Re: one voice

2008-09-16 Thread Stefan Thomas
Wow! Thanks! But there is one thing I don't understand: \once \override MultiMeasureRest #'transparent = ##t Could you be so kind to give me an explanation of this? Thanks, Stefan 2008/9/16 Kieren MacMillan <[EMAIL PROTECTED]> > Hi Stefan, > > here is the example: >> > > My suggestion for h

Re: v2.11.58-2 guile17 error ppc

2008-09-16 Thread Han-Wen Nienhuys
Sorry about this. Let me do a clean rebuild. Can someone verify if this is a problem on other platforms too? On Mon, Sep 15, 2008 at 10:00 AM, Valentin Villenave <[EMAIL PROTECTED]> wrote: > 2008/9/15 Stan Sanderson <[EMAIL PROTECTED]>: >> Mac OS 10.5, PPC G4, LilyPond 2.11.58-2 (darwin-ppc) > >

strict-grace-spacing Obscures Accidentals

2008-09-16 Thread musicologist1964
Hi, I wonder if anyone could help me with the following problem. The relevant score is here: http://www.nabble.com/file/p19524320/Grace%2BNote%2BSpacing.pdf Grace+Note+Spacing.pdf . The first system is without strict-grace-spacing. It leaves an ugly gap in the lower staff between the last B-f

Re: problems with some tuplets

2008-09-16 Thread Michael Watts
Just add \once to your lines \set tupletSpannerDuration = #(ly:make-moment 5 48) and \set tupletSpannerDuration = #(ly:make-moment 3 28) You might want to increase the tuplet bracket padding, because the 7 crashes into the middle 3 in bar 2. <>___

Re: Vertical spacing between Staff and Lyrics

2008-09-16 Thread Mats Bengtsson
If you want a setting like \override Lyrics.BlaBlaBla #'something = #something to apply to a specific Lyrics context, the setting has to be done within that context. For example, you can say \new Lyrics \lyricsto B { \override Lyrics.VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 0) \textBeins }

Re: Joining Stems

2008-09-16 Thread Mats Bengtsson
You can find similar solutions in the mailing list archives, for example in http://lists.gnu.org/archive/html/lilypond-user/2007-05/msg00250.html /Mats Quoting Wilbert Berendsen <[EMAIL PROTECTED]>: Op maandag 15 september 2008, schreef Aaron Dalton: was later crossed out to be another.  Wh

problems with some tuplets

2008-09-16 Thread andersvi
Hello. Hopefully someone is able to spot what im doing wrong here. I want to have the second measure grouped as a septuplet with a bracketed 7, just like the first measure. Many other combinations of beats/tuplets measure-length etc. work as intended, but im having troubles with this. It must b

OT: music teacher requires a multilingual glossary

2008-09-16 Thread Jean-Charles Malahieude
Hi everybody, Sorry to bother you with this, but my wife requires your help: She teaches music here in Manosque (Southern of France) and since the ITER program is in development, she has to deal with beginners (between 6 and 8 years old) just arriving from their mother country and not famili

Re: Vertical spacing between Staff and Lyrics

2008-09-16 Thread Patrick Horgan
Johan Vromans wrote: ...much elided... http://www.squirrel.nl/pub/xfer/ltx01.png http://www.squirrel.nl/pub/xfer/ltx02.png The second one looks quite similar to a lilypond score when rendered with: \paper { annotate-spacing = ##t } It would certainly be your friend doing something

Re: one voice

2008-09-16 Thread Kieren MacMillan
Hi Stefan, here is the example: My suggestion for how to code this is below. HTH! Kieren. \version "2.11.57" fixMMR = { \once \override MultiMeasureRest #'transparent = ##t \once \override MultiMeasureRest #'minimum-length = #46 \once \overri

Preferred term in Italian (for Glossary)

2008-09-16 Thread Kurt Kroon
For all you native (or completely fluent) Italian speakers: Since it is grammatically incorrect to say "crescendo al niente" to mean "increase in volume, starting from nothing", which would be more correct: * crescendo _da_ niente OR * crescendo _dal_ niente? Thanks! Kurt __

Re: one voice

2008-09-16 Thread Stefan Thomas
Dear Gilles, here is the example: { << { \oneVoice gis 8\f\laissezVibrer ^\markup { \small { \italic { \column { "(mit Holzschlägel schlagen" "gleichzeitig mit weichem Schägel abdämpfen)" } } } } r r4 r2 \rest } \\ {\oneVoice s8 \hideNotes \repeat "unfold" 14 { c''16 } } >> | %schlageins ta

Re: one voice

2008-09-16 Thread Gilles Sadowski
> I want to hide some notes. But, in the below quoted example, I don't see any example here... Gilles ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

one voice

2008-09-16 Thread Stefan Thomas
Dear Lilypond-users, I want to hide some notes. But, in the below quoted example, the rests go down, if it where a second voice. Does somebody know the reason? Thanks for Your help! Stefan ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.

