Arno Rog wrote:
Hi,
Just to learn LilyPond better I've engraved the splendid Organ Sonata "Der
94ste Psalm" by Julius Reubke (1834-1858) with LilyPond 2.13.1.
The result can be seen here [1]. The 28-page score is based on the IMSLP score
(first edition 1871) of this piece.
[Dutch]Werkel
version "2.12.2"
qBeam = {
#(revert-auto-beam-setting '(end 1 32 4 4) 1 8)
#(revert-auto-beam-setting '(end 1 32 4 4) 2 8)
#(revert-auto-beam-setting '(end 1 32 4 4) 3 8)
#(revert-auto-beam-setting '(end 1 32 4 4) 4 8)
#(revert-auto-beam-setting '(end 1 32 4 4) 5 8)
#(revert-auto-beam-se
2009/4/17 Jayaratna :
> \time 4/4
> g''16. (a32) bes8 a16. (bes32) c8 bes16. (a32) g8~ g fis
> g16. (a32) bes8 f!16. (g32) ees8 d16. (c32) bes8 f'16. (g32) ees8
>
> I get a very odd beaming. Do I have to manual beam all the piece in order to
> get beamings of 1/4?
It may be due to the way the 32n
Actually, the tie calls the slur code, so I think it's already done. But
I'll check it out more thoroughly.
Carl
On 4/16/09 10:27 PM, "David Stocker" wrote:
> Righteous.
>
> Not to impede your efforts, but can the same idea be applied to
> ties--the variable thickness, not the half & half?
>
Righteous.
Not to impede your efforts, but can the same idea be applied to
ties--the variable thickness, not the half & half?
Carl D. Sorensen wrote:
Dear LilyPond users,
I've posted a patch for approval that implements variable thickness dashed
and part-dashed, part-solid slurs. I hope it
Dear LilyPond users,
I've posted a patch for approval that implements variable thickness dashed
and part-dashed, part-solid slurs. I hope it will be fully implemented in
2.13.1.
As a preview, here's some slurs that were output by the new code.
Please let me know if these are acceptable, or if y
Francisco Vila gmail.com> writes:
> How could all Mutopia sources be updated to a recent version?
> Impossible, I guess.
Not impossible, but it would take a __lot__ of work.
> Does Mutopia have any version control system? If I'm not wrong, it is
> all email-based.
Subversion is used internally.
Dear all,
I am sorry if this may look like a silly question: I tryed searching but
maybe the solution is so simple and yet I can't see it.
Typing this:
\time 4/4
g''16. (a32) bes8 a16. (bes32) c8 bes16. (a32) g8~ g fis
g16. (a32) bes8 f!16. (g32) ees8 d16. (c32) bes8 f'16. (g32) ees8
Hi,
I'm trying to write a music function that does certain parts of \partcombine's
job (mainly to remove duplicate dynamics and text). All works as expected,
except that when running lilypond I get "Two simultaneous mark events" warnings
for each staff other than the first. Could anyone tell me a
Am Donnerstag, den 16.04.2009, 07:56 -0500 schrieb r...@uber.name:
> > - Why do Lilyond Engravers have inhibitions to store their score in Mutopia?
> > - Are there any hidden fences which I am not able to see?
> > - Are the copyright-restrictions the reason for keeping scores hidden?
> > - Is Mutop
Hi all
I have some (pitched) music that I want to output to midi as a snare
drum (other percussion based instruments - bass drum, tom-tom...) for
rhythm practice.
How can I do this?
\version "2.12.2"
music = {
\time 4/4
\tempo 4 = 150
\relative c'{
c4. g c16
Carl D. Sorensen wrote:
>
>
>
> 2. Will the transition always be in the middle, or would it be preferable
> to
> define the transition point (e.g. 3/4 dashed, 1/4 solid).
>
>
>
Actually, I found out that the "editorial" dashed slur is used in a very
"simple" manner in critical editions sco
2009/4/16 Anthony W. Youngman :
>> This is only true if you could set a negative binding margin, and even
>> in this case you could encounter problems with the paper size.
>> Otherwise, how would you specify big outer margins for a book?
>
> Umm. I'd never met that. Bearing in mind other people hav
If youve run the Lilypond install program then its already installed...
It will only convert from musicxml, not to musicxml.
Nick
From: Joana [mailto:joana...@gmail.com]
Sent: Thursday, 16 April 2009 23:15
To: Nick Payne
Cc: lilypond-user@gnu.org
Subject: Re: MusicXml and Lilypond 2.
In message
<7958d8c70904160057l5d36e23et24e0cbeb75085...@mail.gmail.com>, Francisco
Vila writes
2009/4/15 Anthony W. Youngman :
Just like a page has a top and bottom margin, and your usable area is
usually what's left (but may lose some to a header and/or footer space), so
from left to right y
> "Hajo" == Hajo Dezelski writes:
Hajo> So my questions:
Hajo> - Why do Lilyond Engravers have inhibitions to store their
Hajo> score in Mutopia?
