Wow, as usual I'm totally delighted with the range and richness of
responses to my query. Many things to try and to investigate. Not all of
them will take me to my goal as easily as I'd like, but all sound worth
following up on. I've very grateful to you all. Thank you very much.
I was afraid
Nope, I'm reading cross-eyed! Nevermind previous response...
Actually, it's very difficult to answer a question without a
functioning snippet of code (or at least thorough explanation).
But I'm glad you solved your problem. :)
Neil
On Wed, Apr 13, 2011 at 8:55 PM, Neil Thornock wrote:
> Proba
Probably the fist thing you did wrong was not read the learning manual :)
http://lilypond.org/doc/v2.12/Documentation/user/lilypond-learning/Tutorial#Tutorial
Otherwise, you need braces...
melody = \relative { c' }
On Wed, Apr 13, 2011 at 7:33 PM, Andrew Wood wrote:
> syntax error unexpected NO
I just asked a question about syntax error NOTENAME_PITCH. I removed the
melody = and it works now___
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syntax error unexpected NOTENAME_PITCH
What did I do wrong? melody = \relative c'___
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David, you wrote Wednesday, April 13, 2011 9:45 PM
This does the trick. I had to assign some contexts.
Why are the lyrics not aligned properly?
It's due to the \lyrics:
\lyrics {
\set alignBelowContext = #"1"
\new Lyrics \lyricsto "1" \sopranoLyrics
}
This ca
On 4/13/2011 8:20 PM, David Bobroff wrote:
On 4/13/2011 5:12 PM, Phil Holmes wrote:
Please reply-all when answering a question on the user-list - that
way everyone can see your answers and contribute.
Also - if you're lucky enough to have a mail program that always
properly quotes with a > ma
On 4/13/2011 5:12 PM, Phil Holmes wrote:
Please reply-all when answering a question on the user-list - that way
everyone can see your answers and contribute.
Also - if you're lucky enough to have a mail program that always
properly quotes with a > mark, please add contributions at the
bottom.
On 4/13/11 12:32 PM, "Federico Bruni" wrote:
> Il giorno mar, 12/04/2011 alle 17.11 -0600, Carl Sorensen ha scritto:
>>> ... maybe I've overwritten the command instead of just adding the
>>> override?
>>
>> That's right.
>>
>> Look in ly/property-init.ly for the definition of \deadNote, and
Il giorno mar, 12/04/2011 alle 17.11 -0600, Carl Sorensen ha scritto:
> > ... maybe I've overwritten the command instead of just adding the
> > override?
>
> That's right.
>
> Look in ly/property-init.ly for the definition of \deadNote, and
> duplicate
> it, but with the override added.
Thanks
Please reply-all when answering a question on the user-list - that way
everyone can see your answers and contribute.
Also - if you're lucky enough to have a mail program that always properly
quotes with a > mark, please add contributions at the bottom. Mine doesn't,
so I'm doing it wrong.
I
Could you let us know what version of LilyPond you're using? - aspects of
this have changed recently
Phil Holmes
- Original Message -
From: "David Bobroff"
To: "lilypond-user"
Sent: Wednesday, April 13, 2011 5:28 PM
Subject: ossia and lyrics
I've been tasked with altering a score
I've been tasked with altering a score I've prepared. The score
currently consists of a piano part with a vocal line and a contrabass
obligato line. As it stands, all is well. Now I need to put in ossia
passages for the voice. I have managed to create ossia passages by
using examples in the
You can use Denemo for this. Choose the clefs the original has, insert the
notes just as if they were dots on lines and in the end change the clef to what
you want.
Nils
> On 04/13/2011 00:15 AM, Tom Cloyd wrote:
> > I want to arrange a Bach chorale for guitar. My score for the chorale is
> >
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
On 04/13/2011 00:15 AM, Tom Cloyd wrote:
> I want to arrange a Bach chorale for guitar. My score for the chorale is
> a nightmare. I can barely read bass clef, and can do that in my mind,
> but the scores for soprano, alto, and tenor all use C-clefs,
James, thank you so much! That is exactly what I needed.
James Worlton wrote:
>
> On Apr 2, 2011, at 11:16 AM, Arlin wrote:
> ...
> \clef "bass^8"
> \override Staff.OctavateEight #'Y-offset = #1.8
> \override Staff.OctavateEight #'X-offset = #0.6
> ...
>
--
View this message in context:
h
Sorry, I've gone off half-cocked. I can't get this to work when the second
note in the tie has an accidental. I thought I could get it to work, as
follows, but the tie doesn't print, and the accidental I'm trying not to
print gets printed.
Bruys
\version "2.12.3"
\score {
{ ces''2 ~ ces''2
> [...] the fact that someone modified abc2ly to break the way *my*
> ABC uses clefs (ABC isn't standardized, so there are several
> dialects) is a real nuisance. This kind of change should be
> discussed somewhere.
Bug report, please.
Werner
__
> "Phil" == Phil Holmes writes:
Phil> I do something similar using
Phil> Noteworthy. (http://www.noteworthysoftware.com/) I notate
Phil> using Noteworthy, export using its text format and then use a
Phil> self-written program to convert to LilyPond. The single piece
Phil>
David came up with an interesting observation, but it didn't seem to help
with Nils's problem.
But, there's more than one way to skin the cat: using David's observation,
and the fact that changing the "middleCPosition" property doesn't make the
clef get re-drawn, we can trick Lilypond into drawing
Marc Hohl writes:
> Am 13.04.2011 09:56, schrieb Janek Warchoł:
>> Hi,
>>
>> 2011/4/13 Marc Hohl:
>>> Am 13.04.2011 06:15, schrieb Tom Cloyd:
I want to arrange a Bach chorale for guitar. My score for the
chorale is a nightmare. I can barely read bass clef, and can do
that in m
Am 13.04.2011 09:56, schrieb Janek Warchoł:
Hi,
2011/4/13 Marc Hohl:
Am 13.04.2011 06:15, schrieb Tom Cloyd:
I have a simple problem which I've never before faced, and I'm hoping
there exists a simple solution about which someone can tell me.
I play and write music for classic guitar, so I us
On Tue, 12 Apr 2011 22:15:54 -0600
Tom Cloyd wrote:
> I want to arrange a Bach chorale for guitar. My score for the chorale
> is a nightmare. I can barely read bass clef, and can do that in my
> mind, but the scores for soprano, alto, and tenor all use C-clefs,
> and in a way that each score mus
Jesse Engle-3 wrote:
>
>
> What I wanted was for the first row of text to read "L L R R," and the
> second row to read "R R L L", but Lilypond seems to have a different
> means of choosing the display order. Is there any way to override this,
> or is it a bug?
>
you can stack L and F in a \
Hi,
2011/4/13 Marc Hohl :
> Am 13.04.2011 06:15, schrieb Tom Cloyd:
>>
>> I have a simple problem which I've never before faced, and I'm hoping
>> there exists a simple solution about which someone can tell me.
>>
>> I play and write music for classic guitar, so I use "\clef "treble_8"" in
>> my s
Am 13.04.2011 08:56, schrieb Martin Tarenskeen:
On Wed, 13 Apr 2011, Marc Hohl wrote:
Or, if you are using the latest development version, you can use
\articulate
in your \midi { } block.
don't you forget
\include "articulate.ly"
?
or is that not necessary anymore in the latest developmen
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