more space for instrument names

2008-09-16 Thread Stefan Thomas
Dear Lilypond-Users, I use very often the very nice \inst-Plugin: changeInstrument = #(define-music-function (parser location string) (string?) (make-music 'TextScriptEvent 'direction UP 'text (markup #:bold (#:box string inst = #changeIn

Re: Two questions about fingering indications

2008-09-16 Thread Eluze
Jonathan Kulp-2 wrote: > > Hi Nick, > > I saw that someone else answered the second question about the > b-naturals (just be sure to remove the ! from both voices). > I would even recommend to use lilypond's built-in (default) accidental style, which in your case produces exactly what I und

Re: Two questions about fingering indications

2008-09-16 Thread Jonathan Kulp
Hi Nick, I saw that someone else answered the second question about the b-naturals (just be sure to remove the ! from both voices). Here's a quick fix for the right-hand fingering that will work for this example, but it's kind of crude and not overly flexible. To position individual fingeri

hiding staves

2008-09-16 Thread Stefan Thomas
Dear lilypond-users, I have troubles with showing and hiding staves. I tried: zeigsmir = { \set Staff.keepAliveInterfaces = #'( rhythmic-grob-interface multi-measure-rest-interface lyric-interface stanza-number-interface percent-repeat-interface) } wegdamit = \unset Staff.kee

RE: Two questions about fingering indications

2008-09-16 Thread j.w.vandijk
Hi Nick, You use two voices in your example. In the second bar you only print the b-natural once. But in the second voice you print the b-natural twice: % Bass voice down = \relative c' { c4 c | % 1 b! b! | % 2 d d | % 3 } Change it to % Bass voice down = \relative c' { c4 c | %

Re: Two questions about fingering indications

2008-09-16 Thread James E. Bailey
On 16.09.2008, at 14:51, Nick Payne wrote: Jon Thanks for the reply. However, I just removed the natural from the 2nd b in bar 2 and I still get a natural appearing in the output on both b. Bar 3 also contains two b naturals, so I added that bar with a natural only on the 1st b and only

Re: OT: singing training

2008-09-16 Thread Tim Litwiller
Graham Percival wrote: On Mon, 15 Sep 2008 12:21:38 -0500 Tim Litwiller<[EMAIL PROTECTED]> wrote: What I would like to find is some kind of program that would play a note or tone and she would try to sing that note or tone back into a microphone and then it would continue to the next note

Re: Two questions about fingering indications

2008-09-16 Thread Jonathan Kulp
Hi Nick, I don't have time to investigate the fingerings at the moment, but I can tell you quickly that the natural on the second b is there because you specified it with the !. Any time you put the ! it forces lilypond to show an accidental. Just take it out and you'll solve that problem.

Re: Joining Stems

2008-09-16 Thread Wilbert Berendsen
Op maandag 15 september 2008, schreef Aaron Dalton: > was later crossed out to be another.  What he wants to see is the old > note inserted just before the final note and the stems meeting at the > same point along the beam.  Is there a way to do this within Lilypond? > Or will I have to do this us

Re: Vertical spacing between Staff and Lyrics

2008-09-16 Thread Johan Vromans
Alan Fabian <[EMAIL PROTECTED]> writes: > this time I did not find the following in the manual: > How to change the space between a Staff and a Lyrics? Questions like this pop up frequently, and there are many documents that provide some or part of the answers. For a while I've been playing with

Re: text moving to the eft

2008-09-16 Thread Stefan Thomas
I tried it with: metrolangan = { \override Score.MetronomeMark #'extra-spacing-width = #'(0 . 0) \override Score.MetronomeMark #'infinite-spacing-height = ##t } And it worked!! The opposite is: metrolangan = { \override Score.MetronomeMark #'extra-spacing-width = #'(0 . 0) \override Scor

Re: text moving to the eft

2008-09-16 Thread Stefan Thomas
Dear Neil, thanks for Your help. It worked now! But if I want to have more space in the TimeSig for the Tempomark-Text, how can I do this? I understand now, why the followind didn't work: TimeTextAn = { \override TimeSig.TextScript #'extra-spacing-width = #'(0 . 0) \override TimeSig.TextScript

RE: How to split autobeam

2008-09-16 Thread Gerard L. Maters
Hello Gilles, Thanks again for your reply and for putting me in the right direction! Considering your question: "why use the <<...>> construct?": it was the only way of getting an error-free compilation of the composition. Your question however triggered something and after a while I noticed

Re: (Layout nitpick) Time signature irregularities (mainly 9/4)

2008-09-16 Thread Risto Vääräniemi
Continued from another topic: http://lists.gnu.org/archive/html/lilypond-user/2008-09/msg00553.html 2008/9/16 Neil Puttock: > 2008/9/15 Risto Vääräniemi: >> How did you get that image? In Lilypond or in Fontforge (or something >> else)? I'd like to see if the numbers in Emmentaler have different >

Two questions about fingering indications

2008-09-16 Thread Nick Payne
I have the following code (it's the first couple of measures of Barrios' prelude in C minor). Firstly, with the RH fingering, some of the indications appear above the beam and some below, depending on where on the stave each note is located. How can I get them to all be above the beam? Secondly, wi