David came up with an interesting observation, but it didn't seem to help with Nils's problem. But, there's more than one way to skin the cat: using David's observation, and the fact that changing the "middleCPosition" property doesn't make the clef get re-drawn, we can trick Lilypond into drawing a tie between notes which appear to be different enharmonic spellings. Do you prefer this way, Nils? You don't have to muck around the changing the shape of a slur.
Regards, Bruys \version "2.12.3" % ties work between notes with same name, even though the position % has changed, e.g. { c'2~ \clef bass c'2 } \score { { ces''2 ~ ces''2 ces''2 ~ \set Staff.middleCPosition = #-7 ces''2 \set Staff.middleCPosition = #-6 b''2 ~ b''2 } }
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