> On 18.01.2010, at 21:55, John Kelly wrote:
>
> > I'm trying to set a single vocal part. It has three stanzas with a
> > refrainI want the layout like this:
> >
> > |: notes for stanzas 1 & 2 :| notes for stanza 3 ||
> > |: words for stanzas 1 & 2 :| words for stanza 3 ||
> >
One solution
stanzaoneandtwo = { music }
stanzatree = {music }
stanzaonandtwolyrics = {lyrics}
stanzathree = {lyrics}
Does that help?
On 18.01.2010, at 21:55, John Kelly wrote:
I'm trying to set a single vocal part. It has three stanzas with a
refrain. The
music for the thirds stanza is slightly different
Andrew Hawryluk wrote:
> Yes, it has all been retained (and expanded) in the new essay,
> but only the PDF version is very pretty right now.
Andrew, does that mean automated-engraving.itexi and
automated-engraving/* can be removed from the source? We should
clean that up once we're finished with
Wafaic schrieb:
> \chords { a:m7.5- }
> but I did not get what I hope.
> I have someting like this same appearence:
> Aº , except that the little "º" looks like this: ø
Well, I hope I got your problem right: In Germany that's called 'halb
vermindert' (the English translation might be 'half dimi
Sorry, I tried it,
\chords { a:m7.5- }
but I did not get what I hope.
I have someting like this same appearence:
Aº , except that the little "º" looks like this: ø
Is there another solution?
With regards,
Eric
Bertalan Fodor (LilyPondTool) wrote:
>
> Hey, that's not an exotic chord, that's
On Mon, Jan 18, 2010 at 1:51 PM, Graham Percival
wrote:
> On Mon, Jan 18, 2010 at 12:41:54PM -0800, Patrick Horgan wrote:
>> I saw one document issue I thought I
>> might bring up with the editors, so checked the 2.13 LM to see if it was
>> already dealt with before I bothered people with somethin
mike99 gmail.com> writes:
>
>
> Carl Sorensen-3 wrote:
>
> This does work, though I found another limitation. Because you have to place
> the note head about one staff space down in order to avoid horizontal
> displacement of the phantom note head, the stem protrudes further down (or
> up, as
Hi Philip,
2010/1/18 Carl Sorensen :
> If you'd like to develop a widget, you'd be welcome to.
Or try to contact the developer of LilyPond plugin for OpenOffice, maybe
he could help you...
Cheers,
Xavier
--
Xavier Scheuer
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On 1/18/10 2:01 PM, "Philip DiTullio" wrote:
> Hi,
> I have just been getting into using Lilypond and Open Office with the plugin.
> I
> really like the Lotus Symphoney setup. I know that the it is based in Open
> Office I was wondering if there will be a Widget(IBM's format of plugins)for
> L
On 1/18/10 2:41 PM, "Eric Knapp" wrote:
> Hello, everyone.
>
> I'm working on creating engravers in scheme. I have the example from
> here:
>
> http://codereview.appspot.com/181109/show
>
> In the example file named, "scheme-engraver.ly" there is this piece of
> code:
>
> (cons 'rest-event
Thomas Scharkowski wrote:
>
> Hi,
>
> I use the following to get a centered header on all pages and page
> numbers.
> How can I avoid the page number on the first page?
>
> Thank you,
> Thomas
>
> --
> \paper {
>oddHeaderMarkup = \markup \fill-line { " " "A /Z" \fromproperty
> #'p
Sorry, I didn't notice that this is double posted.
Post that got responses:
http://old.nabble.com/Adding-Rehearsal-Marks%2C-v2.12.2-ts27204042.html
--
View this message in context:
http://old.nabble.com/vertical-spacing-issue-tp27197518p27217782.html
Sent from the Gnu - Lilypond - User mailing
Anthony W. Youngman wrote:
>
> Replying to a week old post ... but I can't see any other replies ...
>
nice it did not just vanish…
> I note you're using \relative - make sure you know "relative to what".
>
\relative after a chord should just be relative to the first note in the
chord, shou
Hello, everyone.
I'm working on creating engravers in scheme. I have the example from
here:
http://codereview.appspot.com/181109/show
In the example file named, "scheme-engraver.ly" there is this piece of
code:
(cons 'rest-event (lambda (engraver event)
(let*
((x (ly:en
Helge Kruse-2 wrote:
>
> Hello,
>
> I think, vertical spacing issues have been discussed often here. But
> even playing around with VerticalAxisGroup doesn't get my score in an
> acceptible design.
