copied to bug list
David Stocker wrote Friday, January 29, 2010 3:12 PM
Is there any reason why fingerings in these two chords should
behave
differently relative to the noteheads in their respective chords?
It is because the first note in the first chord
carries the visible accidental, but
Le 27 janv. 2010 à 20:34, Graham Percival a écrit :
> It's probably already in the tracker. I wouldn't bother
> submitting it.
>
So let it be :)
How to work around that problem when it happens? I've seen problems with
articulations and slurs as well.
How can I space the chords from the syste
The snippet at http://lsr.dsi.unimi.it/LSR/Item?id=505 may help.
Nick
On 31/01/10 07:51, Stefaan Himpe wrote:
Hello all,
I'm trying to typeset the following somewhat unusual chord:
4
As is to be expected, the 'des d' notes give a problem.
I found instructions on how to typeset a situation li
I don't know why the inconsistency happens, but if you add \override
Fingering #'script-priority = #-101 to each voice, then the offset from
the notehead will be consistent:
\version "2.13.11"
\include "english.ly"
fingers = {
\relative c {
4 r r2
4 r r2
}
}
thumb = {
\relative c {
4 r r2
Hello all,
I'm trying to typeset the following somewhat unusual chord:
4
As is to be expected, the 'des d' notes give a problem.
I found instructions on how to typeset a situation like this in the manual:
naturalplusflat = \markup { \natural \flat }
\relative c'' {
\once \override Accidental
Dear Mark,
I've used the last version of Gilles, at
http://gillesth.free.fr/Lilypond/changePitch/changePitch.ly
2010/1/30 Mark Polesky
> Stefan Thomas wrote:
> > Dear community,
> >
> > in the below quoted snippet the change-Pitch-command does
> > not work as expected. It doesn't produce the sec
Stefan Thomas wrote:
> Dear community,
>
> in the below quoted snippet the change-Pitch-command does
> not work as expected. It doesn't produce the second pitch
> one octave higher!
>
> \version "2.12.2"
> \include "changePitch.ly"
> brokenoctaves = #(define-music-function (parser
> location x
On 1/30/10 9:09 AM, "Ewald Gutenkunst" wrote:
>
> The \ambitus is already a sort of analysis, it shows simply the range of
> pitches. But how is it possible to have the information of the whole staff at
> the beginning of it? Your new engraver goes step by step through the score
> and displa
Thanks a lot Reinhold!!!
It works perfectly and is exactly what I looked for. Ok, I am far away to
understand it really, but it's a great motivation to lern the basics of scheme.
It seems that lilypond has no limitations
In a first step I will try to transfer the principle to other event
Dear community,
in the below quoted snippet the change-Pitch-command does not work as
expected. It doesn't produce the second pitch one octave higher!
\version "2.12.2"
\include "changePitch.ly"
brokenoctaves = #(define-music-function (parser location x) (ly:music?)
#{
$x
northofscotland wrote:
A few days ago I posted a question about moving the note heads in an ambitus
independently. It hasn't generated any response, and wondered if this was
because it just isn't possible. Am I right? If so, I'll stop worrying!
I checked the doc and couldn't find an easy wa
A few days ago I posted a question about moving the note heads in an ambitus
independently. It hasn't generated any response, and wondered if this was
because it just isn't possible. Am I right? If so, I'll stop worrying!
--
View this message in context:
http://old.nabble.com/Ambitus-tp273827
Hi!
Well... Have i written something wrong?-)
I guess here are two options: this *is* the problem, or i have missed
something heavily, there is no any problem with overriding font-name in
markups.
In the latter case --- please don’t mind my bothering you, and let me
know what i am doing wrong. T
On 02.01.2010, at 20:49, Carl Sorensen wrote:
May I suggest that the proper way to handle this is not to try to turn
LilyPond into an information manager?
Instead, the proper way is to use an information manager with
LilyPond.
I would recommend that the semantically appropriate way to handl
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