2009/4/13 Wei-Wei Guo :
> Dear all,
>
> I sometimes want to see how a function or a variable is defined, for example
> the TimeScaledMusic. How can I find their definition in source code?
One way is to do a search on the gitweb interface for the repository:
http://git.savannah.gnu.org/gitweb/?p=l
You need to "define-markup-command",
not "define-music-function".
>> #(define-markup-command (timesig layout props numerator denominator)
>> (number? number?)
>> (interpret-markup layout props
>> (markup
[...]
>>
>> \markup \timesig #3 #4
>>
>> Regards,
>> Neil
--
Dmytro
Dear all,
I sometimes want to see how a function or a variable is defined, for example
the TimeScaledMusic. How can I find their definition in source code?
Best wishes,
Wei-Wei
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On Mon, Apr 13, 2009 at 6:41 AM, David Stocker
wrote:
>
>>> 2. Does it (now) bother anyone else that dashed slurs do not look like
>>> real slurs? I guess I always assumed — without visually confirming,
>>> obviously — that dashed slurs were real slurs (that thickened and tapered,
>>> etc.) with c
Hi Neil and Simon,
I also combined your solutions, but it isn't easy this time. I don't know how to
make the following code run without error.
timesig = #(define-music-function (parser location numerator denominator)
(number? number?)
#{
\once
2009/4/13 Dmytro O. Redchuk :
> \repeat "unfold" 0 { d4 d d d } % "zero" here
> That's not a problem, i can not say why one could need
> \repeat unfold *zero* { ":-)" }
That's a brilliant idea! Maybe the most useless feature ever, but it's
pretty cool anyway :-)
I'm not going to add it to ou
I'm getting this error showing up in the console output when running LP
2.12.2 against a particular score. LP continues building the score and I
can't see anything wrong with the PDF output produced:
programming error: minimise_least_squares (): Nothing to minimise
This means that vertical spaci
Whoops, Sorry Simon. I'd replied to your
earlier note before I saw this.
Trevor
- Original Message -
From: "Simon Bailey"
To: "Simon Bailey"
Cc: "lilypond-user"
Sent: Monday, April 13, 2009 12:07 PM
Subject: Re: relative position of tempo and rehearsal marks
the documentation tr
There's actually quite an extended section on this
in the Learning Manual, with no need to go to the
Internals Reference. See Section 4.4.3 Outside-staff
objects.
Trevor
- Original Message -
From: "Simon Bailey"
To: "Frédéric Bron"
Cc: "lilypond-user"
Sent: Monday, April 13, 2009 1
Greetings everybody,
Well, it's time for a reboot! The LilyPond Report is back, with a new
design, new features... but still the same spirit :-)
OK, let’s admit it: this installment has been released with some
delay. Like, nine to ten months… How is that? What has happened since
then in the LilyP
Kieren MacMillan wrote:
> I now see that dashed "slurs" are simply dashed
> lines (of invariant
thickness) which curve along
> the path that a slur would take between
two notes.
> What is standard engraving practice when it comes
> to such
things?
It's funny. There's a handwritten example of a
h
2009/4/13 Nick Payne :
> Guitar stroke fingering is lower case, but with the orientation set to up,
> the p is not correctly aligned with the other characters in a succession of
> fingering indications, and with the orientation set to down, the i is
> similarly misaligned.
>
> This doesn't look ple
Am 13.04.2009 um 17:00 schrieb Neil Puttock:
2009/4/13 James E. Bailey :
I don't understand custom key signatures. Why are the accidentals
shown in
the second measure?
There's a bug in Accidental_engraver:
http://code.google.com/p/lilypond/issues/detail?id=733
Do I have to set the key si
2009/4/13 Simon Bailey :
>
> On Apr 13, 2009, at 3:17 PM, Wei-Wei Guo wrote:
>>
>> Combining your solutions, the following way is the better, but still to
>> long...
>>
>> \markup{ \override #'(baseline-skip . 1) {\center-column {\number 2
>> \number 4}}}
>
>
> define this as a variable, then you
Hi!
Thanks! That almost did it, then I added:
\override Score.Clef #'stencil = ##f
and voilà!
Thanks for pointing me in the right direction!
GF.
On Mon, Apr 13, 2009 at 4:48 PM, Kieren MacMillan <
kieren_macmil...@sympatico.ca> wrote:
> Hi GF,
>
> I've made huge progress with learning this
2009/4/13 James E. Bailey :
> I don't understand custom key signatures. Why are the accidentals shown in
> the second measure?
There's a bug in Accidental_engraver:
http://code.google.com/p/lilypond/issues/detail?id=733
> Do I have to set the key signature for each measure?
Afraid so. You'll al
Hi GF,
I've made huge progress with learning this tool but I am now facing
a problem, again a noobie issue.
I'd like to remove the key signature and clef from every line of
the composition except the first, so as to save space on the paper.
Can anyone suggest a solution?
Somewhere after th
Hello!
I've made huge progress with learning this tool but I am now facing a
problem, again a noobie issue.
I'd like to remove the key signature and clef from every line of the
composition except the first, so as to save space on the paper.
Can anyone suggest a solution?
Thanks,
GF.
--
50°48'3
I don't understand custom key signatures. Why are the accidentals
shown in the second measure? Do I have to set the key signature for
each measure?