>
> The demerit is that the staves are pinned together while the dynamics
> line gets huge s
I'm trying to set a single vocal part. It has three stanzas with a refrain. The
music for the thirds stanza is slightly different from the music for the first
two, so I want the layout like this:
|: notes for stanzas 1 & 2 :| notes for stanza 3 ||
|: words for stanzas 1 & 2 :| words for stanza 3 |
rasAK wrote:
>
>
> Apologies...I'm sure this is addressed somewhere (but I did search the
> documentation and this forum!).
>
> How do I add rehearsal letters to an existing score without going through
> and adding a "\mark" for every letter in every part?
>
> Thanks so much!
>
> Randy
> --
I'll just use the new download on OS X and build it on linux when I
need a nightly.
Thanks,
-Eric
On Fri, Jan 15, 2010 at 4:43 PM, Eric Knapp wrote:
> Hello,
>
> I'm having problems trying to build lilypond from source. I just got
> the source with this:
>
> git clone git://git.sv.gnu.org/lily
Hi,
I have just been getting into using Lilypond and Open Office with the plugin. I
really like the Lotus Symphoney setup. I know that the it is based in Open
Office I was wondering if there will be a Widget(IBM's format of plugins)for
Lotus Symphony?
It would be really a helpful tool when I am
Robert Clausecker wrote:
>
> I want to know how to change the font for text inside a \lyricmode tag.
> I were able to solve this by simply redefine all fonts, but that wasn't
> is not that I wanted to get.
>
Newbie though I may be, you'll find a
http://old.nabble.com/override-lyric-font-size-
On Mon, Jan 18, 2010 at 12:41:54PM -0800, Patrick Horgan wrote:
> I saw one document issue I thought I
> might bring up with the editors, so checked the 2.13 LM to see if it was
> already dealt with before I bothered people with something that had
> already been fixed. To my surprise, I coul
Hi Robert,
> I want to know how to change the font for text inside a \lyricmode tag.
Putting
\once \override LyricText #'font-shape = #'italic
just before a lyric will make it italic. Other font properties are similarly
modified.
Hope this helps!
Kieren.
_
I hadn't read the LM for some time and thought it would be nice to see
how it was doing. I started reading the 2.12 version and was
wonderfully surprised by the Introduction which gives great history and
context to understand the rest. I saw one document issue I thought I
might bring up with
In message <27135776.p...@talk.nabble.com>, -Eluze
writes
hi
Replying to a week old post ... but I can't see any other replies ...
when i run the code below with snippet 632, the c' of the 2nd line - and the
following notes - are an octave to high - i would expect it to behave like
when you
Carl Sorensen-3 wrote:
>
> I set printPartCombineTexts to #f. I have just lived with it. But given
> your experience with chords, I decided to try putting a chord with a
> transparent note in the voice that needed the extra stem:
>
> soprano = \relative c'' {
> a f e d |
> e g c b
> }
I want to know how to change the font for text inside a \lyricmode tag.
I were able to solve this by simply redefine all fonts, but that wasn't
is not that I wanted to get.
Yours, Robert C.
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I tested it with 2.12.2 and 2.13.3
thanks
Rodolfo
On Mon, Jan 18, 2010 at 5:57 PM, Reinhold Kainhofer
wrote:
> -BEGIN PGP SIGNED MESSAGE-
> Hash: SHA1
>
> Dear Rodolfi,
>
> Am Montag, 18. Januar 2010 17:33:26 schrieb Rodolfo Zitellini:
>> I have a little problem with the spacing between s
Thank you, Graham. I didn't think the solution was so easy. So, thank again. I
really need accented vowels in italian scores.
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-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Dear Rodolfi,
Am Montag, 18. Januar 2010 17:33:26 schrieb Rodolfo Zitellini:
> I have a little problem with the spacing between staves with lyrics.
> When all the voices are singing and every voice has it's text,
> everything is ok and evenly spaced.
Dears list,
I have a little problem with the spacing between staves with lyrics.
When all the voices are singing and every voice has it's text,
everything is ok and evenly spaced. But when one or more voices are
silent the vertical space between the silent voices is reduced, giving
a very ugly layo
Hi Reinhold,
>> I don't believe it's a "bug"… it's officially an enhancement request. ;)
>
> It is a bug. All music notation books say that metronome marks are supposed
> to
> be aligned with the time signature, which lilypond boldly disregards.
