David Kastrup <d...@gnu.org> writes: > Jean-Charles Malahieude <lily...@orange.fr> writes: > >> Le 24/10/2011 12:57, Frederick Bartlett disait : >> >>> So, since TeXish methods don't work, I thought I'd ask if there's a >>> lilypondish way to do this. >> >> What I do in such a case is using "tags". For more information, have a >> look at the Notation Reference, 3.3.2 Different editions from one >> source >> >> http://lilypond.org/doc/v2.14/Documentation/notation/different-editions-from-one-source.html#using-tags > > You can do something like > choirBreak = { \tag #'choirBreak << >> } > pianoBreak = { \tag #'pianoBreak << >> } > Then place \choirBreak and \pianoBreak into your \melody. > > And then in the ChoirStaff, you say > \pushToTag #'choirBreak { \bar "" \break } \melody > for getting the breaks in, and similarly in the pianostaff.
Oh, uhm. Just saw the reference to v2.14 documentation. \pushToTag/\appendToTag have been available just for that last month. Can you get an appropriately recent version? If not, basically you have to do the reverse: put in _both_ kinds of breaks wrapped in tags, then _remove_ the tags you don't want. Similar effort, but a bit less intuitive. Using \keepTag is slightly more intuitive, but as soon as you try to solve more than one task using \keepTag, you end up with empty music. -- David Kastrup _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
