Hello,
I'm working on my orchestration exercise, Beethoven sonata no.2 mov 2. The
professor wants me to add many dynamic signs which Beethoven didn't write.
After finishing the previous 32 bars, I find Lilypond only outputs Ps, even
though I set an option to delete ps file. When I check the sc
Bertalan Fodor (LilyPondTool) wrote:
Hi,
does anyone of you have a script or a way to convert from (simple)
html to markup like this:
This is a melisma.
To get:
\markup { "This is a " \concat { "me" \bold \italic "lis" "ma." } }
sed would do the job, but I'm too hazy on it to offer a sol
2009/1/20 Mats Bengtsson :
> See also
> http://lilypondwiki.tuxfamily.org/index.php?title=Where_is_the_app%3F
The wiki looks down right now but here is the link to the page in
Google's cache:
http://209.85.229.132/search?q=cache:MpzkaC5UgrgJ:lilypondwiki.tuxfamily.org/index.php%3Ftitle%3DWhere_is_
Grateful Frog wrote:
how to get that out in a midi file that plays properly,
and only the melody not the lyrics and chords?
You can get the midi output to do repeats,
but it won't know about the D.C.
So give it a helping hand by defining
myNotesDC = {
\repeat volta
I won't attempt to answer all of this, but, the easiest beginning to
a solution is to have two separate \score blocks, one with a \layout
and one with a \midi. That way, you can structure your midi output
the way it should be, and structure the pdf the way it should be.
Very simplified examp
I have a set of defined variables that make the coda directions look
nicer. I haven't yet put it in the LSR, but I posted it in an email to
the list about 1 1/2 weeks ago. I could email it to you off list if you
like, to use until I make it an official contribution to the LSR.
Dave
Grateful F
James E. Bailey wrote:
Am 20.01.2009 um 22:42 schrieb Roi Redondo Garcia:
Ei:
Itś posible to download the program, I not sure about how it works,
but needs to
send this message
Thankyou
Yes, please use the download link on the lilypond.org website.
Anticipating the follow-up ques
Am 20.01.2009 um 22:42 schrieb Roi Redondo Garcia:
Ei:
Itś posible to download the program, I not sure about how it works,
but needs to
send this message
Thankyou
Yes, please use the download link on the lilypond.org website.
___
lily
Hello again!
Let me first say that despite my newness to the pond, I've already done some
great stuff thanks to this incredible tool!
I'm now trying to create a version of the Beatle's "Yesterday" with Chords,
Melody, Lyrics and guitar tabs.
I attach below my current file which generates pretty n
Just as for todays tuplet bracket question, you can explicitly specify
the minimum length of the fall/doit:
noteFix = {
\once \override BendAfter #'springs-and-rods =
#ly:spanner::set-spacing-rods
\once \override BendAfter #'minimum-length = #10
}
fixedMusic =
{
r16 a a8 a16 a8 \noteFix g16
Jonathan Kulp wrote:
I suspect it's because the r8 e4 example is too narrow. It is the
narrowest of all these examples, so there is probably not enough room
for the tuplet bracket. I'd suggest that the best solution in this case
would be to widen the tuplet bracket rather than suppressing it.
A simpler solution is to move the \mark command to after
the appoggiatura:
...
partone = \relative c' {
\clef treble
\time 2/4
\key c \major
\mark \default
c''2 |
\acciaccatura {d8} \mark \default c8[ h16 a] a'8 g |
After all, the source of this problem (as well as all the other
grace note
The following problem:
\score {
\relative {
c1 | c1 | c1 | c1 |% Bars 1-4
}
\score {
\relative {
c1 | c1 | c1 | c1 |% Bars 5-8
}
I know how to manually set `currentBarNumber' in the second \score
block:
\set Score.currentBarNumber = #5
However, I
M-f toggles between reading the file into a new buffer, or inserting
it at that point in the current one.
Also, it may be turned off in a config file, or your build may have
the -x flag called by default, but there should be a two line help at
the bottom of the screen, also, you can show he
M-f toggles between reading the file into a new buffer, or inserting
it at that point in the current one.