> It's just not a regression, but still it's not
2010/1/18 Kieren MacMillan :
> Hi Xavier,
>
> I don't believe it's a "bug"… it's officially an enhancement request. ;)
:D
This enhancement would be very welcome (to my point of view). This is
the most annoying "lack of feature" I'm experiencing in my everyday-use
of LilyPond. ;)
> Correct.
>
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Montag, 18. Januar 2010 16:15:00 schrieb Kieren MacMillan:
> Hi Xavier,
>
> > Well, actually there is a bug with MetronomeMark (\tempo)
>
> I don't believe it's a "bug"… it's officially an enhancement request. ;)
It is a bug. All music notation
У пн, 2010-01-18 у 10:07 -0500, Kieren MacMillan пише:
> Hi Gerard (et al.),
>
> > I believe you can use \markup and take a look at selected snippets here:
> > http://lilypond.org/doc/v2.13/Documentation/notation/writing-text#text-marks
> > ("Aligning marks with various notation objects")
> > […]
Hi Xavier,
> Well, actually there is a bug with MetronomeMark (\tempo)
I don't believe it's a "bug"… it's officially an enhancement request. ;)
> which prevents to align it "the right way" (i.e. left-aligned on time
> signature for \tempo "text").
Correct.
However, that still doesn't mean we
Hi Gerard (et al.),
> I believe you can use \markup and take a look at selected snippets here:
> http://lilypond.org/doc/v2.13/Documentation/notation/writing-text#text-marks
> ("Aligning marks with various notation objects")
> […]
> May be 'X-offset or 'Y-offset or 'offset or 'extra-offset for
>
Hi Gerard,
2010/1/18 Gerard McConnell :
> Hello,
> I'm sure this is in the docs somewhere;
> I've checked the index, sections 4.4 & 4.5, and the
> snippets list, but I can't figure out how to write some
> text (\markup?) above the clefs.
Well, actually there is a bug with MetronomeMark (\tempo)
On Mon, Jan 18, 2010 at 04:27:26PM +0200, Dmytro O. Redchuk wrote:
> For instance: "In the ancient-accidental.ly regtest, the accidentals for
> hufnagel and **MENSURAL** look exactly the same. Shouldn't they be
> different?" I don't know actually.
Well, ignore any regtests that you have no clue a
rasAK writes:
> Apologies...I'm sure this is addressed somewhere (but I did search the
> documentation and this forum!).
>
> How do I add rehearsal letters to an existing score without going through
> and adding a "\mark" for every letter in every part?
You can likely make a voice containing jus
У пн, 2010-01-18 у 14:18 +, Gerard McConnell пише:
> Hello,
> I'm sure this is in the docs somewhere;
> I've checked the index, sections 4.4 & 4.5, and the
> snippets list, but I can't figure out how to write some
> text (\markup?) above the clefs.
I believe you can use \markup and take a
Apologies...I'm sure this is addressed somewhere (but I did search the
documentation and this forum!).
How do I add rehearsal letters to an existing score without going through
and adding a "\mark" for every letter in every part?
Thanks so much!
Randy
--
View this message in context:
http://o
У пн, 2010-01-18 у 10:20 +, Graham Percival пише:
> 1. Comparisons: go here, and select the version you want to check:
> http://lilypond.org/test/
> for example, v2.13.11-1
>
> You'll see the difference in regtests between v2.13.10 and v2.13.11.
> For any change, ask yourself if it's a change
Hello,
I'm sure this is in the docs somewhere;
I've checked the index, sections 4.4 & 4.5, and the
snippets list, but I can't figure out how to write some
text (\markup?) above the clefs.
I'd also like to be able to move the text around that area
a little bit, for which I'm guessing that it'
On 1/18/10 2:24 AM, "mike99" wrote:
> Carl's method of using partcombine allows for keeping the voice inputs
> separate. This makes the code clearer, and is encouraging since it's still
> undecided which notation to adopt; by changing a few declarations I could
> use either method (minus twea
and if you want to display 2/2 then add the following line before
\numericTimeSignature
\time 2/2
Likewise for 4/4
Patrick Schmidt wrote:
Alla breve (C with a vertical line through) is set by default with \time 2/2.
See Notation Reference 1.2.3 Time Signature
HTH
patrick
Origina
Hey, that's not an exotic chord, that's the common half-diminished one.
Use normal chord syntax.
