David Stocker wrote:
Paul,
Are you using Linux or Windows XP?
After you install LilyPond, you'll have all the files you need for
lilypond-mode to work right there in your installation directory.
You'll just need to tell Emacs where to locate them.
In your .emacs.d directory you'll need a fi
Carl Sorensen schrieb:
On 7/23/09 12:28 PM, "Kieren MacMillan"
wrote:
Hi Mark,
is there a clear advantage to having a smaller namespace?
No need to maintain crossrefs and aliases in the documentation.
[Might not be a huge thing, but it's a "clear advantage".]
I don't
Hello,
I am a Dutch composer who moved to Sweden to live there.
Till I lived here in Sweden, I always used Finale, which I bought in Holland
legally...but now they sent awful blockings, so that I had to register
again...but did not have the registration-number anymore...
And now all of my sheetm
Instead of putting a single, double, or triple slash tremolo on a snare drum
note, how do you add the "z" as a roll?
\version "2.12.2"
\drums {
sn4 sn8 sn sn4 sn4:32
sn8 sn16 sn sn sn8 sn16 sn8 sn sn4
}
How would I add the "z" marking to the red snare example?
--
Matthew R. Nichols
"Therefo
On 07/23/2009 01:24 PM, ian rashkin wrote:
hi, am a total newbie to lilypond, but way impressed, hope to use it a lot.
interested in outputting clips as png, so trying various combinations, all of
which are the same result.
file scale.ly:
\version "2.12.0" % necessary for upgrading to future L
Mark Polesky wrote:
Does anyone have a suggestion?
Some time back I chose this missing bracket as a theme for a Scheme exercise.
Nothing revolutionary, just to get some practice in Scheme.
It has the limitations arising from misusing Arpeggio.
I found it needed a lot of different tweaks to
Hi,
Thanks and thanks for your work !
Just a litle mistakes
Menu Plugins
LilyPondTool
Block
{}
done "< >" in place of "{ }"
and
Menu Utilities
Global Option
JEdit
Shortcuts Plugin: LilyPondTool
There are no blocs "{ }'
Regards
--
Martial
On 7/23/09 12:28 PM, "Kieren MacMillan"
wrote:
> Hi Mark,
>
>> is there a clear advantage to having a smaller namespace?
>
> No need to maintain crossrefs and aliases in the documentation.
> [Might not be a huge thing, but it's a "clear advantage".]
I don't think it's necessary to maintain
Alexander Kobel wrote:
> Ah, I think you mean something like this?
> http://lilypond.org/doc/v2.13/input/lsr/lilypond-snippets/Keyboards#Indicating-cross_002dstaff-chords-with-arpeggio-bracket
>
>
> I know the L-shaped form, too; probably one can adapt the
> solution from the snippet above and cut
Josh Nichols wrote:
How can I raise or lower the metronome marking in the following example:
\version "2.12.2"
c'' {
\clef treble
\time 2/4
\tempo 4 = 120
c e
}
Any guidance? Thanks for your help!
Hi, Josh,
try
\once \override Score . MetronomeMark #'padding = #42
for yo
Hi Mark,
is there a clear advantage to having a smaller namespace?
No need to maintain crossrefs and aliases in the documentation.
[Might not be a huge thing, but it's a "clear advantage".]
Cheers,
Kieren.
___
lilypond-user mailing list
lilypond-u
Mark Polesky wrote:
Oscar van Eijk wrote:
Hi all,
I wrote a piece for piano that I'm now typesetting in Lilypond.
However, there's a construction in which I run into problems. I've
attached an snippet that shows a bit what I need (it's the same bar
twice); the triplets in the left hand are conn
How can I raise or lower the metronome marking in the following example:
\version "2.12.2"
c'' {
\clef treble
\time 2/4
\tempo 4 = 120
c e
}
Any guidance? Thanks for your help!
