Wow! Thanks!
But there is one thing I don't understand:
\once \override MultiMeasureRest #'transparent = ##t
Could you be so kind to give me an explanation of this?
Thanks,
Stefan
2008/9/16 Kieren MacMillan <[EMAIL PROTECTED]>
> Hi Stefan,
>
> here is the example:
>>
>
> My suggestion for h
Sorry about this. Let me do a clean rebuild. Can someone verify if
this is a problem on other platforms too?
On Mon, Sep 15, 2008 at 10:00 AM, Valentin Villenave
<[EMAIL PROTECTED]> wrote:
> 2008/9/15 Stan Sanderson <[EMAIL PROTECTED]>:
>> Mac OS 10.5, PPC G4, LilyPond 2.11.58-2 (darwin-ppc)
>
>
Hi,
I wonder if anyone could help me with the following problem. The relevant
score is here:
http://www.nabble.com/file/p19524320/Grace%2BNote%2BSpacing.pdf
Grace+Note+Spacing.pdf .
The first system is without strict-grace-spacing. It leaves an ugly gap in
the lower staff between the last B-f
Just add \once to your lines
\set tupletSpannerDuration = #(ly:make-moment 5 48) and
\set tupletSpannerDuration = #(ly:make-moment 3 28)
You might want to increase the tuplet bracket padding, because the 7
crashes into the middle 3 in bar 2.
<>___
If you want a setting like \override Lyrics.BlaBlaBla #'something = #something
to apply to a specific Lyrics context, the setting has to be done within
that context. For example, you can say
\new Lyrics \lyricsto B { \override Lyrics.VerticalAxisGroup
#'minimum-Y-extent = #'(-3 . 0) \textBeins }
You can find similar solutions in the mailing list archives, for
example in
http://lists.gnu.org/archive/html/lilypond-user/2007-05/msg00250.html
/Mats
Quoting Wilbert Berendsen <[EMAIL PROTECTED]>:
Op maandag 15 september 2008, schreef Aaron Dalton:
was later crossed out to be another. Wh
Hello.
Hopefully someone is able to spot what im doing wrong here. I want to
have the second measure grouped as a septuplet with a bracketed 7, just
like the first measure.
Many other combinations of beats/tuplets measure-length etc. work as
intended, but im having troubles with this. It must b
Hi everybody,
Sorry to bother you with this, but my wife requires your help:
She teaches music here in Manosque (Southern of France) and since the
ITER program is in development, she has to deal with beginners (between
6 and 8 years old) just arriving from their mother country and not
famili
Johan Vromans wrote:
...much
elided...
http://www.squirrel.nl/pub/xfer/ltx01.png
http://www.squirrel.nl/pub/xfer/ltx02.png
The second one looks quite similar to a lilypond score when rendered
with:
\paper { annotate-spacing = ##t }
It would certainly be your friend doing something
Hi Stefan,
here is the example:
My suggestion for how to code this is below.
HTH!
Kieren.
\version "2.11.57"
fixMMR =
{
\once \override MultiMeasureRest #'transparent = ##t
\once \override MultiMeasureRest #'minimum-length = #46
\once \overri
For all you native (or completely fluent) Italian speakers:
Since it is grammatically incorrect to say "crescendo al niente" to mean
"increase in volume, starting from nothing", which would be more correct:
* crescendo _da_ niente OR
* crescendo _dal_ niente?
Thanks!
Kurt
__
Dear Gilles,
here is the example:
{ <<
{ \oneVoice
gis 8\f\laissezVibrer ^\markup { \small { \italic { \column { "(mit
Holzschlägel schlagen" "gleichzeitig mit weichem Schägel abdämpfen)" } } }
} r r4 r2 \rest } \\
{\oneVoice s8 \hideNotes \repeat "unfold" 14 { c''16 } } >> | %schlageins
ta
> I want to hide some notes. But, in the below quoted example,
I don't see any example here...
Gilles
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lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Dear Lilypond-users,
I want to hide some notes. But, in the below quoted example, the rests go
down, if it where a second voice.
Does somebody know the reason?
Thanks for Your help!
Stefan
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lilypond-user mailing list
lilypond-user@gnu.org
http://lists.
