Hallo Wim,
Op welke operating system werd Lilypond geinstallerd?
Het lijkt Windows te zijn. In dat geval hoeft het nit cygwin te gebruiken.
Je kan rechstreeks de 'windows installer' versie van Lilypond downloaden
en nadien installeren (dat installert zich prima!).
Charlie
w...@actiefoto a écri
Check the LilyPond Snippet Repository for chord name exceptions.
http://lsr.dsi.unimi.it/LSR/Item?id=459
It's basically a matter of pruning down the available information into a
manageable example that does what you want.
___
lilypond-user mailing
"When |line-break-permission| is overridden to false, Lily will insert
line breaks at explicit |\break| commands and nowhere else."
I can't get this to work as quoted from the NR. Lily still breaks lines
where it wants to.
My problem is this: I have many short snippets of music - horn (trumpe
Hi- My name is Tim and I am a new LilyPond user. Sounds like an AA
meeting introduction, sorry! I live in St. Paul MN and started using
LP about 10 days ago.
Thus far I have been using LP to create jazz lead sheets and- once
past the initial learning curve- I've able to set a half dozen
Thanks Mats,
Maybe that section of the LSR should be re-titled to "Demonstrating most
headers" ;)
Regards,
--
Chip
Mats Bengtsson wrote:
Quoting
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Creating-titles#Creating-titles:
"If you define the |\header| inside the |\score| block,
Thanks to all for your helpful hints and links. Most appreciated.
Best,
Dave
Mats Bengtsson wrote:
David Stocker wrote:
How can I manipulate the space between lines in a \column? I'd like
to reduce the space between the two lines in the below example by
about 25%. I didn't see this reference
David Stocker wrote:
How can I manipulate the space between lines in a \column? I'd like to
reduce the space between the two lines in the below example by about
25%. I didn't see this referenced anywhere in the section on Text in
the Notation Reference.
Why not look at the documentation of the
I am interested in using Lilypond files with Python and Csound. How can I
parse Lilypond files into Python? Is there a way of interfacing the internal
parsing mechanism (Scheme?) of Lilypond to Python?
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lilypond-user mailing list
lilypond-user@gnu.org
Quoting
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Creating-titles#Creating-titles:
"If you define the |\header| inside the |\score| block, then normally
only the |piece| and |opus| headers will be printed."
If you read on in that section of the manual, you will also learn
how to
wow - i tried it out and if i had not wrenched my wrist a week ago walking
over icy hills i would have done it now trying to play your way - i would be
glad if you could send me a foto of a hand with the guitar neck playing this
chord!
another possibility is to play xxo231 which enables a quick c
In the LSR is "Demonstrating all headers"
(http://lilypond.org/doc/v2.12/input/lsr/lilypond-snippets-big-page#Titles).
The example code shows more headers than the example graphic. And when I
copy/paste the sections from the code into jedit I am missing many of
the headers. All of the headers f
You can use \lower #value. eg
\markup {
\column {
"line 1"
\lower #1 "line 2"
}
}
Play around with the value to get the desired spacing.
Nick
> -Original Message-
> From: lilypond-user-bounces+nick.payne=internode.
On 2/10/09 10:17 AM, "-Eluze" wrote:
>
> btw i'm surprised how Lilypond plays d-major (xxo123)
>
It's how I play D, and since I'm the author, I'm the expert!
Actually, I've looked in multiple locations, and they're split about 50-50
between 123 and 132. If you use "classical" hand positio
Original-Nachricht
> Datum: Tue, 10 Feb 2009 14:21:17 -0500
> Von: David Raleigh Arnold
> An: lilypond-user@gnu.org
> Betreff: Re: new chord symbol (for me, at least)
> Quick recognition is the whole purpose of chord names of this type.
True.
> C/e is much better than C/E, fo
From your log file, it seems that you have installed Cygwin,
but not LilyPond. Nowadays, there's no reason to install
Cygwin, to use LilyPond. Instead, use the Windows installation
package available at www.lilypond.org -> Downloads.
Once you have done the installation, don't forget to read
the Tut
Hi David (et al.):
In sheet music convention there is no difference whatever between
Cdim and Cdim7. Many people like you and I like to include the 7
to be unambiguous, but nothing can be done about Cdim
except to write it as Cm(b5) if the triad is desired.
