Re: Lilypond is amazing! (engraving Reubke)

2009-04-16 Thread M Watts
Arno Rog wrote: Hi, Just to learn LilyPond better I've engraved the splendid Organ Sonata "Der 94ste Psalm" by Julius Reubke (1834-1858) with LilyPond 2.13.1. The result can be seen here [1]. The 28-page score is based on the IMSLP score (first edition 1871) of this piece. [Dutch]Werkel

Re: Strange beaming pattern in 4/4

2009-04-16 Thread nick . payne
version "2.12.2" qBeam = { #(revert-auto-beam-setting '(end 1 32 4 4) 1 8) #(revert-auto-beam-setting '(end 1 32 4 4) 2 8) #(revert-auto-beam-setting '(end 1 32 4 4) 3 8) #(revert-auto-beam-setting '(end 1 32 4 4) 4 8) #(revert-auto-beam-setting '(end 1 32 4 4) 5 8) #(revert-auto-beam-se

Re: Strange beaming pattern in 4/4

2009-04-16 Thread Matthew Rowles
2009/4/17 Jayaratna : > \time 4/4 > g''16. (a32) bes8 a16. (bes32) c8 bes16. (a32) g8~ g fis > g16. (a32) bes8 f!16. (g32) ees8 d16. (c32) bes8 f'16. (g32) ees8 > > I get a very odd beaming. Do I have to manual beam all the piece in order to > get beamings of 1/4? It may be due to the way the 32n

Re: Dashed, variable-thickness slurs

2009-04-16 Thread Carl D. Sorensen
Actually, the tie calls the slur code, so I think it's already done. But I'll check it out more thoroughly. Carl On 4/16/09 10:27 PM, "David Stocker" wrote: > Righteous. > > Not to impede your efforts, but can the same idea be applied to > ties--the variable thickness, not the half & half? >

Re: Dashed, variable-thickness slurs

2009-04-16 Thread David Stocker
Righteous. Not to impede your efforts, but can the same idea be applied to ties--the variable thickness, not the half & half? Carl D. Sorensen wrote: Dear LilyPond users, I've posted a patch for approval that implements variable thickness dashed and part-dashed, part-solid slurs. I hope it

Dashed, variable-thickness slurs

2009-04-16 Thread Carl D. Sorensen
Dear LilyPond users, I've posted a patch for approval that implements variable thickness dashed and part-dashed, part-solid slurs. I hope it will be fully implemented in 2.13.1. As a preview, here's some slurs that were output by the new code. Please let me know if these are acceptable, or if y

Re: Why do Lilyond Engravers have inhibitions to store their score in Mutopia?

2009-04-16 Thread Jay Anderson
Francisco Vila gmail.com> writes: > How could all Mutopia sources be updated to a recent version? > Impossible, I guess. Not impossible, but it would take a __lot__ of work. > Does Mutopia have any version control system? If I'm not wrong, it is > all email-based. Subversion is used internally.

Strange beaming pattern in 4/4

2009-04-16 Thread Jayaratna
Dear all, I am sorry if this may look like a silly question: I tryed searching but maybe the solution is so simple and yet I can't see it. Typing this: \time 4/4 g''16. (a32) bes8 a16. (bes32) c8 bes16. (a32) g8~ g fis g16. (a32) bes8 f!16. (g32) ees8 d16. (c32) bes8 f'16. (g32) ees8

"Two simultaneous events" warnings

2009-04-16 Thread gnomino
Hi, I'm trying to write a music function that does certain parts of \partcombine's job (mainly to remove duplicate dynamics and text). All works as expected, except that when running lilypond I get "Two simultaneous mark events" warnings for each staff other than the first. Could anyone tell me a

Re: Re:Why do Lilyond Engravers have inhibitions to store their score in Mutopia?

