"Christopher R. Maden" writes:
> I am trying to tackle the swing music problem that someone posted about
> earlier; it arises in traditional Irish music as well.
>
> I’m blocked on detecting eighth-notes, though (or quavers for you Brits).
>
> It seems like this should work (event is an EventChor
On May 5, 2011, at 9:08 PM, Ken Smith wrote:
> I'm new to LilyPond (v2.12.3) and to music notation in general, so I'm just a
> tad beyond the starting point on LilyPond's learning curve. I'm scratching
> my head now as to how to write the repeats in my learning testfile,
> "Podmoskovnye Vecher
I'm new to LilyPond (v2.12.3) and to music notation in general, so I'm just a
tad beyond the starting point on LilyPond's learning curve. I'm scratching my
head now as to how to write the repeats in my learning testfile, "Podmoskovnye
Vechera", (Moscow Nights). The melody has four verses, each
On Thu, May 5, 2011 at 7:16 PM, Graham Percival wrote:
> On 4/10/11, Graham Percival wrote:
> > We have a problem. The only full-time doc writer/editor isn't certain
> > how breakbefore works, and I'm not certain that he completely
> > understands the \book{} and \bookparts{} input file structur
On 4/10/11, Graham Percival wrote:
> We have a problem. The only full-time doc writer/editor isn't certain
> how breakbefore works, and I'm not certain that he completely
> understands the \book{} and \bookparts{} input file structure either.
>
> This has resulted in a much-needed rewrite for Not
I am trying to tackle the swing music problem that someone posted about
earlier; it arises in traditional Irish music as well.
I’m blocked on detecting eighth-notes, though (or quavers for you Brits).
It seems like this should work (event is an EventChord):
(eq?
(ly:music-property
(car
Am Donnerstag, 5. Mai 2011, 20:45:48 schrieb Jean-Charles Malahieude:
> On my way to typing "King Arthur", I'm trying to reproduce what is on
> the attached image: the choir enters on the last syllables of the soloist.
>
> Is there an easier to achieve this other than a construction like using
> a
I'm usually writing files in "cadenzaOn" mode, multiple voices, lyrics. Using
manual breaks is very constraining, time consuming, and anti-productive.
Besides this, placing automatic invisible bars in all *relevant* places (for
automatic line breaks, in different layouts) is typically a kind of
Am 05.05.2011 13:34, schrieb Peter Crighton:
Thank you very much! I adjusted the circle padding to 0 to prevent
overlapping in chords and even now it is not perfect, but you have to
look very close to see that. So it's good for me.
Good to hear!
But reverting the double stem doesn't work… altho
On May 5, 2011, at 2:12 AM, Nick Payne wrote:
> On 05/05/11 13:21, m...@apollinemike.com wrote:
>> On May 4, 2011, at 3:16 PM, Nick Payne wrote:
>>
>>> Latest LP development version has inconsistency. See below.
>>>
>>> \version "2.13.61"
>>>
>>> \relative c'' {
>>>\time 3/4
>>>\key d \
I don't know whether you've been avoiding manual bars, but you can get the
result you want for the first example like this:
\version "2.13.34"
\score {
\new Staff <<% or ChoirStaff
\new Voice { \cadenzaOn \voiceOne a'8 b'8 \bar "|" c''8 d''8 \bar "|" b'4
\bar "|" a'4 }
\new Voice { \voi
Dear all,
1) In the following :
\version "2.13.34"
\score {
\new Staff <<% or ChoirStaff
\new Voice { \voiceOne a'8 b'8 c''8 d''8 b'4 a'4}
\new Voice { \voiceTwo a'4 a'4 d'16 e'16 f'16 g'16 a'4}
>>
\layout {
\context { \Score
barAlways = ##t
}
}
}
barAlways acts as if it was ap
Thank you very much! I adjusted the circle padding to 0 to prevent
overlapping in chords and even now it is not perfect, but you have to look
very close to see that. So it's good for me.
But reverting the double stem doesn't work… although I suspect a general
\revert failure there, as I also notice
On 05/05/11 13:21, m...@apollinemike.com wrote:
On May 4, 2011, at 3:16 PM, Nick Payne wrote:
Latest LP development version has inconsistency. See below.
\version "2.13.61"
\relative c'' {
\time 3/4
\key d \minor
<<
{8 r r s }
\\
{ d, r cis r r4 }
\\
{ g'8. f16 g8
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