Am 20.01.2009 um 19:44 schrieb Martin Tarenskeen:
I was experimenting editing a small Lilypond score using the nano
editor. That's why I'm asking this slighly-off-topic-question here :-)
I was experimenting editing a small Lilypond score using the nano
editor. That's why I'm asking this slighly-off-topic-question here :-)
^R (control+r) or F5 is supposed to read an external file into the
current text. But instead it opens a new buffer with the selected file,
which is not what I
You could add a spacer acciaccatura to every voice
(by the way, "\clef treble" and "\key c \major" are
defaults, so I removed them):
parttwo = \relative c' {
\clef treble
\time 2/4
\key c \major
\mark \default
c''2 |
\mark \default
\acciaccatura {s8} c,2 |
\bar "|."
}
but if you
Mark Polesky wrote:
... with an identifier:
.. which can be adapted to cope with a group of grace notes:
mygrace = #(define-music-function (parser location music) (ly:music?)
#{ \override Stem #'stroke-style = #"grace" \grace $music
\revert Stem #'stroke-style #})
N.B. - any beam
Robin Bannister wrote:
> Or precede \grace with
> \once \override Stem #'stroke-style = #"grace"
Also remember that you can save typing with an identifier:
_
\version "2.12.1"
mygrace = #(define-music-function (parser location music) (l
Graham Percival wrote:
On Mon, Jan 19, 2009 at 10:53:50PM +0100, Mats Bengtsson wrote:
Jonathan Kulp wrote:
I don't know. This is definitely a strange example. The \mark
command is meant to insert something over a barline, so maybe it'd be
best to delete this example altogether and reword
Dmytro O. Redchuk wrote:
You probably can make slur transparent?
Or precede \grace with
\once \override Stem #'stroke-style = #"grace"
Cheers,
Robin
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On the question of "No Chord," it's common in modern sheets to indicate
when harmony instruments are silent with the use of "N.C." in the
harmonic progression. In LilyPond, this is probably best done with a
spacer rest and a ^\markup. Aligning it vertically with the chord
symbols would be the c
You probably can make slur transparent?
2009/1/20 T. Kiriyama :
> Is there any way to use a grace note indicated by a no-slureed small
> note with a slashed stem?
> \grace, \acciaccatura, \appoggiatura and \acciaccatura are a bit
> different from I need.
> Best Regards,
> --
> T. Kiriyama / lilyp
On 1/20/09 8:06 AM, "Lorenzo Bicci" wrote:
> My band and I are using Rosegarden to transcribe our songs, with all the
> vocal parts and the chords. I found that by writing chords directly with
> Lilypond notation (for example: fis:7 or bes:dim) it's possible to make
> Lilypond treat them in a
Graham Percival wrote:
On Mon, Jan 19, 2009 at 10:53:50PM +0100, Mats Bengtsson wrote:
Agreed! It's very rare to insert textual indications between
the notes within a measure (where, on the other hand, it's
not uncommon to attach textual indications to a specific
note, i.e. using a text script).
Reharsal mark was duplicated.
Is there any good solution? (Currentry I commentted out the reharsal mark...)
%% lilypond source text file
%% for future compatibility
\version "2.11.65"
%%
\include "deutsch.ly"
%%
partone = \relative c' {
\clef treble
\time 2/4
\key c \major
\mark \default
Hello everybody! I just subscribed to this mailing list, so maybe i'm
going to ask an already answered question. In this case, please tell me
when it was answered so that I can look for it in the archives.
My band and I are using Rosegarden to transcribe our songs, with all the
vocal parts and the
Hi,
does anyone of you have a script or a way to convert from (simple) html
to markup like this:
This is a melisma.
To get:
\markup { "This is a " \concat { "me" \bold \italic "lis" "ma." } }
Thanks,
Bert
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On Mon, Jan 19, 2009 at 10:53:50PM +0100, Mats Bengtsson wrote:
> Jonathan Kulp wrote:
>> I don't know. This is definitely a strange example. The \mark
>> command is meant to insert something over a barline, so maybe it'd be
>> best to delete this example altogether and reword things a bit so
Is there any way to use a grace note indicated by a no-slureed small
note with a slashed stem?
\grace, \acciaccatura, \appoggiatura and \acciaccatura are a bit
different from I need.
Best Regards,
--
T. Kiriyama / lilypon...@gmail.com
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Thanks guys for your responses, most helpful! Regards Tom.
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