I average at least one piece a week, and I sometimes get behind just the
overhead to put my work up on my own site, let alone submi
http://lilypond.org/doc/v2.12/Documentation/user/lilypond-program/Invoking-m
usicxml2ly#Invoking-musicxml2ly
> -Original Message-
> From: lilypond-user-bounces+nick.payne=internode.on@gnu.org
> [mailto:lilypond-user-bounces+nick.payne=internode.on@gnu.org] On
> Behalf Of Joana
> Se
Download the version 2.12.2 says that support the format MusicXml. But I do not
work. You have to be anything else?
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lilypond-user@gnu.org
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- Why do Lilyond Engravers have inhibitions to store their score in Mutopia?
- Are there any hidden fences which I am not able to see?
- Are the copyright-restrictions the reason for keeping scores hidden?
- Is Mutopia not worth contributing?
- Why is Mutopia not the official music code repository
Op donderdag 16 april 2009, schreef Arno Rog:
> [Dutch]Werkelijk meesterlijk Wilbert![/Dutch]
[Dutch] (bloost) Dank, Dank! [/Dutch]
> Magnificent score, exemplary use of incorporating separate ly-files into
> one score, makes me realize there is still só much to learn!!!
Me too :-) I learnt a lo
Op donderdag 16 april 2009, schreef Hajo Dezelski:
> On topic: I havent worked with Google code yet (only with the other
> apps). Could you describe in short how you organized your workflow?
Googlecode works very easy. It provides a free SVN repository for code or
documentation that must have som
Hi all,
I don't know the proper english names for it [...]
I haven't found any sources in english, but there is an article in
German on wikipedia:
Here's what Robert Bringhurst's "The Elements of Typographic Style"
has (pg. 170):
measure = width of text block
spine margin or back
Hello Wilbert,
It was not my intention to kind of "force" you to submit the score to
Mutopia. It was more a general reflection about the interactions
between Lilypond and Mutopia.
On topic: I havent worked with Google code yet (only with the other
apps). Could you describe in short how you organi
Op donderdag 16 april 2009, schreef -Eluze:
> beautiful and powerful!
>
> on which OS are you?
Linux.
> I just compiled the whole score under windows/xp-sp3 with 512 MB RAM and I
> can confirm it used up to 665MB main memory - and of course it took a long
> time to finish: 46 minutes!
That'd mai
Op donderdag 16 april 2009, schreef Hajo Dezelski:
> looking at the beautiful Reubke score I ask myself again why do I have
> to add another link to my list, when we have a working repository for
> music: Mutopia.
It is my intention to submit this score to Mutopia!
(And others I created as well)
Dag Simon Bailey,
op donderdag 16 april 2009, schreef je:
> nice. that is an amazing piece of work. congratulations. and i'm
> intrigued: can you recommend a good recording? (preferably available
> via itunes...)
Thomas Trotter made a very good recording, although the organ (Klais) sounds a
2009/4/16 Hajo Dezelski :
> - Why do Lilyond Engravers have inhibitions to store their score in Mutopia?
> - Are there any hidden fences which I am not able to see?
> - Are the copyright-restrictions the reason for keeping scores hidden?
> - Is Mutopia not worth contributing?
> - Why is Mutopi
Hello,
looking at the beautiful Reubke score I ask myself again why do I have
to add another link to my list, when we have a working repository for
music: Mutopia.
Following closely discussions on this mailing-list you will notice
that tons of scores are engraved with Lilypond. (Applause!) And mo
First, currently the output has "Bm" for my chord, but actually I would
like to have it as 'Bm \super "omit3"/A'. (No, I don't really mind about
the midi output. :) )
As a guitarist, I would call this chord B5/A, because it without the
third, it isn't really
a minor chord - but this
Anthony W. Youngman schrieb:
I don't know there is one. Why should there be?
Just like a page has a top and bottom margin, and your usable area is
usually what's left (but may lose some to a header and/or footer
space), so from left to right you normally have left and right margin
with usable
hi wilbert,
On 15 Apr 2009, at 23:06, Wilbert Berendsen wrote:
Just to learn LilyPond better I've engraved the splendid Organ
Sonata "Der
94ste Psalm" by Julius Reubke (1834-1858) with LilyPond 2.13.1.
The result can be seen here [1]. The 28-page score is based on the
IMSLP score
(first edi
2009/4/15 Anthony W. Youngman :
> Just like a page has a top and bottom margin, and your usable area is
> usually what's left (but may lose some to a header and/or footer space), so
> from left to right you normally have left and right margin with usable area
> being what's left, you sometimes lose
> Hi,
>
> Just to learn LilyPond better I've engraved the splendid Organ Sonata "Der
> 94ste Psalm" by Julius Reubke (1834-1858) with LilyPond 2.13.1.
> The result can be seen here [1]. The 28-page score is based on the IMSLP
> score
> (first edition 1871) of this piece.
[Dutch]Werkelijk meest
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