BODY { font-family:Arial, Helvetica, sans-serif;font-size:12px; }
Thanks. Using your suggestion fixes all the problems I was seeing.
Nick
On Mon 23/02/09 9:11 AM , jpeters j...@jpeters.net sent:
One way to do this is with measureLength:
relative c'' {
Hi all,
Many thanks for all your help, we can now write Persian music!!
If you want to try it you can download the init file persian.ly and
the font file (put in Lilypond font directory) from here:
http://www.cs.ubc.ca/~kvdoel/tmp/persian.zip
and try stuff like:
\include "persian.ly"
\version
Frederic,
I have made some comments in your message below. Thanks for taking on this
project.
This type of proposal probably should go to lilypond-devel, rather than
-user, so I'm cross-posting to -devel.
On 2/22/09 1:25 AM, "Frédéric Bron" wrote:
> Hello,
>
> I am in charge of the question
On Feb 22, 2009, at 1:59 PM, Grammostola Rosea wrote:
Tim McNamara wrote:
On Feb 22, 2009, at 8:02 AM, Grammostola Rosea wrote:
Hi,
How do I make chords with the 5th an half tone lower or higher
(e.g. b5 or #5)?
for example
Am7(b5)
or
D7(#5)
I just asked this same question a coupl
Hi all,
is it possible to use the \score markup function in a new defined markup
function construct?
For example,
#(define-markup-command (test layout props testclef) (string?)
(interpret-markup layout props (markup #:score ( << \clef #testclef
a4 h c >>
This is invalid code because
Brett Duncan wrote:
I've been fiddling with your files, and I cannot get the main notes to
perfectly line up, even when I set proportionalNotationDuration to a
very small value. The main culprits appear to be the grace notes, as
Carl indicated, but also the tremolos. (A bug, maybe?)
And set S
One way to do this is with measureLength:
\relative c'' {
\time 4/4
\repeat volta 2 {
\partial 8 gis8 |
Hmm. Not sure it's a bug. The \transpose command transposes all
pitches within its scope, including the pitch in the \transposition
command.
You can compensate for this by using \transposition ees rather than
\transposition bes in your example, but this seems a little
confusing
and rather de
Christopher,
Have you tried the suggestions on Nicolas Sceaux's site? Here's the
address:
http://nicolas.sceaux.free.fr/index.php/2008/11/24/26-building-lilypond-from-git-sources-on-mac-os-105-intel
Good luck with this. 2.12 is really much better than 2.10.33.
Jon
Christopher Berg wrote:
Hi,
I produced a package of things that I could do.
I made a TTF Persian font called Vaziri which has the music notations.
I also created a separate folder for a version of the font (without
Persian text characters) in OTF and Type1 format with all their
related files.
There is also a PDF for
Tim McNamara wrote:
On Feb 22, 2009, at 8:02 AM, Grammostola Rosea wrote:
Hi,
How do I make chords with the 5th an half tone lower or higher (e.g.
b5 or #5)?
for example
Am7(b5)
or
D7(#5)
I just asked this same question a couple of weeks ago. The standard
way would be:
Am7(b5
Hi,
I used LilyPond for a brief period several years ago on Mac 10.4
(Tiger) and it was working fine. I stopped using it for awhile, but
I've become interested in it again. In the meantime, though, I've
upgraded to Leopard. I tried downloading LilyPond directly from http://ivo.bouwmans.nam
Hello All,
I have a piece that currently is 84 pages in length.
It is 6 voices in harmony. When the pdf files is generated, however,
each page shows six lines at the top, a GAP, and then 6 lines again at
the bottom...until the final page...when there are 6 lines followed by
six lines - NO gap.
also, like the centered hyphens, you can get smart(er) extender lines
using " __ " (note the spaces around the underscores), but if you've
read section 2.4, you've seen that already.
El 22.02.2009, a las 16:49, Trevor Daniels escribió:
Alberto Simões wrote Sunday, February 22, 2009 3:25 PM
On Feb 22, 2009, at 8:02 AM, Grammostola Rosea wrote:
Hi,
How do I make chords with the 5th an half tone lower or higher
(e.g. b5 or #5)?
for example
Am7(b5)
or
D7(#5)
I just asked this same question a couple of weeks ago. The standard
way would be:
Am7(b5) for two beats =
It should work, unless you have no notes in \upperOne
Trevor
- Original Message -
From: "Alberto Simões"
To: "lilypond"
Sent: Sunday, February 22, 2009 3:24 PM
Subject: help with: Cannot find voice
Hello
I am trying to produce a SATB where S and A share the same staff.