-
Josh Nichols
SDG
___
lil
James E. Bailey wrote:
On 23.07.2009, at 07:16, Paul Scott wrote:
James E. Bailey wrote:
On 23.07.2009, at 04:20, Paul Scott wrote:
Hi,
I'm resurrecting a laptop whose hard drive died. I'm trying to set
up Emacs lilypond-mode.
AU 2.2.1 tells me to do a 'make install' in the elisp dire
Oscar van Eijk wrote:
> Hi all,
>
> I wrote a piece for piano that I'm now typesetting in Lilypond.
> However, there's a construction in which I run into problems. I've
> attached an snippet that shows a bit what I need (it's the same bar
> twice); the triplets in the left hand are connected to a
On 23.07.2009, at 07:16, Paul Scott wrote:
James E. Bailey wrote:
On 23.07.2009, at 04:20, Paul Scott wrote:
Hi,
I'm resurrecting a laptop whose hard drive died. I'm trying to
set up Emacs lilypond-mode.
AU 2.2.1 tells me to do a 'make install' in the elisp directory.
I don't see a
David Stocker wrote:
To clarify, replace everything between the " " with the exact syntax
and spelling of your site-lisp directory. I just realized that bold
and italic may show up on some people's system as * * and extra / /
Thanks!
I'll try this later today on my laptop. (running Debian si
Felix Krause wrote:
Hi all,
I have two problems with endings of volta repeats:
1) I have a volta repeat with an alternative ending, like this:
\override Score.BarNumber #'break-visibility = #'#(#t #t #t)
\repeat volta 2 { r4 f r f }
\alternative { { r f r f } { r f r a, } }
d a d a
The two e
Hi all,
I have two problems with endings of volta repeats:
1) I have a volta repeat with an alternative ending, like this:
\override Score.BarNumber #'break-visibility = #'#(#t #t #t)
\repeat volta 2 { r4 f r f }
\alternative { { r f r f } { r f r a, } }
d a d a
The two endings should have th
Carl Sorensen wrote:
> For me, I think the "correct musical semantics" argument overrides the
> "don't expand the namespace" argument.
Pardon my ignorance, but is there a legitimate downside to expanding
the namespace? Does it affect performance speed? Eat up memory? Or is
it just that it makes
Hi all,
I wrote a piece for piano that I'm now typesetting in Lilypond. However,
there's a construction in which I run into problems.
I've attached an snippet that shows a bit what I need (it's the same bar
twice); the triplets in the left hand are connected to a chord, but the
highest notes are p
To clarify, replace everything between the " " with the exact syntax and
spelling of your site-lisp directory. I just realized that bold and
italic may show up on some people's system as * * and extra / /
David
David Stocker wrote:
Paul,
Are you using Linux or Windows XP?
After you install
Paul,
Are you using Linux or Windows XP?
After you install LilyPond, you'll have all the files you need for
lilypond-mode to work right there in your installation directory. You'll
just need to tell Emacs where to locate them.
In your .emacs.d directory you'll need a file called "init.el" It
Dear LilyPonders,
after some weeks of beta testing (thanks goes to those who tested and
reported problems), I've released the latest version of LilyPondTool to
the jEdit plugin central. Hopefully it will be soon available for
download from the plugin manager.
But they, who can't wait until t
On 7/22/09 8:29 AM, "Kieren MacMillan"
wrote:
> Hi all,
>
> Just adding my 2ยข...
>
>>> I might disagree. I'm big on semantics, and I would rather have a
>>> lot of commands that create the same look but mean different
>>> things, than have one command that creates a look which could mean
>>>
Federico Bruni schrieb:
Marc Hohl wrote:
Federico Bruni schrieb:
Hi all,
I'm trying to add hammer-on and pull-off to a tablature.
These are not supported by tablature.ly, so I was told to use an
.eps file and \markup to get what I want.
Hi Federico,
as long as you need simple slurs to ind
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