Francisco Vila writes:
2011/10/25 ole :
Option+a did the trick (I'am on Mac OS X using Jedit with
LilypondTool), very easy...
If you newly discovered that, how could you have written it in
your email in the first place?
(If the mail client is set for UTF-8 but the editor is not... or if
2011/10/25 ole :
> Option+a did the trick (I'am on Mac OS X using Jedit with LilypondTool), very
> easy...
If you newly discovered that, how could you have written it in your
email in the first place?
Just curiosity.
--
Francisco Vila. Badajoz (Spain)
www.paconet.org , www.csmbadajoz.com
Greetings,
I’m working on a string orchestra piece which has two cello parts,
both independent enough to warrant separate staves, except for 24 bars
in the middle where they are in unison. It would be nice in the score
to mark it "unis." and leave out the second cello for the duration of
the uniso
Am 24.10.2011 um 22:36 schrieb Nick Payne:
> On 25/10/11 07:16, Bernardo Barros wrote:
>> On Mon, Oct 24, 2011 at 1:03 PM, m...@apollinemike.com
>> wrote:
>>> You should be able to just enter the text normally :
>>>
>>> \markup { Smörgåsbord }
>>>
>> Yes, it works for me with other unicode sy
Thank you very much Xavier
I will try to contact them
Thanks
Marcos
- Mensagem de x.sche...@gmail.com -
Data: Mon, 24 Oct 2011 21:07:09 +0200
De: Xavier Scheuer
Assunto: Re: A problem with lilypond
Para: musicar...@pop.com.br
Cc: webl...@weblily.net, blackstock.m...@gmail.com, lilypo
Xavier Scheuer gmail.com> writes:
>
> I have a passage with many 32th notes (and subdivide beams). With
> 2.15.5 (as well as with 2.14.2) LilyPond settles 2 measures per line,
> but with 2.15.14 it puts only one measure per line and this measure is
> really stretched horizontally (whereas it wa
Mike Blackstock gmail.com> writes:
> Might I ask ask how long it took and how the score was entered?
>
I typed the notes straight into Lilypond format from copyright-expired
printed parts. Copy/paste from one part to another saves a lot of typing.
I remember I had to renew my library-checkout
Xavier Scheuer gmail.com> writes:
>
> I have a passage with many 32th notes (and subdivide beams). With
> 2.15.5 (as well as with 2.14.2) LilyPond settles 2 measures per line,
> but with 2.15.14 it puts only one measure per line and this measure is
> really stretched horizontally (whereas it was
On Sun, 23 Oct 2011, Federico Bruni wrote:
> Il 15/10/2011 23:57, Don Armstrong ha scritto:
> >On Sat, 15 Oct 2011, Federico Bruni wrote:
> >>Unfortunately, I get segfault error even if I use a very simple file.
> >lilypond /usr/share/lilypond/2.14.2/ly/Welcome_to_LilyPond.ly;
> >
> >works just fin
On 25/10/11 07:16, Bernardo Barros wrote:
On Mon, Oct 24, 2011 at 1:03 PM, m...@apollinemike.com
wrote:
You should be able to just enter the text normally :
\markup { Smörgåsbord }
Yes, it works for me with other unicode symbols too. Maybe the problem
is not using a text editor that support
-Eluze writes:
> Federico Bruni-5 wrote:
>>
>> Il 23/10/2011 23:33, -Eluze ha scritto:
>>> there are those 3 engravers:
>>>
>>> Grace_beam_engraver
>>> Grace_engraver
>>> Grace_spacing_engraver
>>>
>>> maybe removing them could help?
>> thanks for the tip
>> unfortunately, the following snippet
Hi David,
2011/10/24 David Nalesnik
> Hi Harm,
> (...)
> I haven't tried to break your function :) but the attached file shows one
> way you could generalize it to remove the code duplication and work with
> more than four beams. (In the example, I've changed the first group to use
> 128th note
Hey all,
I'm currently working on a bit of music with a key signature in the ossia that
is not in the main voice. The typesetting is meh due to the large gap to
accommodate the key signature. Is there any way to make it such that:
a) the key signature is typeset before the arrival of the note
Ole Schmidt writes:
Hi,
Can anyone point me in the right direction, I need a little
circle above the letter (norwegian...) like this: å (see also
attached screenshot if it is not displayed correctly) Whats do I
have to enter, I can not found the utf-code that fits the
description in the
Il 24/10/2011 22:16, Bernardo Barros ha scritto:
Yes, it works for me with other unicode symbols too. Maybe the problem
is not using a text editor that supports it. For instance, jEdit does
not support unicode.
I would be surprised if it was true.
But it isn't, as far as I can see from http://ww
On Mon, Oct 24, 2011 at 1:03 PM, m...@apollinemike.com
wrote:
> You should be able to just enter the text normally :
>
> \markup { Smörgåsbord }
>
Yes, it works for me with other unicode symbols too. Maybe the problem
is not using a text editor that supports it. For instance, jEdit does
not suppo
Federico Bruni-5 wrote:
>
> Il 23/10/2011 23:33, -Eluze ha scritto:
>> there are those 3 engravers:
>>
>> Grace_beam_engraver
>> Grace_engraver
>> Grace_spacing_engraver
>>
>> maybe removing them could help?
