On Wed, Apr 20, 2011 at 5:47 PM, Helge Hafting wrote:
> I am trying to enter a piece by Grieg, which contains the attached
> interesting construct.
>
> The manual shows how to write out an arpeggio like this,
> using a set of consecutive notes all tied to a chord.
>
> Unfortunately, these consecut
On 04/20/2011 02:55 AM, Xavier Scheuer wrote:
> \new TabStaff = "guitar tab" <<
> \new TabVoice = "upper" { \tabFullNotation \upper }
> \new TabVoice = "lower" { \tabFullNotation \lower }
> >>
Thank you. This also works:
\new TabStaff = "guitar tab" <<
\context TabVoice = "uppe
I am trying to enter a piece by Grieg, which contains the attached interesting
construct.
The manual shows how to write out an arpeggio like this,
using a set of consecutive notes all tied to a chord.
Unfortunately, these consecutive notes also cross from the lower to the upper
staff.
They hav
Il giorno mar, 19/04/2011 alle 20.01 +0200, Federico Bruni ha scritto:
> There's a way to achieve a good looking *legato* chord glissando? (i.e.
> using slurs)
>
> In the following snippet I'd like to remove the two slurs in the middle.
> Any idea?
> Thanks!
>
>
> \version "2.13.60"
>
> music =
On Wed, Apr 20, 2011 at 3:52 PM, Marc Mouries wrote:
>
> On Apr 20, 2011, at 3:04 PM, Marc Mouries wrote:
>
> > In this snippet the triplet line collides with the fingering.
> >
> > \version "2.13.60"
> > \language "english"
> >
> > Violin = \relative d'' {
> > \times 2/3{d4 a8-4}
> > }
> > \sco
On Apr 20, 2011, at 3:04 PM, Marc Mouries wrote:
> In this snippet the triplet line collides with the fingering.
>
> \version "2.13.60"
> \language "english"
>
> Violin = \relative d'' {
> \times 2/3{d4 a8-4}
> }
> \score {
> \new Staff { \Violin }
> \layout {}
> }
>
>
> I know i could
In this snippet the triplet line collides with the fingering.
\version "2.13.60"
\language "english"
Violin = \relative d'' {
\times 2/3{d4 a8-4}
}
\score {
\new Staff { \Violin }
\layout {}
}
<>
I know i could use "\once \override TupletBracket #'direction = #DOWN" but
there are alrea
On Tue, Apr 19, 2011 at 10:10 AM, MusFelix wrote:
>
> Fingerings stop avoiding slurs when they are placed within a chord <...> or
> even a single note <>. Is this not a bad default behavior? For example:
>
> \version "2.13.51"
> \include "english.ly"
> \relative c'
> {
>\clef bass
>c8-1
- Original Message -
From: "flup2"
To:
Sent: Wednesday, April 20, 2011 1:24 PM
Subject: Re: Beaming problem introduced with 2.13.60
So do it here when running only that line. The problem is that, in a
longer
file (without changes from 2.13.33), here is what it looks like. I also
r
So do it here when running only that line. The problem is that, in a longer
file (without changes from 2.13.33), here is what it looks like. I also
receive a warning "taille de hampe bizarre; vérifier la présence de liens
étroits" (the french version of the message quoted earlier about beam,
narro
On 20 April 2011 11:41, Patrick Horgan wrote:
>
> Using GNU LilyPond 2.13.45, with this source there's no stems for the
> quarter notes in the bottom voice in the tab staff. I'm attaching a png
> that shows the problem. (I turned off the footer so the png would be
> small instead of being a whol
Using GNU LilyPond 2.13.45, with this source there's no stems for the
quarter notes in the bottom voice in the tab staff. I'm attaching a png
that shows the problem. (I turned off the footer so the png would be
small instead of being a whole page.)
\version "2.13.45"
\paper {
oddFooterMarkup
On Apr 20, 2011, at 4:01 AM, flup2 wrote:
>
> I had the same problem in a score with these notes :
>
> d4-- c8->( g ~ g) g'->( f e)
>
> I had no problem before 2.13.60
>
> Philippe
>
Your snippet compiles fine in the most recent development version.
Cheers,
MS
_
I had the same problem in a score with these notes :
d4-- c8->( g ~ g) g'->( f e)
I had no problem before 2.13.60
Philippe
--
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