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On 03/22/2011 11:25 PM, Carl Sorensen wrote:
> On 3/22/11 6:59 PM, "Christopher R. Maden" wrote:
> Yes, but that's precisely why I don't have a vision of it. The semantics of
> repeat means that the repeat *is* exactly the same all four times. I kno
On 23/03/11 07:55, Christian wrote:
Is it possible to have multiple titles/headers in one single document?
Yes. You can do it with \bookpart. e.g.
\version "2.13.54"
\paper {
#(define (print-positive-page-number layout props arg)
(if (> (chain-assoc-get 'page:page-number props -1)
On 3/22/11 6:59 PM, "Christopher R. Maden" wrote:
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> Thanks to Peter, Carl, and Johan for the help. (Hmm... yet another
> mailing list I share with Johan < why am I not surprised?) I¹ve
> reposted the files at http://crism.maden.org/ambletown
On 11-03-22 07:57 PM, Graham Percival wrote:
Pop music (and thus a lot of Vocaloid stuff) gets a bad rap for
using the I IV V I chord progression a lot, but I don't see that
amount of predictability to be any worse than classical music's
predictability of beat strength in 4/4 time
(strong-weak-m
On 3/22/2011 9:57 PM, Graham Percival wrote:
Pop music (and thus a lot of Vocaloid stuff) gets a bad rap for
using the I IV V I chord progression a lot, but I don't see that
amount of predictability to be any worse than classical music's
predictability of beat strength in 4/4 time
(strong-weak-m
On Mon, Mar 21, 2011 at 01:03:55PM +0200, Dmytro O. Redchuk wrote:
> On Sun 20 Mar 2011, 18:27 Graham Percival wrote:
> > On an objective level, it's allowed many people to create music. On a
> > subjective level, listening (and watching) Vocaloid music has
> > brought me more pleasure than *any*
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Thanks to Peter, Carl, and Johan for the help. (Hmm... yet another
mailing list I share with Johan — why am I not surprised?) I’ve
reposted the files at http://crism.maden.org/ambletown.ly > and
http://crism.maden.org/ambletown.pdf > if anyone cares.
Hello,
I meant to show a bug that the instrument name in the GrandStaff collide with
the instr names in its child staves, but the following file gives no instr name
in the grand staff level, although I find the engraver is added in the
engraver-init.ly. What's wrong?
Regards
Haipeng
\versio
On Tue, Mar 22, 2011 at 04:57:22PM -0700, Paul Scott wrote:
> Does that make sense since most commands have backslashes? Maybe
> there should be a sub alphabetical sort under '\'
Patches appreciated:
http://code.google.com/p/lilypond/issues/detail?id=855
Cheers,
- Graham
___
On 03/22/2011 02:51 PM, Graham Percival wrote:
On Tue, Mar 22, 2011 at 02:48:08PM -0700, Paul Scott wrote:
On 03/22/2011 02:36 PM, Graham Percival wrote:
\RemoveEmptyStaffContext has been removed
>from the index as it should but RemoveEmptyStaves has not been
added
On Tue, Mar 22, 2011 at 04:08:18PM +0100, David Kastrup wrote:
> Graham Percival writes:
>
> > On Mon, Mar 21, 2011 at 11:46:21AM +0100, David Kastrup wrote:
> >> The GPLv3 states under 5 "Conveying modified source versions"
> >
> > I don't see articulate.ly as a modified source version, unless I
Peter Chubb writes:
> Moving articualte functionality into a performer (which I think is the
> right approach long-term) isn't a copyright issue, because you can't
> just copy the code (scheme into C++?).
Scheme performers are desirable at one point of time, but their
structure would likely be d
> "David" == David Kastrup writes:p
David> Graham Percival writes:
>> On Mon, Mar 21, 2011 at 11:46:21AM +0100, David Kastrup wrote:
>>> The GPLv3 states under 5 "Conveying modified source versions"
>>
>> I don't see articulate.ly as a modified source version, unless I
>> misunderstand tha
On 22 March 2011 21:55, James Lowe wrote:
> It does something but not quite what I intended. I have attached two pngs
> of my real-world file (before and after) and wondered if I was simply
> using the wrong grob or something like that?
