Hi Lilyponders,
I'm trying to set up a score with a piece for 4 piano's.
I have made five \book {...} sections - one for the complete score and
four for the individual piano parts - in one lilypond file. I prefer to
have everything in one file. ( I hate getting lost between multiple edit
window
On 2/23/09 12:52 PM, "Maarten Deen" wrote:
> I have a piece of music in 3/4 which has bars like { d4. c8 b8. a16 }
> Lilypond groups the last three notes together, making it look like a 6/8
> measure, but I want the c8 to be separate and only the b8. a16 to be grouped
> (like a proper 3/4 woul
or even:
qBeam = {
#(override-auto-beam-setting '(end ** * *) 1 4 'Staff)
#(override-auto-beam-setting '(end ** * *) 2 4 'Staff)
#(override-auto-beam-setting '(end ** * *) 3 4 'Staff)
}
In case the shortest note isn't an 8th.
Jonathan Kulp-2 wrote:
>
> Maarten Deen wrote:
>> I h
I don't know of any automated way, I just manually insert them.
words = \lyricmode { \set stanza = "1. " First line \set stanza = "1.
" Sec -- ond line. }
El 23.02.2009, a las 22:08, Tim Slattery escribió:
Randy Nelson <77ra...@gmail.com> wrote:
Hi - Does anyone know how to get Lilypond to
Andrew Wilson wrote:
2009/2/19 Grammostola Rosea :
About the bass-tuning. When I do
c,4\3
The fret position and the high of the C wasn't what I suspected and which
should be the default imho.
when I do
c4\3
The note is ok, but the fret position not...
Do you realise that Bass guit
Randy Nelson <77ra...@gmail.com> wrote:
>Hi - Does anyone know how to get Lilypond to print the Stanza #s at the
>beginning of each line of the sheet music? Thanks in advance.
Something like this:
VerseTwo = \lyricmode
{
\set stanza = "1. "
words words words words words
}
--
Tim Slattery
slatt
Nick Payne wrote:
Much simpler to use [..]:
\relative c' {
\time 3/4
d4. c8 b8.[ a16]
}
For a single measure it is, but not if you have a dozen of them.
The macro worked like a charm, thanks.
Maarten
-Original Message-
From: lilypond-user-bounces+nick.payne=internode.on@g
Much simpler to use [..]:
\relative c' {
\time 3/4
d4. c8 b8.[ a16]
}
Nick
> -Original Message-
> From: lilypond-user-bounces+nick.payne=internode.on@gnu.org
> [mailto:lilypond-user-bounces+nick.payne=internode.on@gnu.org] On
> Behalf Of Jonathan Kulp
> Sent: Tuesday, 24 Fe
Maarten Deen wrote:
I have a piece of music in 3/4 which has bars like { d4. c8 b8. a16 }
Lilypond groups the last three notes together, making it look like a 6/8
measure, but I want the c8 to be separate and only the b8. a16 to be
grouped (like a proper 3/4 would look like).
I've tried some
Hi - Does anyone know how to get Lilypond to print the Stanza #s at the
beginning of each line of the sheet music? Thanks in advance.
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I have a piece of music in 3/4 which has bars like { d4. c8 b8. a16 }
Lilypond groups the last three notes together, making it look like a 6/8
measure, but I want the c8 to be separate and only the b8. a16 to be grouped
(like a proper 3/4 would look like).
I've tried some settings, like #(over
Hello
Yeah, my problem was not having notes, yet. After adding some notes
things got working alright :)
Thanks
Alb.
Mats Bengtsson wrote:
> Sometimes you get that warning if the music in the corresponding Voice
> doesn't start from the first beat, but in those cases you get the
> desired result
Kees van den Doel wrote:
My source file looks like this:
\include "persian.ly"
\score {
\relative c' {
\set Staff.keySignature = \shurE
a b c
}
\midi { }
\layout {
\context {
\Score \override KeySignature #'text = #shurEKey
}
}
}
which works
> "Trevor" == Trevor Daniels writes:
Trevor> Hmm. Not sure it's a bug. The \transpose command transposes
I think it is (and I reported it as one some time ago).
The point of \transposition is to notate a Staff at a different pitch
from its sounding pitch. When you combine this with other
2009/2/20 Fr. Michael Gilmary :
Is there any development in Lilypond for typesetting the music and lyrics from
right to left? We would use it for setting some Syriac hymns.