> thanks for the tip
> unfortunately, the following snippet doesn't work:
>
>
yes, you
Hi Ole,
If you're on Mac OS X, typing option+a gives you å.
(The Character Viewer calls it "Latin small letter a with ring above. Unicode:
00E5. UTF8: C3 A5.")
Hope this helps!
Kieren.
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On Oct 24, 2011, at 10:01 PM, Ole Schmidt wrote:
> Hi,
>
> Can anyone point me in the right direction, I need a little circle above the
> letter (norwegian...)
> like this:
> å (see also attached screenshot if it is not displayed correctly)
> Whats do I have to enter, I can not found the utf-
Hi,
Can anyone point me in the right direction, I need a little circle above the
letter (norwegian...)
like this:
å (see also attached screenshot if it is not displayed correctly)
Whats do I have to enter, I can not found the utf-code that fits the
description in the manual...
thanks for a h
Il 23/10/2011 23:33, -Eluze ha scritto:
there are those 3 engravers:
Grace_beam_engraver
Grace_engraver
Grace_spacing_engraver
maybe removing them could help?
thanks for the tip
unfortunately, the following snippet doesn't work:
\version "2.15.14"
music = \relative c'' {
a16( e) cis( b cis
2011/10/20 :
> The problem is that it´s not me that will use. The main idea is that people
> that will use range from beginner to advanced level of study in music. So I
> would like to make as easy as possible for the users.The usability is very
> important nowadays.
>
> I have found something mor
MING TSANG wrote:
> Thank you.
>
> How about lilypond v2.14.2 or v2.15.14?
The architecture has not changed.
--
Tim Roberts, t...@probo.com
Providenza & Boekelheide, Inc.
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Dear developers,
I compiled yesterday (with 2.15.14) a file that was first compiled with
2.15.5. I was surprised to see that the default line breaks were quite
different and some measures were really ugly (speaking of horizontal
spacing) with the latest version!
I have a passage with many 32th n
David Kastrup writes:
> Jean-Charles Malahieude writes:
>
>> Le 24/10/2011 12:57, Frederick Bartlett disait :
>>
>>> So, since TeXish methods don't work, I thought I'd ask if there's a
>>> lilypondish way to do this.
>>
>> What I do in such a case is using "tags". For more information, have a
>>
Jean-Charles Malahieude writes:
> Le 24/10/2011 12:57, Frederick Bartlett disait :
>
>> In setting an a apella SATB piece and the (generated) rehearsal
>> piano part, I would like to create two PDF files with different
>> linebreaks.
>>
>> Each part has many occurrences of a variable "midBarBreak
Le 24/10/2011 12:57, Frederick Bartlett disait :
In setting an a apella SATB piece and the (generated) rehearsal
piano part, I would like to create two PDF files with different
linebreaks.
Each part has many occurrences of a variable "midBarBreak" defined as
{ \bar "" \break } so as to break up
In setting an a cappella SATB piece and the (generated) rehearsal piano
part, I would like to create two PDF files with different linebreaks.
Each part has many occurrences of a variable "midBarBreak" defined as { \bar
"" \break } so as to break up the vocal lines at the end of the lines of the
se
J Ruiz writes:
> --
>
>
> On Oct 24, 2011, at 9:38 AM, J Ruiz wrote:
>
On Oct 24, 2011, at 9:38 AM, J Ruiz wrote:
I need to display again the current Clef and Key Signature.
>I found this command to force Lilypond to show the current Clef:
>\set Staff.forceClef = ##t
>Is there a command to also force to print the current key signa
Hello all!
What's the best way (in >= 2.14) to override a \RemoveEmptyStaves command from
a context defined in an included file?
In order to get this particular score out the door ASAP, I've "pre-redefined"
the function this way:
RemoveEmptyStaves = \with { \override VerticalAxisGroup #'re
Hello,
I am trying to cofigure how to define Chords for Roman Numerals using for
example:
Natural Minor in C (it is ok if it only works i C):
c:m = I
d:dim = II
es = III
f:m = IV
g:m = V
as =VI
b = VII
So is there for example a Function: ly:chord-sufix foo that will show me if
chord is a :m or
On Oct 24, 2011, at 9:38 AM, J Ruiz wrote:
> I need to display again the current Clef and Key Signature.
> I found this command to force Lilypond to show the current Clef:
> \set Staff.forceClef = ##t
>
> Is there a command to also force to print the current key signature after the
> clef?
>
I need to display again the current Clef and Key Signature.
I found this command to force Lilypond to show the current Clef:
\set Staff.forceClef = ##t
Is there a command to also force to print the current key signature after the
clef?
Thx, Javier___
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