Right grob, wrong property. PercentRepeat is a spanner, so
Nick,
-Original Message-
From: Nick Payne
Date: Tue, 22 Mar 2011 08:20:24 +1100
To: LilyPond User
Subject: Re: volta bracket too short
>On 22/03/11 03:51, Laura Conrad wrote:
>> I'm trying to write a piece with an alternative ending labeled "Final."
>>
>> This bracket is over a whole n
On Tue, Mar 22, 2011 at 02:48:08PM -0700, Paul Scott wrote:
> On 03/22/2011 02:36 PM, Graham Percival wrote:
> >>\RemoveEmptyStaffContext has been removed
> >>from the index as it should but RemoveEmptyStaves has not been
> >>added.
> >Yes it has. staff.itely, line 718:
> >@funindex \RemoveEmptySt
On 03/22/2011 02:36 PM, Graham Percival wrote:
On Tue, Mar 22, 2011 at 02:28:57PM -0700, Paul Scott wrote:
Where is it documented?
NR 1.6 Staff -> Hiding staves
\RemoveEmptyStaffContext has been removed
from the index as it should but RemoveEmptyStaves has not been
added.
On Tue, Mar 22, 2011 at 02:28:57PM -0700, Paul Scott wrote:
> Where is it documented?
NR 1.6 Staff -> Hiding staves
> \RemoveEmptyStaffContext has been removed
> from the index as it should but RemoveEmptyStaves has not been
> added.
Yes it has. staff.itely, line 718:
@funindex \RemoveEmptyStav
On 03/22/2011 02:28 PM, Paul Scott wrote:
On 03/22/2011 02:13 PM, Carl Sorensen wrote:
On 3/22/11 3:08 PM, "Paul Scott" wrote:
On 03/22/2011 08:43 AM, Reinhold Kainhofer wrote:
Am Dienstag, 22. März 2011, 16:18:27 schrieb Carl Sorensen:
On 3/22/11 8:25 AM, "Laurens van der Wee"
wrote:
hello
On 22 Mar 2011, at 20:44, "Christian" wrote:
> Hi,
>
> How do I make all the barlines invisible, except the final one?
> Just disable the barline_engraver?
>
> Gr.
> Christian
Yes that would be easiest and what I would do and then revert the override for
the last bar.
I believe you
On 03/22/2011 02:13 PM, Carl Sorensen wrote:
On 3/22/11 3:08 PM, "Paul Scott" wrote:
On 03/22/2011 08:43 AM, Reinhold Kainhofer wrote:
Am Dienstag, 22. März 2011, 16:18:27 schrieb Carl Sorensen:
On 3/22/11 8:25 AM, "Laurens van der Wee" wrote:
The problem is
On 3/22/11 3:08 PM, "Paul Scott" wrote:
> On 03/22/2011 08:43 AM, Reinhold Kainhofer wrote:
>> Am Dienstag, 22. März 2011, 16:18:27 schrieb Carl Sorensen:
>>
>>> On 3/22/11 8:25 AM, "Laurens van der Wee" wrote:
>>>
The problem is that there are also some passages where the 'main' p
On 03/22/2011 08:43 AM, Reinhold Kainhofer wrote:
Am Dienstag, 22. März 2011, 16:18:27 schrieb Carl Sorensen:
On 3/22/11 8:25 AM, "Laurens van der Wee" wrote:
The problem is that there are also some passages where the 'main' piano
(the lower staff) has multiple bars of rests. This on
Is it possible to have multiple titles/headers in one single document?
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Hi,
How do I make all the barlines invisible, except the final one?
Just disable the barline_engraver?
Gr.
Christian
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2011/3/22 Roland Lutz :
> Hi,
>
> since I upgraded from Lilypond 2.10.33 (Debian lenny) to 2.12.3 (Debian
> squeeze), any page processed by Lilypond is moved to the top of the page,
> and the two staffs of a PianoStaff are much closer than before. This can be
> reproduced by any file; here is a mi
Martin Tarenskeen schreef op di 22-03-2011 om 08:47 [+0100]:
> But please try the attached example (testmidi.mid).
