Op donderdag 10 juni 2010 schreef Helge:
> Original-Nachricht
>
> > Datum: Thu, 10 Jun 2010 07:08:52 +0200
> > Von: James Bailey
> >
> > > The staff in the second line has a left "open" end. I would expect
> > > a bar before the clef.
> >
> > In the Notation Reference, sectio
On Wed 09 Jun 2010, 13:11 Richard Sabey wrote:
> Occasionally Lilypond decides to fit so many bars into a system that notes
> are squeezed so tightly together that, in a beamed group, a later note's
> downward stem can fall to the left of an earlier note's upward stem. The
> noteheads are in the co
Original-Nachricht
> Datum: Thu, 10 Jun 2010 07:08:52 +0200
> Von: James Bailey
> > The staff in the second line has a left "open" end. I would expect
> > a bar before the clef.
> >
>
> In the Notation Reference, section 1.6.2 discusses removing empty
> staves. That's what
On 10.06.2010, at 06:48, Helge Kruse wrote:
Hello,
I have a variation in a piece where most is placed in the bass hand
except the last measure. I tried to use the
\RemoveEmptyStaffContext. As documented this does not remove the
staff in the first line.
Unfortunately this one additional
Hello,
I have a variation in a piece where most is placed in the bass hand
except the last measure. I tried to use the \RemoveEmptyStaffContext. As
documented this does not remove the staff in the first line.
Unfortunately this one additional empty staff line causes an additional
page. How c
Em 09/06/10 22:04, Graham Percival escreveu:
On Wed, Jun 09, 2010 at 09:41:34PM -0300, josé henrique padovani wrote:
Em 09/06/10 21:23, Carl Sorensen escreveu:
Unfortunately, it doesn't include the complete files, so it would be fairly
difficult for a user who is not familiar with git
On Wed, Jun 09, 2010 at 09:41:34PM -0300, josé henrique padovani wrote:
> Em 09/06/10 21:23, Carl Sorensen escreveu:
>> Unfortunately, it doesn't include the complete files, so it would be fairly
>> difficult for a user who is not familiar with git or patch to make it work.
>>
> Could you please gi
Em 09/06/10 21:23, Carl Sorensen escreveu:
On 6/9/10 5:12 PM, "josé henrique padovani" wrote:
I would also like to know: is the code of your woodwind diagrams
available somewhere?
The code is available as a patch at
http://codereview.appspot.com/1425041/show
Unfortunately, it doesn'
On 6/9/10 5:12 PM, "josé henrique padovani" wrote:
>
> I would also like to know: is the code of your woodwind diagrams
> available somewhere?
The code is available as a patch at
http://codereview.appspot.com/1425041/show
Unfortunately, it doesn't include the complete files, so it would be f
forgot to ask: are the diagrams working with the svg backend?
thanks
josé
Em 09/06/10 20:12, josé henrique padovani escreveu:
Hi Mike,
I would suggest to add the possibility of marked keys (to make sing
trills or smorzati, for example)...
by now I am drawing my diagrams with postscript, but t
Hi Mike,
I would suggest to add the possibility of marked keys (to make sing
trills or smorzati, for example)...
by now I am drawing my diagrams with postscript, but there is what I am
talking about (attached)...
I would also like to know: is the code of your woodwind diagrams
available some
On 06/09/2010 07:26 PM, Mike Solomon wrote:
Hey liylpond users,
Please see:
http://www.apollinemike.com/lilypond/woodwind-diagrams-text-graphic.pdf
and
http://www.apollinemike.com/lilypond/woodwind-diagrams-text-graphic.ly
to see the changes
These are excellent and valuable addi
On 06/09/2010 06:07 PM, snozpacker wrote:
For a certain polytonal piece, I need to display chord names of the form
"C7/F#7". That is, I need to be able to have an entire chord after the
slash, not just the root.
This isn't an answer, but a dominant 7th chord with its flat 9th & sharp
11th, co
Hi Ralph,
Browse to the folder "C:\Documents and Settings\User\Application
Data\.emacs.d" or, if ".emacs.d" isn't already present, then create a
new directory with that name in "Application Data" Make sure you change
"User" in the path to whatever your actual user account's name is.
In the "
Greetings -
I've been forced (temporarily, I hope) onto a WinXP Pro laptop. I've
successfully downloaded LilyPond 2.12.3.1 and Emacs 22.3. I cannot figure
out how to get Emacs to recognize (much less accept as default for .ly
files) lilypond-mode. If anyone out there has successfully gotten Emacs
>Well it seems that this is two much of sharp signs for lily to make
it fit the linewidth.
The example I gave isn't the actual music I'm trying to lay out! It is just a
small test example crafted in order to show the effect of the bug.
.
>Try to add a \bar"" at the end of your \repeat unfold th
Hi.
Well it seems that this is two much of sharp signs for lily to make it
fit the linewidth.
Try to add a \bar"" at the end of your \repeat unfold thing : \repeat
unfold 12 { \stemUp e16 fis! \change Staff = "rh" \stemDown g' fis'!