\chords { a:m7.5- }
See
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Common-chord-modifiers#Common-chord-modifiers
TaoCG wrote:
Wafaic wrote:
Not exactly.
I can't find a way to w
Wafaic wrote:
>
> Not exactly.
> I can't find a way to write in full "Am7b5".
> And if I find a way, I'd like to write "Am on one level, and 7b5 a little
> higher.
>
Maybe this is something for you.
http://lsr.dsi.unimi.it/LSR/Item?id=608
It's a little tricky because your entry will be conve
Thanks everyone for the help!!! I got it!
\version "2.12.2"
\markup{
\bold{
4.
\raise #0.5 {
\hspace #-2
a
}
}
}
try these and you'll what I was looking for.
Again thanks!
Oh! Frank, next time if you are not interested, just pass over the threat
instead of making nul
Alla breve (C with a vertical line through) is set by default with \time 2/2.
See Notation Reference 1.2.3 Time Signature
HTH
patrick
Original-Nachricht
> Datum: Mon, 18 Jan 2010 11:14:58 +0100
> Von: Ove Ditlevsen
> An: lilypond-user@gnu.org
> Betreff: alla breve
> Please, ca
Ove Ditlevsen writes:
> Please, can anybody tell me how to set "alla breve" (C with a vertical
> line through)?
\time 2/2
I see an example for it (as well as how to change this to 2/2 notation
if wanted) right in the obvious part of the notation reference, at
Musical notation:Rhythms:Displaying
On Mon, Jan 18, 2010 at 9:47 AM, Dmytro O. Redchuk
wrote:
> У сб, 2010-01-16 у 15:33 +, Graham Percival пише:
>> It would be nice if somebody could check the regtest comparison...
>> it's too late to recall 2.13.11 if it broke anything, but if it *did*
>> break something, the sooner we find ou
Please, can anybody tell me how to set "alla breve" (C with a vertical line
through)?
Thanks in advance
Ove Ditlevsen
Professor Emeritus, dr.techn. Ove Ditlevsen
Department of Mechanical Engineering
Coastal, Maritime and Structural Engineering
Technical University of Denmark
Nils Koppels Allé
B
Am Montag, 18. Januar 2010 schrieb Pato Press:
> Ok thats great!
> even if I dont know how to find that character!!
> eventualy I can copy paste :)
Here's your four: ⁴ ;-)
--
Gruß | Greetings | Qapla'
Kids in the back seat cause accidents. Accidents in the backseat cause kids.
signature.asc
Des
Use charmap on Windows.
Could you create what you want in Paint or some other drawing problem?
It's getting hard for me to comprehend :)
This is what I understand:
\markup { \concat { 4 \super { \combine a \raise #-0.4 "." } } }
Rendering:
Pato Press wrote:
Ok thats great!
even if I d
У сб, 2010-01-16 у 15:33 +, Graham Percival пише:
> It would be nice if somebody could check the regtest comparison...
> it's too late to recall 2.13.11 if it broke anything, but if it *did*
> break something, the sooner we find out about it, the faster we can
> fix it.
>
> More info in the Co
Wafaic wrote:
>
> Hey,
> I try to write a chord, but without success.
> It is a Am7b5.
> I'd like to have Am on the same level, and 7b5 a little up the rest of the
> name.
> Is there a solution?
> Thanks,
> Éric
>
Do you mean to typeset it as a superscript? See the Notation Reference,
1.8.2 "
Ok thats great!
even if I dont know how to find that character!!
eventualy I can copy paste :)
Its quite near to what Im looking for.
the thing is, is there a way to have the dot out of \super mode?
now that you show me these, I think that what I am looking for is for a way
of left-align the "a" wi
Thanks to all for the replies. An approach using chord structure would seem
difficult, since the voices are not kept separate. The << \\ >> and << { }
\\ {} >> structures should work, but don't seem very elegant compared to
writing separate voices. After some initial discussion with someone in t
What about
\markup {
\line {4 \super { ạ }}}
}
Note that LilyPond can use most Unicode characters.
Pato Press wrote:
Thanks James, I've just check that and doesn't work :(
It still gives me the same.
What I need its like having a new character consisting in the "a" in
\super mode with a d
Thanks James, I've just check that and doesn't work :(
It still gives me the same.
What I need its like having a new character consisting in the "a" in \super
mode with a dot under it.
4. \super a %with the "a" aligned over the dot
is that posible? Or ill have to investigate in the creation of ch
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