Though its usage is hardly widespr
On Monday 09 February 2009, Tao Cumplido wrote:
> Yes, that's true.
>
> Actually I prefer myself to write D#°7 for full diminished chords.
> For some people it seems illogical though that D#ø should
automatically represent a seventh-chord and D#° shouldn't.
>
> I just wanted to point out that th
beste
ik heb alle stappen zo goed mogelijk opgevolgd.
de "de window Package View verschijnt. Selecteer LilyPond, te vinden in de
Publishing sectie."
krijg ik niet te zien.
enige suggestie?
vriendelijke groet
Wim Leo
www.actiefoto.be
www.willemdeleeuw.com
www.huwelijksfotografie.org
setup.l
i'm pretty sure i have seen this before, but i couldn't remember where
my idea was something like your first proposal, maybe with lowercase letters
x and o for mute and open!
this results in
c => *x32o1o*
d => *xxo132*
btw i'm surprised how Lilypond plays d-major (xxo123)
thanks!
Eluze
--
Thanks Trevor for the reply. I did find the command to list the
available fonts in /usr/share/fonts
But the listed names are not what one needs to specify in font-name="xyz"
On fedora one needs to inspect the xml files in /etc/fonts/fonts.d
The Sazanami Mincho font is thinner and to my eye more
On 2/9/09 3:53 PM, "-Eluze" wrote:
>
>
> could this be considered?
> it would not conflict with muted or open strings and imo it is at least as
> readable as below-string or in-dot!
> thanks!
> Eluze
Certainly this could be done. It has not been done in the past, because
I've never seen a
Hi David,
How can I manipulate the space between lines in a \column?
I'd like to reduce the space between the two lines in the below
example by about 25%.
I didn't see this referenced anywhere in the section on Text in the
Notation Reference.
1. Go to the TextScript (i.e., markup) referenc
Gilles Sadowski writes:
> You could use different "\tag"s (e.g. "midi" and "score"). [...]
Yes, that is the approach I currently have (except that in this
particular case I copied the data instead of defining a variable).
All my scores are based on the dynamic LHML templates that I have been
tr
How can I manipulate the space between lines in a \column? I'd like to
reduce the space between the two lines in the below example by about
25%. I didn't see this referenced anywhere in the section on Text in the
Notation Reference.
Thanks,
Dave
David Stocker wrote:
Thanks.
To elaborate, a
I can attest to this. I frequently typeset guitar music that has three
voices and for the inner voice, using \voiceThree or \voiceFour, I have
to specify the vertical position of rests by using g8. \rest or b4
\rest, etc. If I don't, then rests for the inner voices are placed above
voiceOne (if
Hi.
> I have a score with 3 voices, A, B, and C.
> Voices B and C have a lot in common. For about half of the score the B
> parts is identical to the C part.
>
> By specifying rests in voice B where it is identical to voice C, and
> using \RemoveEmptyStaffContext, LilyPond can eliminate printing
Tao Cumplido wrote:
Hi,
in the past I used to create chord symbols as plain text by just placing a
Lyrics context above the staff used with an own font.
I don't like the way LP handles chordsymbols right now, nor do I like the font
it uses.
The only thing I was missing in my way was the possib
Perhaps the easiest way is to have two \score
blocks, one for the printed output and one for
the midi output. They can use the same music
variables, so little extra typing would be required.
Trevor
- Original Message -
From: "Johan Vromans"
To:
Sent: Tuesday, February 10, 2009 9:40
Nick Payne wrote:
I couldn't find anything in the documentation.
This comment in the rest collision source code might be relevant.
TODO: look at horizontal-shift to determine ordering between rests
for more than two voices.
So maybe you just have to ignore it?
Or do something like this
Hi,
I have a score with 3 voices, A, B, and C.
Voices B and C have a lot in common. For about half of the score the B
parts is identical to the C part.
By specifying rests in voice B where it is identical to voice C, and
using \RemoveEmptyStaffContext, LilyPond can eliminate printing of
voice B.
Patrick
The fonts available to LilyPond can't be listed generically as these are
determined by the fonts available on individual systems. They are
discovered and set up the first time LilyPond is executed. The ones
available to LilyPond on your system can be listed in font.out by entering
the f
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