Valentin Villenave wrote:
Surprisingly enough, it is not (yet) supported. You can, however,
print text from rig
Sometimes you get that warning if the music in the corresponding Voice
doesn't start from the first beat, but in those cases you get the
desired result anyway. Have you checked if the warning is just such a
warning or an indication of a real problem?
/Mats
Trevor Daniels wrote:
It should
jpeters wrote:
One way to do this is with measureLength:
\relative c'' {
\time 4/4
\repeat volta 2 {
\partial 8 gis8 |
Hi, users.
I want to set volume range of midi,
so use midiMinimumVolume and midiMaximumVolume.
But I could not resolve some problems.
1st
work so good.
2nd
midi volume over the value of midiMaximumVolume.
3rd
set \f with transparent, midi volume is good, but Hairpin too short.
4th
midi volume and
David,
Thank you for this. It will be a big help!
/christopher
On Feb 23, 2009, at 3:41 AM, Daniel Hulme wrote:
On Sun, Feb 22, 2009 at 02:31:02PM -0500, Christopher Berg wrote:
Additionally, the output files always get saved to my ~ folder, no
matter where the .ly file was.
The output f
Jonathan,
Thank you for your information. I had been to Nicolas Sceaux's site,
but the procedure he outlines is a bit beyond my comprehension and
skill. I do have his site bookmarked for when I feel up to it.
regards,
/christopher
On Feb 22, 2009, at 3:45 PM, Jonathan Kulp wrote:
Chri
Tim McNamara wrote:
On Feb 22, 2009, at 1:59 PM, Grammostola Rosea wrote:
Tim McNamara wrote:
On Feb 22, 2009, at 8:02 AM, Grammostola Rosea wrote:
Hi,
How do I make chords with the 5th an half tone lower or higher
(e.g. b5 or #5)?
for example
Am7(b5)
or
D7(#5)
I just asked this s
Op zondag 22 februari 2009, schreef mischa falkenburg:
> Hello All,
>
> I have a piece that currently is 84 pages in length.
> It is 6 voices in harmony. When the pdf files is generated, however,
> each page shows six lines at the top, a GAP, and then 6 lines again at
> the bottom...until the final
Peter Chubb wrote Monday, February 23, 2009 2:23 AM
"Trevor" == Trevor Daniels writes:
Trevor> Hmm. Not sure it's a bug. The \transpose command
transposes
I think it is (and I reported it as one some time ago).
I agree this is a bug now.
It doesn't seem to be in the bug DB, so I've
Hi,
I don't know if it will work, but perhaps you can try to type
\displayMusic {<< \clef #testclef a4 h c >>} to get the scheme
version of your music,
and to copy/paste the output you got after the #:score markup ...
good idea! But it still doesn't work. Let's look at the following
minimal
> Many thanks for all your help, we can now write Persian music!!
Great! Please file a bug report (with all your macros, fonts, etc.)
so that we eventually add Persian accidentals directly to the feta
fonts -- as you can see, the stem widths and the height of the Persian
accidentals don't comple
Hi all,
I wrote a small function which makes it possible to use custom stencils for
NoteHeads in a costum drumstyle-table.
This issue has come up a few times in the past:
http://www.mail-archive.com/lilypond-user@gnu.org/msg44108.html
http://www.mail-archive.com/lilypond-user@gnu.org/msg45133.htm
LP syntax can always be expressed in Scheme.
\displayMusic { a'4 } will show you how the LP expression a'4 is written in
Scheme.
I haven't tried it but I suppose that's the way to go.
Regards,
Tao
Original-Nachricht
> Datum: Mon, 23 Feb 2009 01:01:23 +0100
> Von: "Michael Kä
On Sun, Feb 22, 2009 at 02:31:02PM -0500, Christopher Berg wrote:
> Additionally, the output files always get saved to my ~ folder, no
> matter where the .ly file was.
The output files are always placed in the file you run Lilypond from.
So, if you are in a terminal, your working directory is
/Use
Hi,
a few weeks ago I started an attempt to make chord symbols more independent
from actual < c e g > constructs, which makes it easier to display exactly the
chord you want.
Maybe that's an option for you.
http://lists.gnu.org/archive/html/lilypond-user/2009-02/msg00293.html
Regards,
Tao
-
#(define-markup-command (test layout props testclef) (string?)
(interpret-markup layout props (markup #:score ( << \clef #testclef a4 h
c >>
This is invalid code because it mixes LilyPond and Scheme syntax. How can
I achieve something similar to what's expressed in this dummy code pie
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