Quoting Myron Marston <[EMAIL PROTECTED]>:
Isn't there a midi-to-lily converter? I figure that must have an algorithm
like this...
Yes, midi2ly does include such an algorithm and this is one of the
main reasons that midi2ly isn't as useful as it otherwise might be. Of
course, an added compli
On Wed, 2008-06-04 at 12:49 +0800, hhpmusic wrote:
> Hi,
> I have no time to learn GIT. I saw Reinhold's Orchestrallily has a dev
> version, but in git access method. I quickly searched the manual, enter $ git
> clone ssh://../orchestrallily.git.
The ssh access is likely for developers ma
hello,
op dinsdag 3 juni 2008, schreef je:
> Wow, that is great. Does any of this stuff run on OSX?
I think yes, if you install the relevant KDE parts via Fink
(http://pdb.finkproject.org/pdb/) or MacPorts (http://www.macports.org/).
best regards,
Wilbert Berendsen
--
LilyKDE, LilyPond for K
Hi,
I have no time to learn GIT. I saw Reinhold's Orchestrallily has a dev
version, but in git access method. I quickly searched the manual, enter $ git
clone ssh://../orchestrallily.git. The first time I ran it, it asked me for
password. The second time, It said the dir is already existin
Hi, I just stumbled upon this since I have a similar problem. A temporary
solution could be to add another voice for below and one for above, but that
is obviously quite messy in the long run. Has this been fixed in any of the
2.11 releases?
Mats Bengtsson-4 wrote:
>
> That's not supported in L
Thanks Trevor, that's really useful. I can definitely see that there's no
single right way to go about this conversion. Your suggestion to generate
the exact rhythmic notation during the composition process is a good one,
especially if the main output of my application was sheet music. However,
Well, since no one is going to answer this I guess I'll answer it
myself: RTFM (the Learning Manual, that is) :D
(I figured it out...)
Jon
Jonathan Kulp wrote:
Thanks Graham. I went and got this template and applied it to a piano
piece of mine. The centering of dynamics is lovely, but I als
Great, it works perfectly!
2008/6/3 Gilles THIBAULT <[EMAIL PROTECTED]>:
>
>
>
> Dear Gilles,
> thanks for Your tipp! But I tried it with an own example, that does not
> work, I don't know why:
> \include "rhythmen.ly"
>
> sax = #(define-music-function (parser location musicA musicB musicC)
>
2008/5/31 hhpmusic <[EMAIL PROTECTED]>:
> Hi,
> I saw some people discussing what paper size to use one or two days
> before. I'm also suffered from the paper size, and don't know how to handle
> them when writing oversized large orchestral scores like Mahler and
> Schoenberg did. Thank someone,
Dear Gilles,
thanks for Your tipp! But I tried it with an own example, that does not work,
I don't know why:
\include "rhythmen.ly"
sax = #(define-music-function (parser location musicA musicB musicC)
(ly:music? ly:music? ly:music?)
#{
\set tupletSpannerDuratio
Hi Dan,
Hi, I have assembled the piano score part for a violin, cello,
piano trio
arrangement, and I was wondering if there is a way to shrink the
violin and cello staffs on the score so that they aren't as big as
the piano
part (to increase visibility and overall space). thanks!
See Ex
Hi, I have assembled the piano score part for a violin, cello, piano trio
arrangement, and I was wondering if there is a way to shrink the
violin and cello staffs on the score so that they aren't as big as the piano
part (to increase visibility and overall space). thanks!
Dan Pinkham
__
Coffer,
Thanks for the good example, though are there any other uses for
reusing existing contexts other than setting lyrics?
- Jesse
On 6/3/08, coffer <[EMAIL PROTECTED]> wrote:
>
>
> Kieren MacMillan wrote:
>>
>> Hi Jesse,
>>
>>> If \context allegedly allows one to add notes to an existing con
On Tue, Jun 3, 2008 at 10:09 AM, Myron Marston <[EMAIL PROTECTED]>
wrote:
> I'm working on an application that generates music. I'd like to use
> Lilypond to
> generate my scores, but I'm having difficulty figuring out the best way to
> produce the proper lilypond notation for the durations of th
Hello Valentin,
> Thanks Victor (nice to see you again :-)
you too!
>
> I have added your example to the LSR:
> http://lsr.dsi.unimi.it/LSR/Item?id=475
excellent!
>
> Your workaround with the tuplets (on the other thread) is really nice,
> feel free to add it to the LSR if you want (I'd have
2008/6/3 v!ictor [EMAIL PROTECTED] <[EMAIL PROTECTED]>:
> There are two things you need to do to create arbitrary noteheads from
> within lilypond:
Thanks Victor (nice to see you again :-)
I have added your example to the LSR:
http://lsr.dsi.unimi.it/LSR/Item?id=475
Your workaround with the tup
Kieren MacMillan wrote:
>
> Hi Jesse,
>
>> If \context allegedly allows one to add notes to an existing context,
>> why does the following example not do so?
>>
>> \version "2.10.33"
>>
>> \new Staff = "mycontext" \relative c' { c4 d e f g2. }
>>
>> \context Staff = "mycontext" \relative c' { g
Hello Brian,
There are two things you need to do to create arbitrary noteheads from
within lilypond:
1. change the NoteHead stencil to the text interface:
\once \override NoteHead #'stencil = #ly:text-interface::print
2. define the text attribute of the NoteHead. you can put any markup
command yo
hello Jose,
I believe this is what you want. It's a bit of a hack because you need
to specify the tuplet ratio twice, in the \times command and in the
actual markup. You could define your own function that takes two
numbers (n and d) and wraps both the \times n/d and the TupletNumber
#'text overri
I'm working on an application that generates music. I'd like to use Lilypond to
generate my scores, but I'm having difficulty figuring out the best way to
produce the proper lilypond notation for the durations of the notes.
Internally, all of my rhythmic durations are represented as fractions (i.
I'm not sure that the previous followups to your email has clarified
this issue completely.
The reason that your example does not do what you expected is that it is
equivalent to
\version "2.10.33"
\score{
\new Staff = "mycontext" \relative c' { c4 d e f g2. }
}
\score{
\context Staff = "mycon
Hi all,
LilyKDE 0.6.0beta has been released. This is a beta release, featuring a
powerful new score wizard (ctrl+shift+n). In three tabs, it allows you to
setup titles and headers, parts, and other score settings like key and time
signature. For some instruments, individual parts can be configu
On Tue, 3 Jun 2008 10:19:28 +0100
"Trevor Daniels" <[EMAIL PROTECTED]> wrote:
> ... and if you add an explicit \score you will need an extra set of
> braces - one set to delimit the single compound music expression
> which is required by the score block, and one set to make the
> two statements co
Dear Gilles,
thanks for Your tipp! But I tried it with an own example, that does not
work, I don't know why:
\include "rhythmen.ly"
sax = #(define-music-function (parser location musicA musicB musicC)
(ly:music? ly:music? ly:music?)
#{
\set tupletSpannerDuration = #(ly:make-mom
Kieren MacMillan wrote
Hi Jesse,
If \context allegedly allows one to add notes to an existing context,
why does the following example not do so?
\version "2.10.33"
\new Staff = "mycontext" \relative c' { c4 d e f g2. }
\context Staff = "mycontext" \relative c' { g'4 g f e d c1 }
Because
2008/6/3 Benedict Singer <[EMAIL PROTECTED]>:
> I have a clef change at the end of a line colliding with an 8th rest right
> before it.
If there's a collision, it's a bug. Can you try to produce a minimal
example (i.e. remove everything in your code that doesn't prevent the
collision from happeni
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