Dear Lilypond-Users,
I use very often the very nice \inst-Plugin:
changeInstrument =
#(define-music-function (parser location string) (string?)
(make-music
'TextScriptEvent
'direction UP
'text (markup #:bold (#:box string
inst = #changeIn
Jonathan Kulp-2 wrote:
>
> Hi Nick,
>
> I saw that someone else answered the second question about the
> b-naturals (just be sure to remove the ! from both voices).
>
I would even recommend to use lilypond's built-in (default) accidental
style, which in your case produces exactly what I und
Hi Nick,
I saw that someone else answered the second question about the
b-naturals (just be sure to remove the ! from both voices).
Here's a quick fix for the right-hand fingering that will work for this
example, but it's kind of crude and not overly flexible. To position
individual fingeri
Dear lilypond-users,
I have troubles with showing and hiding staves.
I tried:
zeigsmir = {
\set Staff.keepAliveInterfaces = #'(
rhythmic-grob-interface
multi-measure-rest-interface
lyric-interface
stanza-number-interface
percent-repeat-interface)
}
wegdamit = \unset Staff.kee
Hi Nick,
You use two voices in your example.
In the second bar you only print the b-natural once.
But in the second voice you print the b-natural twice:
% Bass voice
down = \relative c' {
c4 c | % 1
b! b! | % 2
d d | % 3
}
Change it to
% Bass voice
down = \relative c' {
c4 c | %
On 16.09.2008, at 14:51, Nick Payne wrote:
Jon
Thanks for the reply. However, I just removed the natural from the
2nd b in
bar 2 and I still get a natural appearing in the output on both b.
Bar 3 also contains two b naturals, so I added that bar with a
natural only
on the 1st b and only
Graham Percival wrote:
On Mon, 15 Sep 2008 12:21:38 -0500
Tim Litwiller<[EMAIL PROTECTED]> wrote:
What I would like to find is some kind of program that would play a
note or tone and she would try to sing that note or tone back into a
microphone and then it would continue to the next note
Hi Nick,
I don't have time to investigate the fingerings at the moment, but I can
tell you quickly that the natural on the second b is there because you
specified it with the !. Any time you put the ! it forces lilypond to
show an accidental. Just take it out and you'll solve that problem.
Op maandag 15 september 2008, schreef Aaron Dalton:
> was later crossed out to be another. What he wants to see is the old
> note inserted just before the final note and the stems meeting at the
> same point along the beam. Is there a way to do this within Lilypond?
> Or will I have to do this us
Alan Fabian <[EMAIL PROTECTED]> writes:
> this time I did not find the following in the manual:
> How to change the space between a Staff and a Lyrics?
Questions like this pop up frequently, and there are many documents
that provide some or part of the answers.
For a while I've been playing with
I tried it with:
metrolangan = {
\override Score.MetronomeMark #'extra-spacing-width = #'(0 . 0)
\override Score.MetronomeMark #'infinite-spacing-height = ##t
}
And it worked!!
The opposite is:
metrolangan = {
\override Score.MetronomeMark #'extra-spacing-width = #'(0 . 0)
\override Scor
Dear Neil, thanks for Your help. It worked now!
But if I want to have more space in the TimeSig for the Tempomark-Text, how
can I do this? I understand now, why the followind didn't work:
TimeTextAn = {
\override TimeSig.TextScript #'extra-spacing-width = #'(0 . 0)
\override TimeSig.TextScript
Hello Gilles,
Thanks again for your reply and for putting me in the right direction!
Considering your question: "why use the <<...>> construct?": it was the only
way of getting an error-free compilation of the composition.
Your question however triggered something and after a while I noticed
Continued from another topic:
http://lists.gnu.org/archive/html/lilypond-user/2008-09/msg00553.html
2008/9/16 Neil Puttock:
> 2008/9/15 Risto Vääräniemi:
>> How did you get that image? In Lilypond or in Fontforge (or something
>> else)? I'd like to see if the numbers in Emmentaler have different
>
I have the following code (it's the first couple of measures of Barrios'
prelude in C minor). Firstly, with the RH fingering, some of the indications
appear above the beam and some below, depending on where on the stave each
note is located. How can I get them to all be above the beam? Secondly, wi
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