2009-04-16 Thread René Brandenburger
Am Donnerstag, den 16.04.2009, 07:56 -0500 schrieb r...@uber.name: > > - Why do Lilyond Engravers have inhibitions to store their score in Mutopia? > > - Are there any hidden fences which I am not able to see? > > - Are the copyright-restrictions the reason for keeping scores hidden? > > - Is Mutop

Pick a pitch/instrument in MIDI output

2009-04-16 Thread Matthew Rowles
Hi all I have some (pitched) music that I want to output to midi as a snare drum (other percussion based instruments - bass drum, tom-tom...) for rhythm practice. How can I do this? \version "2.12.2" music = { \time 4/4 \tempo 4 = 150 \relative c'{ c4. g c16

Re: Slur / phrasingSlur half dashed, half solid

2009-04-16 Thread MonAmiPierrot
Carl D. Sorensen wrote: > > > > 2. Will the transition always be in the middle, or would it be preferable > to > define the transition point (e.g. 3/4 dashed, 1/4 solid). > > > Actually, I found out that the "editorial" dashed slur is used in a very "simple" manner in critical editions sco

Re: Margins

2009-04-16 Thread Francisco Vila
2009/4/16 Anthony W. Youngman : >> This is only true if you could set a negative binding margin, and even >> in this case you could encounter problems with the paper size. >> Otherwise, how would you specify big outer margins for a book? > > Umm. I'd never met that. Bearing in mind other people hav

RE: MusicXml and Lilypond 2.12.2

2009-04-16 Thread Nick Payne
If you’ve run the Lilypond install program then it’s already installed... It will only convert from musicxml, not to musicxml. Nick From: Joana [mailto:joana...@gmail.com] Sent: Thursday, 16 April 2009 23:15 To: Nick Payne Cc: lilypond-user@gnu.org Subject: Re: MusicXml and Lilypond 2.

Re: Margins

2009-04-16 Thread Anthony W. Youngman
In message <7958d8c70904160057l5d36e23et24e0cbeb75085...@mail.gmail.com>, Francisco Vila writes 2009/4/15 Anthony W. Youngman : Just like a page has a top and bottom margin, and your usable area is usually what's left (but may lose some to a header and/or footer space), so from left to right y

Re: Why do Lilyond Engravers have inhibitions to store their score in Mutopia?

2009-04-16 Thread Laura Conrad
> "Hajo" == Hajo Dezelski writes: Hajo> So my questions: Hajo> - Why do Lilyond Engravers have inhibitions to store their Hajo> score in Mutopia? I average at least one piece a week, and I sometimes get behind just the overhead to put my work up on my own site, let alone submi

RE: MusicXml and Lilypond 2.12.2

2009-04-16 Thread Nick Payne
http://lilypond.org/doc/v2.12/Documentation/user/lilypond-program/Invoking-m usicxml2ly#Invoking-musicxml2ly > -Original Message- > From: lilypond-user-bounces+nick.payne=internode.on@gnu.org > [mailto:lilypond-user-bounces+nick.payne=internode.on@gnu.org] On > Behalf Of Joana > Se

MusicXml and Lilypond 2.12.2

2009-04-16 Thread Joana
Download the version 2.12.2 says that support the format MusicXml. But I do not work. You have to be anything else? ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re:Why do Lilyond Engravers have inhibitions to store their score in Mutopia?

2009-04-16 Thread ross
- Why do Lilyond Engravers have inhibitions to store their score in Mutopia? - Are there any hidden fences which I am not able to see? - Are the copyright-restrictions the reason for keeping scores hidden? - Is Mutopia not worth contributing? - Why is Mutopia not the official music code repository

Re: Lilypond is amazing! (engraving Reubke)

2009-04-16 Thread Wilbert Berendsen
Op donderdag 16 april 2009, schreef Arno Rog: > [Dutch]Werkelijk meesterlijk Wilbert![/Dutch] [Dutch] (bloost) Dank, Dank! [/Dutch] > Magnificent score, exemplary use of incorporating separate ly-files into > one score, makes me realize there is still só much to learn!!! Me too :-) I learnt a lo

re: googlecode (was: Why do ...)

2009-04-16 Thread Wilbert Berendsen
Op donderdag 16 april 2009, schreef Hajo Dezelski: > On topic: I havent worked with Google code yet (only with the other > apps). Could you describe in short how you organized your workflow? Googlecode works very easy. It provides a free SVN repository for code or documentation that must have som

Re: Margins

2009-04-16 Thread Kieren MacMillan
Hi all, I don't know the proper english names for it [...] I haven't found any sources in english, but there is an article in German on wikipedia: Here's what Robert Bringhurst's "The Elements of Typographic Style" has (pg. 170): measure = width of text block spine margin or back

Re: Why do Lilyond Engravers have inhibitions to store their score in Mutopia?

