system and 2 syste
2012/9/5 Tiresia GIUNO :
> On Wed, 5 Sep 2012 10:23:39 +0200
> Federico Bruni wrote:
>> 2012/9/5 Tiresia GIUNO :
>> > So it must be the 8th rest that stop the 16th beam. I would expect
>> > that setting the baseMoment to 1/16 would bring to the wished
>> > result:
>> >
>> > \set Timing.bas
On Wed, 5 Sep 2012 10:23:39 +0200
Federico Bruni wrote:
> 2012/9/5 Tiresia GIUNO :
> > So it must be the 8th rest that stop the 16th beam. I would expect
> > that setting the baseMoment to 1/16 would bring to the wished
> > result:
> >
> > \set Timing.baseMoment = #(ly:make-moment 1 16)
>
2012/9/5 Tiresia GIUNO :
> So it must be the 8th rest that stop the 16th beam. I would expect that
> setting the baseMoment to 1/16 would bring to the wished result:
>
> \set Timing.baseMoment = #(ly:make-moment 1 16)
>
> But it doesn't work. So I guess I'm ignoring a default rule which set
On Wed, 05 Sep 2012 12:30:16 +1000
Nick Payne wrote:
> On 04/09/12 17:54, David Bobroff wrote:
> > In this example I have a beam going across a rest larger than the
> > beam value.
> >
> > \version "2.16.0"
> >
> > \relative {
> >{ d16-[ r r8 e16-] r r8 }
> > }
> >
> > The 16th beam breaks ov
Frank Steinmetzger wrote
>
>
> While the empty staves get removed as expected, using this feature breaks
> the
> merge-rests code -- I get two rests above each other.
>
for me it works - can you provide an example?
Eluze
--
View this message in context:
http://lilypond.1069038.n5.nabble
Hi Keith,Thanks for this answer and my apologies for taking a while to acknowledge it. For some reason I missed it at the time and only today found it.The bit there is a different system then what I need in that it puts arrows on the accidentals. The system I'm looking for puts the arrows above or
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