Nice bug. Fixed in HEAD.
Thanks,
Jan
--
Jan Nieuwenhuizen | GNU LilyPond http://lilypond.org
Freelance IT http://JoyofSource.com | Avatar® http://AvatarAcademy.nl
David Bobroff wrote:
I've got emacs on a Windows XP machine and would like to get the
LilyPond emacs mode working with it. Is anyone out there doing this?
Here's what I did/do:
1. Copy the *.el files from LilyPond/usr/share/emacs/site-lisp to
[emacs]/lisp.
2. Add this line to .emacs
(load
Am Dienstag, 22. März 2011, 16:18:27 schrieb Carl Sorensen:
> On 3/22/11 8:25 AM, "Laurens van der Wee" wrote:
> > The problem is that there are also some passages where the 'main' piano
> > (the lower staff) has multiple bars of rests. This one should stay
> > though. The current situation is eve
On 3/22/11 8:25 AM, "Laurens van der Wee" wrote:
> The problem is that there are also some passages where the 'main' piano (the
> lower staff) has multiple bars of rests. This one should stay though. The
> current situation is even worse: if only the right hand has something to play,
> the left
Graham Percival writes:
> On Mon, Mar 21, 2011 at 11:46:21AM +0100, David Kastrup wrote:
>> Peter Chubb writes:
>>
>> > I'll do it if I have to to get it merged, but i was hoping it wouldn't
>> > be necessary.
>>
>> The GPLv3 states under 5 "Conveying modified source versions"
>
> I don't see
Hi experts,
I'm working on a score for two pianos and I want the upper part to start later
than the lower one. Since it's quite some bars difference, I want the whole
PianoStaff to be removed until it 'starts'. Something like this:
\score{
<<
\new PianoStaff <<
On Mon, Mar 21, 2011 at 11:46:21AM +0100, David Kastrup wrote:
> Peter Chubb writes:
>
> > I'll do it if I have to to get it merged, but i was hoping it wouldn't
> > be necessary.
>
> The GPLv3 states under 5 "Conveying modified source versions"
I don't see articulate.ly as a modified source ve
There are a few things there that would not work "out of the box",
like calling the viewer and the midi player (xpdf, timidity etc?). But
they should be configurable from customs? (Never tried, don't use
windows). Anyway, I'd rather use gnu-linux instead if I'm serious
about emacs and lilypond.
_
There is a comprehensive guide for how to align text and dynamic instruction e.g
with this search:
http://lsr.dsi.unimi.it/LSR/Search?q=dynamic
This might be a simple addition to start with for how to write horizontally
aligned text + dynamics:
c ^\markup \italic \bold { "meno" \dynamic "f"
Op zondag 20 maart 2011 schreef Nicholas:
> Ideally, its shape and position
> should match the tie in the upper voice, only shifted down. How can I
> achieve this?
Adding
\once \override Tie #'staff-position = #4
just before the tied note yields nice results.
\version "2.13.54"
\relative c'
- Original Message -
From: "Benjamin Peterson"
To:
Sent: Tuesday, March 22, 2011 3:30 AM
Subject: minimum number of measures per system
Hi,
Is there a way to force a minimum number of measures per system to be
layed out?
min-systems-per-page in a \paper block
--
Phil Holmes
_
On Mon, 14 Mar 2011, Jan Nieuwenhuizen wrote:
Martin Tarenskeen schreef op ma 14-03-2011 om 13:10 [+0100]:
Which reminds me: midi2ly still needs a lot of work. In short: it is quite
useless.
Have a look at the latest version. It's starting to work.
Great, it is already much better! I m
"Christopher R. Maden" writes:
> http://crism.maden.org/ambletown.pdf >
Looks nice!
> 1) Verse pick-ups.
There have been several suggestions that cover this.
> 2) Alternate rhythms. There are a lot of small differences in the
> rhythms of the verses. You can see this implicit in the current
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