I have a StaffGroup containing a Staff and a TabStaff.
I'd like to vertically center the instrument name between the two
staves.
This doesn't work:
\version "2.13.46"
\new StaffGroup <<
\set StaffGroup.instrumentName = #"Guitar 1 "
\new Staff { R1 }
\new TabStaff { R1 }
>>
Why?
It seems
Small note. The term is "tracking" which means the adjustment of
distance between letters, kerning is the adjustment of distance
between two or more letters to make better use of whitespace and
balance of inked areas. For example, tucking the "a" under the "w" in
"awe," whereas tracking would consi
The typesetting term for this is "kerning" -- modifying the space between
letters. A valuable tool in text setting.
Long ago Adobe sold fonts that were continuously variable, i.e. you could
"dial in" any degree of bold or italic. I don't recall, though, that even
those fonts had a "narrow" optio
Am Mittwoch, 12. Januar 2011, um 09:02:19 schrieb Graham Percival:
> On Wed, Jan 12, 2011 at 12:04:50AM -0500, Marc Mouries wrote:
> > i'd like to know about the rationale behind not supporting chords
with
> > notes of different duration.
>
> Because there's no such thing as a chord with notes of
Hi all,
2011/1/13 Graham Percival
>
> On Thu, Jan 13, 2011 at 10:41:22AM +0100, Werner LEMBERG wrote:
> > > As far as I can see, there is not much more to do than just omit the
> > > warning for parallel music when the output is sensible. The extra
> > > angles for being allowed (and required) t
Peter O'Doherty:
> On 01/13/2011 02:46 PM, Graham Percival wrote:
> > On Thu, Jan 13, 2011 at 02:12:30PM +0100, Peter O'Doherty wrote:
> >> \paper {
> >>paper-width = 210\mm
> >>left-margin = 20\mm
> >>right-margin = 30\mm
> >>line-width = 100\mm
> >> }
> > try:
> >indent = 0\mm
On 01/12/2011 07:42 AM, Phil Holmes wrote:
- Original Message - From:
> If you modify that function in scm/define-music-callbacks.scm to
'Voice
> instead of 'Staff, then \ottava only applies to the current voice
(which > is,
> however, probably now what we want by default).
i guess
2011/1/13 Peter O'Doherty
> On 01/13/2011 02:46 PM, Graham Percival wrote:
>
>> On Thu, Jan 13, 2011 at 02:12:30PM +0100, Peter O'Doherty wrote:
>>
>>> \paper {
>>> paper-width = 210\mm
>>> left-margin = 20\mm
>>> right-margin = 30\mm
>>> line-width = 100\mm
>>> }
>>>
>> try:
>> indent
Hi,
Quoted from a previous post on this list:
> \version "2.13.45"
>
> #(define sequence-number 0)
> #(define-markup-command (score-sequence layout props sequence-number)
> (number?)
> (interpret-markup layout props
>(markup #:bold #:huge (number->string sequence-number)#:fontsize 6
".")))
On 01/13/2011 02:46 PM, Graham Percival wrote:
On Thu, Jan 13, 2011 at 02:12:30PM +0100, Peter O'Doherty wrote:
\paper {
paper-width = 210\mm
left-margin = 20\mm
right-margin = 30\mm
line-width = 100\mm
}
try:
indent = 0\mm
as long as you have no instrument names, it should be fi
2011/1/12 Xavier Scheuer :
> 2011/1/11 Janek Warchoł :
>> how can i override beamlet length in cue notes?
>> In the following code the \override Stem #'beamlet-default-length doesn't
>> work.
>> I know this can be done somehow because i did it once, and now i'm
>> trying to do it again for an hour
2011/1/12 James Bailey :
>
> On Jan 11, 2011, at 11:01 PM, Janek Warchoł wrote:
>
>> I want to achieve this:
>>
>> bla
>> ble
>> bli
>> blo
>> blu foobar
>>
>> without messing with all the bla's.
>> Any ideas?
>
> \markup {
> \general-align #Y #-1 {
> \column {
> "bla" "ble" "bli" "b
2011/1/11 Alexander Kobel :
> On 2011-01-11 00:30, Janek Warchoł wrote:
>> Ok, thanks.
>> What about compressing words? I mean, is it possible to change the
>> amount of space between the letters?
>
> I don't think so, and I don't think it's to come: this is not even a
> feature too common in amate
On Thu, Jan 13, 2011 at 02:12:30PM +0100, Peter O'Doherty wrote:
> \paper {
> paper-width = 210\mm
> left-margin = 20\mm
> right-margin = 30\mm
> line-width = 100\mm
> }
try:
indent = 0\mm
as long as you have no instrument names, it should be fine.
Cheers,
- Graham
Hi,
I am using the command \lilypondfile[quote,noindent]{file.ly} to import
a large file into a lilypond-book document and invoking using
lilypond-book --output=out --pdf --left-padding=0 lilybook.lytex
pdflatex lilybook.tex
However, the music is shifted to the right such that it runs off the
On Thu, Jan 13, 2011 at 10:41:22AM +0100, Werner LEMBERG wrote:
> > As far as I can see, there is not much more to do than just omit the
> > warning for parallel music when the output is sensible. The extra
> > angles for being allowed (and required) to put the durations inside
> > seem like a rea
Werner LEMBERG writes:
>
>> As far as I can see, there is not much more to do than just omit the
>> warning for parallel music when the output is sensible. The extra
>> angles for being allowed (and required) to put the durations inside
>> seem like a reasonably cheap price to pay.
>
> There is
>> If at all, the syntax would be e.g.
>>
>>
>>
>> and the chord's duration would be the maximum of the single note's
>> durations.
>>
>> This syntax extension looks quite natural to me.
>
> Not to me. Chord syntax explicitly creates a combined object with a
> common duration, and the duration
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