Sorry to pest this forum with the the same problem again, but I would not be
happy if it fell into the oblivion. Can someone perhaps see a solution for
the vowel-centered lyrics also on the slured notes where the default
alignment is left-aligned and can be changed to the centered by adding the
sp
Note: copied to lilypond-user; we like to keep discussions on list.
On 2/11/09 5:00 PM, "Tim McNamara" wrote:
>
>
> On Feb 11, 2009, at 6:50 AM, Carl D. Sorensen wrote:
>
>> On 2/10/09 9:09 PM, "Tim McNamara" wrote:
>>
>>
>> There are two issues at play here, and I think it will be help
Tim McNamara wrote:
On Feb 11, 2009, at 6:11 AM, M Watts wrote:
Tim McNamara wrote:
I have not been able to figure out how to get LP to print anything
like a m7b5 or a 7#9 or a 7b9 using \chordmode. This is difficult
with a song like "Angel Eyes" which has a good half-dozen of these
types
eader 'instrument' to
'subsubtitle' the instrument name is now not appearing on the subsequent
pages because the \score level headers are taking their place.
--
Chip
__ Information from ESET NOD32 Antivirus, version of virus
signature database 3844 (20090211) ___
Mats Bengtsson wrote:
Chip wrote:
One thing I find odd, probably because I don't fully understand, is
this: I have a .ly file that has 10 \score blocks. I place
print-all-headers = ##t in the \paper block so I can define sub pages
headers seperately from the top level \book headers. I first de
t between book level and
score level. Thanks, that helps me understand them a bit more.
--
Chip
__ Information from ESET NOD32 Antivirus, version of virus
signature database 3844 (20090211) __
The message was checked
2009/2/11 Chip
> I am guessing there is probably an override that I can use to have the
> instrument header not appear on the subsequent pages?
> thanks,
> Chip
>
>
I have found this in notation reference:
<
http://lilypond.org/doc/v2.12/Documentation/user/lilypond-big-page#Creating-titles
>
He
Chip wrote:
One thing I find odd, probably because I don't fully understand, is
this: I have a .ly file that has 10 \score blocks. I place
print-all-headers = ##t in the \paper block so I can define sub pages
headers seperately from the top level \book headers. I first define:
title, subtitle
Mats Bengtsson wrote:
Chip wrote:
Thanks Mats,
Maybe that section of the LSR should be re-titled to "Demonstrating
most headers" ;)
Regards,
No, it clearly demonstrates what happens to all headers.
In particular, it highlights the fact that not all headers are
typeset at the score level. Fro
Chip wrote:
Thanks Mats,
Maybe that section of the LSR should be re-titled to "Demonstrating
most headers" ;)
Regards,
No, it clearly demonstrates what happens to all headers.
In particular, it highlights the fact that not all headers are
typeset at the score level. From a pedagogical point o
El 11.02.2009, a las 16:05, jeremy tranter escribió:
Hi there,
When I load a Lilypond postscript file into Photoshop
I get the error message “this file uses one or more
fonts which are unavailable on this machine”. The.ps file
is displayed without noteheads.
Can I download and install the “Fe
Hi there,
When I load a Lilypond postscript file into Photoshop
I get the error message “this file uses one or more
fonts which are unavailable on this machine”. The.ps file
is displayed without noteheads.
Can I download and install the “Feta” font separately?
Would this sort the problem?
On 2/10/09 9:09 PM, "Tim McNamara" wrote:
>
> But with jazz lead sheets there has been one problem, which has been
> commented on in some previous threads- the use of routine jazz chord
> extensions. I have not been able to figure out how to get LP to
> print anything like a m7b5 or a 7#9 or
Tim McNamara wrote:
I have not been able to figure out how to get LP to print anything
like a m7b5 or a 7#9 or a 7b9 using \chordmode. This is difficult
with a song like "Angel Eyes" which has a good half-dozen of these
types of chords. Currently I am writing in those extensions by hand
beca
El 11.02.2009, a las 12:10, Trevor Daniels escribió:
James E. Bailey wrote Wednesday, January 07, 2009 10:28 AM
Am 07.01.2009 um 11:06 schrieb Graham Percival:
On Tue, Jan 06, 2009 at 10:18:02PM +0100, James E. Bailey wrote:
Thanks. I remember seeing that in the choral template, but I neve
El 11.02.2009, a las 12:10, Trevor Daniels escribió:
James E. Bailey wrote Wednesday, January 07, 2009 10:28 AM
Am 07.01.2009 um 11:06 schrieb Graham Percival:
On Tue, Jan 06, 2009 at 10:18:02PM +0100, James E. Bailey wrote:
Thanks. I remember seeing that in the choral template, but I neve
And the weakness is pretty apparent. Lilypond does a great job of
placing notes, but in my opinion, the placement of dots when the
notehead falls on a line is less than appealing.
El 11.02.2009, a las 11:52, Nick Payne escribió:
After a bit of fiddling, this gives pretty much the desired ou
After a bit of fiddling, this gives pretty much the desired output:
\version "2.12.2"
\relative c'' {
<< {
d8. e16 \once \override Dots #'extra-offset = #'(0 . 0.5) c8. d16
b8. c16
\once \override Dots #'extra-offset = #'(0 . 0.5) a8. b16
} \\ {
c8[ b] \o
Not that this solves your particular problem, but it seems pretty
consistent to me: when the upper note falls on a line, it's to the
left, when it's on a space, to the right. Probably because of the
dot. Actually, it is because of the dot placement. If you change d8.
to d8~ d16, they are al
BODY { font-family:Arial, Helvetica, sans-serif;font-size:12px; }If
I have the following:
%=
version "2.12.2"
relative c'' {
>
}
%=
Lilypond is alternately placing the dotted eighth notes in the upper
voice to the left and then th
I have several old (< LilyPond 2.11) small music examples with only
some staves, where I changed the default spacing with e.g. "\override
Staff.VerticalAxisGroup #'minimum-Y-extent = #'(-12 . 4)".
Since Lilypond 2.11. this does not work anymore (See attachments).
What is the preferred solution n
21 matches
Mail list logo