\version "2.12.2"
\relative c {
\clef bass
\time 5/4
\set Staff.keySignature = #`(((-1 . 0) . ,SHARP) ((-1 .
3) . ,SHARP))
cis4 d e
On Apr 13, 2009, at 3:17 PM, Wei-Wei Guo wrote:
Combining your solutions, the following way is the better, but still
to long...
\markup{ \override #'(baseline-skip . 1) {\center-column {\number 2
\number 4}}}
define this as a variable, then you only have to type it once:
ttf = \markup{
Hi Kieren and Dmytro,
Combining your solutions, the following way is the better, but still to long...
\markup{ \override #'(baseline-skip . 1) {\center-column {\number 2 \number
4}}}
Thanks a lot!
Best wishes
Wei-Wei
Kieren MacMillan 写道:
Hi Wei-Wei,
I want to present time signatures i
Kieren MacMillan wrote:
Hi Jon (et al.),
The publisher of my guitar music [...] uses dashed slurs like these
with invariant thickness
I note that Barenreiter also uses invariant-thickness dashed lines
(e.g., Mozart Jupiter Symphony, m. 167).
So that appears to be "standard practice".
I th
2. Does it (now) bother anyone else that dashed slurs do not look
like real slurs? I guess I always assumed — without visually
confirming, obviously — that dashed slurs were real slurs (that
thickened and tapered, etc.) with cutouts; I now see that dashed
"slurs" are simply dashed lines (of i
Hi Jon (et al.),
The publisher of my guitar music [...] uses dashed slurs like these
with invariant thickness
I note that Barenreiter also uses invariant-thickness dashed lines
(e.g., Mozart Jupiter Symphony, m. 167).
So that appears to be "standard practice".
It probably would look nicer
Hi Wei-Wei,
I want to present time signatures in my reading notes. I tried
\markup { \time 2/4 }
It seems \time cannot be used in this way. I got a dirty way
\markup { \center-column { {\musicglyph #"2"} {\musicglyph #"4"} } }
which can show a time signature, but the vertical space between t
Kieren MacMillan wrote:
Hi all you Slur-happy people,
1. Kudos to Mark for his amazing and generous contributions!
+1. Wow!
2. Does it (now) bother anyone else that dashed slurs do not look like
real slurs? I guess I always assumed — without visually confirming,
obviously — that dashed sl
2009/4/13 Wei-Wei Guo :
> \markup { \center-column { {\musicglyph #"2"} {\musicglyph #"4"} } }
This (just stacking two markups):
\relative c'' { c4 -\markup {\number 4} -\markup{\number 2} c c c }
shows numbers closer to each other in my case.
No sure this is a good way.
--
Dmytro O. Redchuk
Dear all,
I want to present time signatures in my reading notes. I tried
\markup { \time 2/4 }
It seems \time cannot be used in this way. I got a dirty way
\markup { \center-column { {\musicglyph #"2"} {\musicglyph #"4"} } }
which can show a time signature, but the vertical space between
Hi all you Slur-happy people,
1. Kudos to Mark for his amazing and generous contributions!
2. Does it (now) bother anyone else that dashed slurs do not look
like real slurs? I guess I always assumed — without visually
confirming, obviously — that dashed slurs were real slurs (that
thickene
the documentation trail for this is fairly convoluted:
i'll take that back, it's in the LM 4.4.3 "Placement of objects ->
Outside-staff objects".
regards,
sb
--
Simon Bailey
Oompa Loompa of Science
+43 699 190 631 25
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frédéric,
On Apr 13, 2009, at 8:41 AM, Frédéric Bron wrote:
with 2.12.2 (windows):
{ \tempo "Ziemlich langsam" 4 = 66 R1 \mark \default R1 }
puts "A" above "Ziemlich langsam" but I would expect "A" to be below.
How can I reverse the default behaviour?
try this:
<<<
\version "2.12.2"
{
\onc
Hallo all,
I have two questions concerning tags.
(1) Is it possible to tag other elements than music elements?
I would like to do something like:
subtitle = \tag #'reduct { "Piano Reduction" }
(2) Is it possible to tag multiple lines at once?
Like:
\tag #'text {
\new Lyrics \lyricsto So
> So, I took a look at the issue today and created a patch, which will now allow
> all dynamic spanner starters to be implemented as postfix-operators.
>
> The short (<15 quite trivial lines!) patch is up for review at:
> http://codereview.appspot.com/39047
>
> Basically, my question for now is whe
with 2.12.2 (windows):
{ \tempo "Ziemlich langsam" 4 = 66 R1 \mark \default R1 }
puts "A" above "Ziemlich langsam" but I would expect "A" to be below.
How can I reverse the default behaviour?
Frédéric
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Hello, lilyponders,
first of all -- thank you, everybody, who makes lilypond better.
Lilypond is *so* great, so i can not express this ever in my native
language, Ukrainian.
(Now i'm a-kind-of-working on some "score books" with
lilypond & lilypond-book & latex -- i would not like ever
imagine tha
Forgot to attach the scan...
> -Original Message-
> From: lilypond-user-bounces+nick.payne=internode.on@gnu.org
> [mailto:lilypond-user-bounces+nick.payne=internode.on@gnu.org] On
> Behalf Of Nick Payne
> Sent: Monday, 13 April 2009 15:23
> To: lilypond-user@gnu.org
> Subject: Alig
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