Tim McNamara wrote:
>
> You need to define exceptions to the way that LilyPond writes
> chords. One way is to use one of the alternative chord rendering
> methods that you can find in the snippet repository. You can put
> this into a .ly file and use the \include command to call it when
Reinhold Kainhofer 写道:
Am Mittwoch, 20. Mai 2009 21:42:53 schrieb fiëé visuëlle:
Am 2009-05-20 um 19:13 schrieb Reinhold Kainhofer:
Actually, both don't really help, since the automatic table of
contents is one
large markup list and you don't know beforehand where it should flow
to the
second c
2009/5/19 Carl D. Sorensen :
>
>
>
> On 5/18/09 4:09 PM, "Neil Puttock" wrote:
>> Here's a slightly simplified version:
>>
>> #(define-markup-command (fingernail layout props) ()
>> (ly:make-stencil
>> (list 'bezier-sandwich
>> '(list 1.6 1.5 0.4 1.5 0 0 2 0
>
> Thi
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Am Mittwoch, 20. Mai 2009 21:42:53 schrieb fiëé visuëlle:
> Am 2009-05-20 um 19:13 schrieb Reinhold Kainhofer:
> > Actually, both don't really help, since the automatic table of
> > contents is one
> > large markup list and you don't know beforehand wh
Am 2009-05-20 um 19:13 schrieb Reinhold Kainhofer:
Actually, both don't really help, since the automatic table of
contents is one
large markup list and you don't know beforehand where it should flow
to the
second column (so you can't automatically split it in half, either).
What is
actually
2009/5/20 Graham Percival :
> On Wed, May 20, 2009 at 10:48:58AM -0600, Carl D. Sorensen wrote:
>>
>> I've always thought that pushing against the fingerboard created a fixed end
>> to the string, while just touching the string created a node. Perhaps the
>> "pulling the string towards the arm" te
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Am Mittwoch, 20. Mai 2009 18:48:06 schrieb Herbert Niemeyer:
> Hi,
>
> have a look at:
> http://lsr.dsi.unimi.it/LSR/Search?q=two+columns
> and
> http://lilypond.org/doc/v2.13/input/lsr/lilypond-snippets/Text#Stand_002dal
>one-two_002dcolumn-markup
Ac
On Wed, May 20, 2009 at 10:48:58AM -0600, Carl D. Sorensen wrote:
>
> I've always thought that pushing against the fingerboard created a fixed end
> to the string, while just touching the string created a node. Perhaps the
> "pulling the string towards the arm" technique creates enough force that
On 5/20/09 10:41 AM, "Graham Percival" wrote:
> On Wed, May 20, 2009 at 10:19:47AM -0600, Carl D. Sorensen wrote:
>>
>
> Nonsense. You can push down a string without a fingerboard... ok,
> granted this *really* makes the "ideal string" calculations
> questionable, since you're changing the
Hi,
have a look at:
http://lsr.dsi.unimi.it/LSR/Search?q=two+columns
and
http://lilypond.org/doc/v2.13/input/lsr/lilypond-snippets/Text#Stand_002dalone-two_002dcolumn-markup
Herbert
Wei-Wei Guo wrote:
Dear all,
I'm working on a songbook, which has many songs. Since the song name
is very shor
On Wed, May 20, 2009 at 10:19:47AM -0600, Carl D. Sorensen wrote:
>
> On 5/20/09 9:20 AM, "Graham Percival" wrote:
>
> > Oh, come on! There's no theoretical maximum frequency of a violin
> > string[1]. Just start on the G string and slide up. ;)
In case anybody is wondering, the formula for
On 5/20/09 9:20 AM, "Graham Percival" wrote:
> On Tue, May 19, 2009 at 11:04:30AM +0200, Mats Bengtsson wrote:
>>
>> I've played several orchestral pieces where the violin parts include
>> glissandi ranging over several strings.
>> Mahler Symphony no. 4 comes to my mind, for example. I'm stil
On Tue, May 19, 2009 at 11:04:30AM +0200, Mats Bengtsson wrote:
>
> I've played several orchestral pieces where the violin parts include
> glissandi ranging over several strings.
> Mahler Symphony no. 4 comes to my mind, for example. I'm still uncertain
> on exactly how to play it, though, but
On Wed, May 20, 2009 at 10:42:28AM +0100, Alex wrote:
> An alternative for my own context could be to just offer a subset of
> lilypond functionality, and reject any output that goes beyond that.
This is what -dsafe does. However, this disallows many useful
tweaks, and also doesn't stop a par
On Tue, May 19, 2009 at 07:35:00AM +0200, Helge Kruse wrote:
> For me each is confusing as the other, since I don't understand scheme.
> Is there any "Scheme in a nutshell", probably especially for Lilypond?
You mean "in addition to LM appendix B. Scheme tutorial", or
"instead of LM appendix B.
Dear all,
I'm working on a songbook, which has many songs. Since the song name is very
short,
it would be better look putting them in two columns. Can I do this?
BTW, how to set vertical space between the title of ToC and the contents? I
tried
tocTitleMarkup = \markup \override #'(baseline-
Daniel Hulme wrote:
This might sound like nitpicking, but since security's concerned, I want
to be absolutely clear.
On Tue, May 19, 2009 at 01:08:28PM -0400, Mike Blackstock wrote:
Furthermore, you just limit the number of utilities you put in the
/bin directories; if you don't have the 'rm
Mike Blackstock wrote:
Install Lilypond in its own chroot jail using Olivier Sessink's
jailkit available
at http://olivier.sessink.nl/jailkit/ A 'chroot jail' means putting Lilypond on
its own filesystem so that nefarious activity - such as deleting
arbitrary files -
will be limited to the Lilypo
Marc Hohl schrieb:
Marc Hohl schrieb:
Neil Puttock schrieb:
2009/5/16 Marc Hohl :
[...]
It seems to me that (at least at the moment) there is no simple way
to draw parentheses automatically around fret numbers, so I propose
a different attempt:
a command \showTabTieBreaks is provided, which
Mats and Jon, thank yoou for your comments,
I will \revert
Second, glissandos between different strings is - if not impossible
to play
- very seldom to find, so
to: glissandos between different strings are possible but there seems to
be no common
sense how to play :-)
I've played several o
This might sound like nitpicking, but since security's concerned, I want
to be absolutely clear.
On Tue, May 19, 2009 at 01:08:28PM -0400, Mike Blackstock wrote:
> Furthermore, you just limit the number of utilities you put in the
> /bin directories; if you don't have the 'rm' command in there, th
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