2009-04-16 Thread Hajo Dezelski
Hello Wilbert, It was not my intention to kind of "force" you to submit the score to Mutopia. It was more a general reflection about the interactions between Lilypond and Mutopia. On topic: I havent worked with Google code yet (only with the other apps). Could you describe in short how you organi

Re: Lilypond is amazing! (engraving Reubke)

2009-04-16 Thread Wilbert Berendsen
Op donderdag 16 april 2009, schreef -Eluze: > beautiful and powerful! > > on which OS are you? Linux. > I just compiled the whole score under windows/xp-sp3 with 512 MB RAM and I > can confirm it used up to 665MB main memory - and of course it took a long > time to finish: 46 minutes! That'd mai

Re: Why do Lilyond Engravers have inhibitions to store their score in Mutopia?

2009-04-16 Thread Wilbert Berendsen
Op donderdag 16 april 2009, schreef Hajo Dezelski: > looking at the beautiful Reubke score I ask myself again why do I have > to add another link to my list, when we have a working repository for > music: Mutopia. It is my intention to submit this score to Mutopia! (And others I created as well)

Re: Lilypond is amazing! (engraving Reubke)

2009-04-16 Thread Wilbert Berendsen
Dag Simon Bailey, op donderdag 16 april 2009, schreef je: > nice. that is an amazing piece of work. congratulations. and i'm > intrigued: can you recommend a good recording? (preferably available > via itunes...) Thomas Trotter made a very good recording, although the organ (Klais) sounds a

Re: Why do Lilyond Engravers have inhibitions to store their score in Mutopia?

2009-04-16 Thread Francisco Vila
2009/4/16 Hajo Dezelski : >  - Why do Lilyond Engravers have inhibitions to store their score in Mutopia? >  - Are there any hidden fences which I am not able to see? >  - Are the copyright-restrictions the reason for keeping scores hidden? >  - Is Mutopia not worth contributing? >  - Why is Mutopi

Why do Lilyond Engravers have inhibitions to store their score in Mutopia?

2009-04-16 Thread Hajo Dezelski
Hello, looking at the beautiful Reubke score I ask myself again why do I have to add another link to my list, when we have a working repository for music: Mutopia. Following closely discussions on this mailing-list you will notice that tons of scores are engraved with Lilypond. (Applause!) And mo

Re: Custom guitar chords

2009-04-16 Thread Marc Hohl
First, currently the output has "Bm" for my chord, but actually I would like to have it as 'Bm \super "omit3"/A'. (No, I don't really mind about the midi output. :) ) As a guitarist, I would call this chord B5/A, because it without the third, it isn't really a minor chord - but this

Re: Margins

2009-04-16 Thread Marc Hohl
Anthony W. Youngman schrieb: I don't know there is one. Why should there be? Just like a page has a top and bottom margin, and your usable area is usually what's left (but may lose some to a header and/or footer space), so from left to right you normally have left and right margin with usable

Re: Lilypond is amazing! (engraving Reubke)

2009-04-16 Thread Simon Bailey
hi wilbert, On 15 Apr 2009, at 23:06, Wilbert Berendsen wrote: Just to learn LilyPond better I've engraved the splendid Organ Sonata "Der 94ste Psalm" by Julius Reubke (1834-1858) with LilyPond 2.13.1. The result can be seen here [1]. The 28-page score is based on the IMSLP score (first edi

Re: Margins

2009-04-16 Thread Francisco Vila
2009/4/15 Anthony W. Youngman : > Just like a page has a top and bottom margin, and your usable area is > usually what's left (but may lose some to a header and/or footer space), so > from left to right you normally have left and right margin with usable area > being what's left, you sometimes lose

Re: Lilypond is amazing! (engraving Reubke)

2009-04-16 Thread Arno Rog
> Hi, > > Just to learn LilyPond better I've engraved the splendid Organ Sonata "Der > 94ste Psalm" by Julius Reubke (1834-1858) with LilyPond 2.13.1. > The result can be seen here [1]. The 28-page score is based on the IMSLP > score > (first edition 1871) of this piece. [Dutch]Werkelijk meest