Am 11.08.2012 17:52, schrieb Gabriel Taubman:
Hi Marc,
Thanks for the help! That looks a lot better but it still seems to
have two problems:
You're welcome. Please reply to all so that others may have the
possibility to join in the discussion.
1) The measures at the end of the line seem to h
I would like the F to be above the first f\breve, B-flat above the second
f\breve and the D-min above the D for the last note. Here is the code
below:
\version "2.14.2"
\language "english"
\header {
tagline = ##f
}
\paper {
myStaffSize = #17
fonts = #(make-pango-font-tree
"Card
Saludos.
Estoy en este momento trabajando en una partitura que incluye una línea de
texto como indicador de repeticiones. Me gustaría obtener mayor espacio
entre la última nota de cada compás y la barra de compás que sigue para
poder acomodar bien tanto la lína de texto como la cantidad de
repetic
Saludos.
Estoy grabando en este momento una pieza que tiene lineas de texto para
indicar repeticiones, y me gustaría disponer de mayor espacio en blanco
entre la última nota y la linea del compás.
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On 11/08/12 22:31, Loïc Chahine wrote:
Dear all,
In my scores, I use Adobe Caslon Pro for titles and other markups. But
at least in the title, I would like to use old style numbers, because
when I ‘Quartetto TWV 43:h3’ with big capitals for ‘TWV’ and big
numbers for ‘43:h3’, I think it isn’t e
On Sat, Aug 11, 2012 at 4:18 PM, David Kastrup wrote:
I believe it would be a compilable file.
>>>
>>>
>>> Useful to know, thank you!
>>>
>>> ... but I think it emphasizes my real point: this puts the onus on the user
>>> to split up a project into independently-compilable units. I think th
Han-Wen Nienhuys writes:
> On Sat, Aug 11, 2012 at 9:21 AM, Joseph Rushton Wakeling
> wrote:
What counts as a "chunk" for the -djob-count option? It's not clear from
the
2.15 usage manual.
>>>
>>>
>>> I believe it would be a compilable file.
>>
>>
>> Useful to know, thank you!
>>
On Sat, Aug 11, 2012 at 9:21 AM, Joseph Rushton Wakeling
wrote:
>>> What counts as a "chunk" for the -djob-count option? It's not clear from
>>> the
>>> 2.15 usage manual.
>>
>>
>> I believe it would be a compilable file.
>
>
> Useful to know, thank you!
>
> ... but I think it emphasizes my real
hello list,
after some time away from lilypond, i'm back...
the occasion: a friend will be publishing a book soon, and i volunteered
to prepare the (short) musical examples.
my problem: the publisher requires the graphics in eps, but when imported
into the DTP program they use, the eps files ge
"m...@mikesolomon.org" writes:
> On 11 août 2012, at 15:16, Graham Percival wrote:
>
>> On Sat, Aug 11, 2012 at 01:21:27PM +0100, Joseph Rushton Wakeling wrote:
>>> ... but I think it emphasizes my real point: this puts the onus on
>>> the user to split up a project into independently-compilable
On 11 août 2012, at 15:16, Graham Percival wrote:
> On Sat, Aug 11, 2012 at 01:21:27PM +0100, Joseph Rushton Wakeling wrote:
>> ... but I think it emphasizes my real point: this puts the onus on
>> the user to split up a project into independently-compilable units.
>> I think that it's worth havi
On Sat, Aug 11, 2012 at 01:21:27PM +0100, Joseph Rushton Wakeling wrote:
> ... but I think it emphasizes my real point: this puts the onus on
> the user to split up a project into independently-compilable units.
> I think that it's worth having Lilypond try and automatically
> identify independent
Gilles Sadowski writes:
> On Sat, Aug 11, 2012 at 01:21:27PM +0100, Joseph Rushton Wakeling wrote:
>> On 10/08/12 15:08, Phil Holmes wrote:
>> >- Original Message - From: "Joseph Rushton Wakeling"
>> >
>> >>What counts as a "chunk" for the -djob-count option? It's not
>> >> clear from th
On Sat, Aug 11, 2012 at 01:21:27PM +0100, Joseph Rushton Wakeling wrote:
> On 10/08/12 15:08, Phil Holmes wrote:
> >- Original Message - From: "Joseph Rushton Wakeling"
> >
> >>What counts as a "chunk" for the -djob-count option? It's not clear from
> >>the
> >>2.15 usage manual.
> >
> >I
Dear all,
In my scores, I use Adobe Caslon Pro for titles and other markups. But
at least in the title, I would like to use old style numbers, because
when I ‘Quartetto TWV 43:h3’ with big capitals for ‘TWV’ and big numbers
for ‘43:h3’, I think it isn’t elegant. At least I can put ‘TWV’ into
s
On 10/08/12 15:08, Phil Holmes wrote:
- Original Message - From: "Joseph Rushton Wakeling"
What counts as a "chunk" for the -djob-count option? It's not clear from the
2.15 usage manual.
I believe it would be a compilable file.
Useful to know, thank you!
... but I think it emphasi
On Sat, 11 Aug 2012 15:28:30 +1000
Joe Neeman wrote:
> On Fri, Aug 10, 2012 at 7:28 PM, Federico Bruni
> wrote:
>
> > NR 4.1.6, \paper variable for page breaking
> > http://lilypond.org/doc/v2.15/**Documentation/notation/other-_**
> > 005cpaper-variables#_**005cpaper-variables-for-page-**breaki
On 11/08/12 18:24, Thomas Morley wrote:
2012/8/11 Nick Payne :
With a rehearsal mark on the barline that ends a repeat alternative, how do
I position the mark immediately above the barline and below the volta
bracket? I've tried playing around with the outside-staff-priority of
various objects s
2012/8/11 Nick Payne :
> With a rehearsal mark on the barline that ends a repeat alternative, how do
> I position the mark immediately above the barline and below the volta
> bracket? I've tried playing around with the outside-staff-priority of
> various objects such as VoltaBracket, TextScript, an
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