Alexander,
I've modified the BarNumberStaff code as you suggested. I also changed one
line in your \layout block. I commented out the Mark_engraver as I was
getting double boxed rehearsal letters:
%\consists Mark_engraver
The only remaining issue is the positioning of the text that result
On 26.01.2010, at 02:01, David Nalesnik wrote:
Hello,
Fiddling around with the snippet "Centering markup on noteheads
automatically," http://lsr.dsi.unimi.it/LSR/Item?id=637 I came up
with something which might be useful (or duplicate a far easier
solution!). I realize that it doesn't ad
On Mon, Jan 25, 2010 at 10:19 PM, Brett McCoy wrote:
> I am doing some drum notation, starting out with a 2-bar groove, and
> then for the following measures I want to just have 4 diagonal slashes
> to indicate drummer "basic time" (rather than the % sign to indicate a
> repeated measure). Basical
I am doing some drum notation, starting out with a 2-bar groove, and
then for the following measures I want to just have 4 diagonal slashes
to indicate drummer "basic time" (rather than the % sign to indicate a
repeated measure). Basically, I want to do something similar to the
isolated % repeat
(h
Hello,
Fiddling around with the snippet "Centering markup on noteheads
automatically," http://lsr.dsi.unimi.it/LSR/Item?id=637 I came up with
something which might be useful (or duplicate a far easier solution!). I
realize that it doesn't address the problem of center-aligning only the
dynamic (th
Am Dienstag, 26. Januar 2010 01:09:18 schrieben Sie:
> Hi Reinhold,
>
> > IIRC, the snippet had some deeper requirements, namely that "pp" and
> > "sempre pp" should be lined up exactly, where the "pp" is center-aligned.
> > That's much harder than simply setting the dynamic text to left/right
> >
Hi Reinhold,
> IIRC, the snippet had some deeper requirements, namely that "pp" and "sempre
> pp" should be lined up exactly, where the "pp" is center-aligned. That's much
> harder than simply setting the dynamic text to left/right aligned.
Why can't the process be:
1. Vertically combine the
Am Dienstag, 26. Januar 2010 00:53:16 schrieben Sie:
> Hi James,
>
> > What I really want to do is set the X-offset to LEFT inside the Scheme
> > defintion. Is that possible? If not, I'm okay with it, I've lived with it
> > this long, I just thought I'd ask.
>
> IIRC, we discussed this when that
Hi James,
> What I really want to do is set the X-offset to LEFT inside the Scheme
> defintion.
> Is that possible? If not, I'm okay with it, I've lived with it this long, I
> just thought I'd ask.
IIRC, we discussed this when that snippet was being developed — and the answer
ended up being "N
On 25.01.2010, at 21:49, Reinhold Kainhofer wrote:
Am Montag, 25. Januar 2010 20:18:10 schrieb James Bailey:
I use the Scheme hack to get dynamics that sound properly with text:
[...]
Since I really don't understand any of how that works (I mean, I
understand that it's markup written in Sche
On 25.01.2010, at 21:49, Reinhold Kainhofer wrote:
Am Montag, 25. Januar 2010 20:18:10 schrieb James Bailey:
I use the Scheme hack to get dynamics that sound properly with text:
[...]
Since I really don't understand any of how that works (I mean, I
understand that it's markup written in Sche
Am Montag, 25. Januar 2010 20:18:10 schrieb James Bailey:
> I use the Scheme hack to get dynamics that sound properly with text:
[...]
> Since I really don't understand any of how that works (I mean, I
> understand that it's markup written in Scheme language, I just don't
> understand the Scheme bi
Hi All,
I'm currently engraving a piece for several instruments, one of them an
acoustic guitar.
I'ld like to be able to print both the full score, and the instruments
separately, in which case I wanna print guitar tabs as well.
At some locations I add a second voice, as in the snippet I includes
On Sun, 2010-01-24 at 18:27 +0100, Alexander Kobel wrote:
> Dmytro O. Redchuk wrote:
> > Hi.
> >
> > With this example: [...]
> > \override Score.RehearsalMark #'Y-offset = #3
> > [...] 2.12.3 produces "correct" result ("as expected") while 2.13.11 ---
> > really unexpected. Attached, please, ha
I use the Scheme hack to get dynamics that sound properly with text:
pcantabile = #(
make-dynamic-script (
markup #:line (
#:dynamic "p" #:hspace -1 #:normal-text #:italic ", cantabile"
)
)
)
Since I really don't understand any of how that works (I mean, I
understand that
On 24.01.2010, at 14:05, Phil Holmes wrote:
Hello - my first post.
However, I can't find a way of making a diminuendo mark appear
within the LilyPond notation. An example of the sort of thing I'm
trying to do is at http://www.holmessoft.co.uk/homepage/images/
RestChords.gif
I've transla
Hello - my first post.
I'm writing a program (or strictly, an extension to someone else's program)
to convert Noteworthy Composer2 music to LilyPond. Mostly, it's working
well. However, I've just finished what Noteworthy refers to as RestChords
(where a rest is chorded with a note, either of
On 1/24/10 7:42 AM, "David Kastrup" wrote:
> Graham Percival writes:
>
>> On Sun, Jan 24, 2010 at 12:39:51AM +0100, Gilles Sadowski wrote:
> IMHO, perfect would be to *attach* a complete lilypond file, so that
> people
Well, IMO, it's better to have a short file in the bod
On 1/24/10 3:01 AM, "Sven Axelsson" wrote:
> In Scottish bagpipe music it is customary to have the beamlets in a dotted/cut
> pair of notes to always point towards the dotted note.
> However, the default Lilypond setup for something like
>
> { c8. c16 c16 c8. }
>
> is to tie the beam for the sh
Op zondag 24 januari 2010 schreef Michael:
> {
> \clef treble
> \time 4/4
> \key g \major
> \relative c
>\partial 4 d8 d
>d d g g g4 f8 g
>a g c a b2
>d'4 a8 b c4 b8 c
>d'4 e'8( c) b g a4
>g1
> }
У нд, 2010-01-24 у 20:16 +0200, Dmytro O. Redchuk пише:
> У нд, 2010-01-24 у 18:27 +0100, Alexander Kobel пише:
> > correct me if I'm wrong, but this looks like the A is actually higher
> > than the other two, and has it's baseline exactly 1 staff-space unit
> > above the top staff-line. So I gu
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