This is
Alberto Simões wrote Sunday, February 22, 2009 3:25 PM
Grammostola Rosea wrote:
hi,
this melody:
g4 a bes | es1( | es4) f, g a | d2 d
and I want to add these lyrics:
The fall - ing leaves_ drift by my win - dow,
Probably you want:
The fall- ing leaves drift by my win- dow
Heh.
Fixed
Was easy... just adding some notes made the trick :$
Cheers
Alberto
Alberto Simões wrote:
> Hello
>
> I am trying to produce a SATB where S and A share the same staff.
>
>
> This is my definition:
>
> \score{
> \context ChoirStaff
> <<
> \context Staff = "
Grammostola Rosea wrote:
> Alberto Simões wrote:
>> Hello
>>
>> Grammostola Rosea wrote:
>>
>>> hi,
>>>
>>> this melody:
>>>
>>> g4 a bes | es1( | es4) f, g a | d2 d
>>>
>>> and I want to add these lyrics:
>>>
>>> The fall - ing leaves_ drift by my win - dow,
>>>
>>
>> Probabl
Alberto Simões wrote:
Hello
Grammostola Rosea wrote:
hi,
this melody:
g4 a bes | es1( | es4) f, g a | d2 d
and I want to add these lyrics:
The fall - ing leaves_ drift by my win - dow,
Probably you want:
The fall- ing leaves drift by my win- dow
Cheers
Alberto
Hello
Grammostola Rosea wrote:
> hi,
>
> this melody:
>
> g4 a bes | es1( | es4) f, g a | d2 d
>
> and I want to add these lyrics:
>
> The fall - ing leaves_ drift by my win - dow,
Probably you want:
The fall- ing leaves drift by my win- dow
Cheers
Alberto
>
>
> leaves shoul
Hello
I am trying to produce a SATB where S and A share the same staff.
This is my definition:
\score{
\context ChoirStaff
<<
\context Staff = "upper"
<<
\clef treble
hi,
this melody:
g4 a bes | es1( | es4) f, g a | d2 d
and I want to add these lyrics:
The fall - ing leaves_ drift by my win - dow,
leaves should be place below es1( | es4)
The templae of frescobaldi uses:
verse = \lyricmode {
% Liedtekst volgt hier.
}
I don't get this don
Hi,
How do I make chords with the 5th an half tone lower or higher (e.g. b5
or #5)?
for example
Am7(b5)
or
D7(#5)
Thanks in advance,
\r
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Zbyněk Burget wrote:
Hi again,
I find one more problem. This time with grace notes at the beginning of
score, where is multiple staves.
If one of staves begins with grace note {\grace, \appoggiatura,
\acciaccatura), instrument name on first line is not printed and key,
time and clef signs are
Hi again,
I find one more problem. This time with grace notes at the beginning of
score, where is multiple staves.
If one of staves begins with grace note {\grace, \appoggiatura,
\acciaccatura), instrument name on first line is not printed and key,
time and clef signs are printed unreasonably.
Nick Payne wrote:
Jon
What you have below works fine with the small example, but when I remove the
\partial at the beginning of the 2nd repeat in the actual score, not only do
I not get the partial measure, but Lilypond gets quite bamboozled (see
attached png of the final page) and forgets to pu
Hi,
I found a (probably) error in combination \transpose and \transposition
functions.
I've score:
\score {
\new StaffGroup <<
\new Staff {
\key c \major
c'1
}
\new Staff {
\transposition bes
\key d \major
d'1
}
>>
\midi {}
}
There is allrigh
So very helpful, once again, John. Thank you.
(By the way, are you related to a Heather Kulp in SE Pennsylvania? I went to
high school with a Heather Kulp.)
--
View this message in context:
http://www.nabble.com/How-to-control-ordering-of-staves--tp22142941p22146169.html
Sent from the Gnu - Lil
Jon
What you have below works fine with the small example, but when I remove the
\partial at the beginning of the 2nd repeat in the actual score, not only do
I not get the partial measure, but Lilypond gets quite bamboozled (see
attached png of the final page) and forgets to put in any line breaks
On Sun, Feb 22, 2009 at 09:25:57AM +0100, Frédéric Bron wrote:
> Hello,
>
>
> Here are my dreams:
>
> - \<, \>, \! are used to start/stop (de)crescendo spanner (hairpin or text),
> - crescTextXXX, dimTextXXX, crescHairpin, dimHairpin decide if \<, \>,
> \! produce text or hairpin (applies for ev
Hello,
I am in charge of the question of (de)crescendo syntax issue in 2.12.2.
Here is what lilypond 2.12.2 currently does (in ly/spanners-init.ly):
- \< and \cr are equivalent: they start a crescendo event on the
previous note: #(make-span-event 'CrescendoEvent START)
- \> and \decr are equiv
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