\change Staff = "lh" \bar""}
so that lily can output a cl
Occasionally Lilypond decides to fit so many bars into a system that notes are
squeezed so tightly together that, in a beamed group, a later note's downward
stem can fall to the left of an earlier note's upward stem. The noteheads are
in the correct left-to-right order but the stems are in the
I think this maybe what you are looking for
http://lilypond.org/doc/v2.13///Documentation/notation/line-breaking
The second example.
James
snozpacker wrote:
I am working on a Lilypond template to format jazz lead sheets so that they
resemble the formatting of the (hand written) lead sheets in
Am 09.06.2010 14:27, schrieb Marek Klein:
2010/6/9 Robert Memering mailto:memer...@uni-muenster.de>>
Am 09.06.2010 13:53, schrieb Marek Klein:
Have you tried to set indent to 0?
See:
http://lilypond.org/doc/v2.13/Documentation/notation/page-formatting#horizontal-dim
On Jun 9, 2010, at 3:06 AM, snozpacker wrote:
Can I set ragged-bottom and ragged-last-bottom in the \layout
block? Right
now they're in the \paper block, but if I move it to the \layout
block, they
don't seem to have an effect. Why?
I think it just belongs to the \paper block for the
On Jun 9, 2010, at 3:07 AM, snozpacker wrote:
For a certain polytonal piece, I need to display chord names of the
form
"C7/F#7". That is, I need to be able to have an entire chord after
the
slash, not just the root.
I already know how to modify the main part of the chord using
chException
2010/6/9 Robert Memering
> Am 09.06.2010 13:53, schrieb Marek Klein:
>
>> Have you tried to set indent to 0?
>> See:
>>
>> http://lilypond.org/doc/v2.13/Documentation/notation/page-formatting#horizontal-dimensions
>>
>> Yes, I have. But that's the default anyway.
>
According to the docs, the def
On 05/31/2010 03:03 AM, M Watts wrote:
> Bass clarinet: some horns have an additional ees/aes lever in the lh
> little finger cluster; low c horns might have a 6th key for rh little
> finger (for low d), as well as 3 keys for rh thumb (low d, des, c)
Low D _or_ D flat (it's not standard; and some
Am 09.06.2010 13:53, schrieb Marek Klein:
Hi robert,
2010/6/9 Robert Memering mailto:memer...@uni-muenster.de>>
Dear all,
I have the following problem with the line-width parameter used by
lilypond-book:
When I specify the line-width to be exactly the same as my LaTeX
\text
Hi robert,
2010/6/9 Robert Memering
> Dear all,
>
> I have the following problem with the line-width parameter used by
> lilypond-book:
> When I specify the line-width to be exactly the same as my LaTeX
> \textwidth, the resulting small generated PDFs which are embedded have the
> right size, bu
Dear all,
I have the following problem with the line-width parameter used by
lilypond-book:
When I specify the line-width to be exactly the same as my LaTeX
\textwidth, the resulting small generated PDFs which are embedded have
the right size, but there is some unwanted empty space at the left
Hey liylpond users,
Please see:
http://www.apollinemike.com/lilypond/woodwind-diagrams-text-graphic.pdf
and
http://www.apollinemike.com/lilypond/woodwind-diagrams-text-graphic.ly
to see the changes proposed by M Watts and Ian Hulin incorporated into the
woodwind diagrams.
To summarize:
Am Mittwoch, 9. Juni 2010, 10:55:45 schrieb Mario Moles:
> Hi!
> How can i avoid these warnings?:
>
> SonataIII-III-tempo.ly:211:2: warning: adding note head to incompatible
> stem (type = 2)
>
> b,!4 r s|
> SonataIII-III-tempo.ly:211:2: warning: maybe input should specify
> polyphonic voices
>
Hi!
How can i avoid these warnings?:
SonataIII-III-tempo.ly:211:2: warning: adding note head to incompatible stem
(type = 2)
b,!4 r s|
SonataIII-III-tempo.ly:211:2: warning: maybe input should specify polyphonic
voices
b,!4 r s|
--
oiram/bin/selom
\version "2.13.22"
\paper {
print-
I am working on a Lilypond template to format jazz lead sheets so that they
resemble the formatting of the (hand written) lead sheets in the Chuck Sher
New Real Books.
I know that Lilypond is programmed to carefully place bar lines to make
classical scores look beautiful. But for the many jazz
For a certain polytonal piece, I need to display chord names of the form
"C7/F#7". That is, I need to be able to have an entire chord after the
slash, not just the root.
I already know how to modify the main part of the chord using
chExceptionMusic, like in the example code below. But I can't
Can I set ragged-bottom and ragged-last-bottom in the \layout block? Right
now they're in the \paper block, but if I move it to the \layout block, they
don't seem to have an effect. Why?
#(set-default-paper-size "letter")
\version "2.12.2"
\header {
title = "title"
}
\paper {
after-titl
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