Re: position of dots

2012-01-07 Thread Werner LEMBERG
>> This looks like a plain bug to me which has been hidden up to now. > > The dot-note collision is probably a bug that can probably be fixed. > > There can also be dot-dot collisions, though, if we move that engraver > and have dots line-up individually for each voice. > > When chords mesh, > <

Re: The problem with midi command delay in 2.14.2

2012-01-07 Thread Michael Pozhidaev
Hello, Keith! > I don't know any better way to enter dynamics. I use > \midi { context {\Voice \remove "Dynamic_performer" }} > so that the dynamics errors don't bother me. > > We have it listed as a bug, that first appeared in 2.14, but did not seem > serious enough (compared with the other MI

Re: position of dots

2012-01-07 Thread Keith OHara
Werner LEMBERG gnu.org> writes: > > Moving the engraver to the voice context gives rise to a new set of > > problems: > > This looks like a plain bug to me which has been hidden up to now. > The dot-note collision is probably a bug that can probably be fixed. There can also be dot-dot collisi

Re: The problem with midi command delay in 2.14.2

2012-01-07 Thread Keith OHara
Michael Pozhidaev altlinux.ru> writes: > After the migration from 2.12.2 up to 2.14.2 I have faced interesting > problem and cannot decide is it a wrong behaviour or everything is OK > and now there is another approach to write separate midi dynamics. I don't know any better way to enter dynami

The problem with midi command delay in 2.14.2

2012-01-07 Thread Michael Pozhidaev
Hi! After the migration from 2.12.2 up to 2.14.2 I have faced interesting problem and cannot decide is it a wrong behaviour or everything is OK and now there is another approach to write separate midi dynamics. In the snippet below there are four notes. When I generate the midi file the \p com

Re: position of dots

2012-01-07 Thread Janek Warchoł
Entered new issues: http://code.google.com/p/lilypond/issues/detail?id=2200 http://code.google.com/p/lilypond/issues/detail?id=2201 Is the problem appearing wneh engravers are moved an instance of http://code.google.com/p/lilypond/issues/detail?id=1792 ? cheers, Janek ___

Re: Transposing Staff.keySignature

2012-01-07 Thread Keith OHara
Nils nilsgey.de> writes: > I work frequently with custom keysigs, designed with \set Staff.keySignature > Does anyone know how to transpose them? > I don't know how. If the key signature represents some pattern, though, it might be more clear to define a mode, analogous to major, minor, or doria

Re: Metronome Marks above a StaffGroup

2012-01-07 Thread Kieren MacMillan
Hi all, > It is not (currently) possible to move the "Mark_engraver" or the > "Metronome_mark_engraver" to the StaffGroup level. I'm writing a bug > report about this. It will be great to have this feature… > You can add it to the first Staff of your StaffGroup . The drawback is > that there w

Re: tighter polyphony

2012-01-07 Thread m...@apollinemike.com
On Jan 7, 2012, at 9:23 PM, m...@apollinemike.com wrote: > Check out line 499 and line 522. of note-collision.cc > I'd make the 0.5 in both of these two different properties of the > NoteCollision grob (base-shift-factor and intersection-shift-factor, for > example). > Then, you can play with t

Re: tighter polyphony

2012-01-07 Thread m...@apollinemike.com
On Jan 7, 2012, at 8:48 PM, Janek Warchoł wrote: > 2012/1/7 Werner LEMBERG : Is there a possibility to tighten the horizontal distances in polyphony `chords'? The Bärenreiter edition of Bach's Chaconne use only the half distances, approximately. >>> >>> If i remember correctly, th

Re: tighter polyphony

2012-01-07 Thread Janek Warchoł
2012/1/7 Werner LEMBERG : >>> Is there a possibility to tighten the horizontal distances in >>> polyphony `chords'?  The Bärenreiter edition of Bach's Chaconne use >>> only the half distances, approximately. >> >> If i remember correctly, these values are hard-coded in c++ code. >> This is one of t

Transposing Staff.keySignature

2012-01-07 Thread Nils
Hello, I work frequently with custom keysigs, designed with \set Staff.keySignature I noticed that they don't transpose with \transpose c' d' {...} Does anyone know how to transpose them? Nils ___ lilypond-user mailing list lilypond-user@gnu.org http

Re: Metronome Marks above a StaffGroup

2012-01-07 Thread Xavier Scheuer
On 7 January 2012 18:21, Andrew C. Smith wrote: > Hey everyone, > > On larger orchestral scores a metronome mark will appear at the top > of each staff group (like strings, winds, brass, etc.) Is there a way > to achieve this in Lilypond? > > I've tried removing Staff_collecting_engraver and Metro

Metronome Marks above a StaffGroup

2012-01-07 Thread Andrew C. Smith
Hey everyone, On larger orchestral scores a metronome mark will appear at the top of each staff group (like strings, winds, brass, etc.) Is there a way to achieve this in Lilypond? I've tried removing Staff_collecting_engraver and Metronome_mark_engraver from the score and adding them to Staf

Re: tighter polyphony

2012-01-07 Thread Werner LEMBERG
>> Is there a possibility to tighten the horizontal distances in >> polyphony `chords'?  The Bärenreiter edition of Bach's Chaconne use >> only the half distances, approximately. > > If i remember correctly, these values are hard-coded in c++ code. > This is one of the things i'm interested in doi

Re: "include" music-function

2012-01-07 Thread Jan-Peter Voigt
Ah, yes ... I will rewrite this, when I'm in my machine again Cheers, Jan-Peter Am 07.01.2012 um 09:42 schrieb David Kastrup : > Jan-Peter Voigt writes: > >> Am 06.01.2012 10:17, schrieb Jan-Peter Voigt: >>> Am 06.01.2012 09:35, schrieb Jan-Peter Voigt: Hello David, the \sour

Re: "include" music-function

2012-01-07 Thread Jan-Peter Voigt
Hello Carl, Hello David, thanks for your replies! I will read through those threads next week. This might help me understand what is happening under the hood. The basic include is working as expected. But I think it would be a nice feature if one could search for files to include using scheme.