> Maybe the written pitch for this instrument is accepted to be an
> octave up from its actual sound. This happens with tuba, am I wrong?
> Try to transpose your music only into the midi block to achieve the
> desired result.
I'm not totally sure about bass guitars, but orchestral upright basses a
Hans Aberg wrote:
>
> Is this what they use on
>http://www.maqamworld.com/
> They also use some accidentals with up-/down-arrows.
>
Yes, that's it. You can see it in Maqam Bayatti for example, and I can now
plot it for the occasional accidental using the function Valentin gave me in
his r
Hi,
I am trying to write a piece with Romanian Lyrics. I need these letters in the
stanzas:
â ş ă î and ţ
I'm using Windows XP which has Notepad and the option to save as UFT-8
encoding. I am just copying and pasting these letters into my .ly file. I had
no problems with German characters, u
Dear list members,
i need to change the font used for the tablature letters. What's the
magic incantation to do so?
TIA Ralf Mattes
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Am 2008-01-19 um 22:43 schrieb Trevor Daniels:
from
\midi { \tempo 4 = 80 } leaving \midi { }
and place it instead immediately after the first
\relative c' {
to give
\relative c' {
\tempo 4 = 80
Save and try again.
Or use
\midi{
\context { \Score
tempoWholesPerMinute =
Valentin Villenave wrote:
>
> Unfortunately, we have currently very few people available for
> addressing bugs and implementing new features, so it is not really
> about money...
>
I appreciate that. I hope it is something that can be considered in the
future when and if resources become
more
May I ask why you don't use JEdit with (or without) LilyPondTool?
(http://lilypondtool.organum.hu)
I'm always curious why people spend a lot of time to create something
for an editor that has been supported out of the box in jEdit for more
than 3 years now.
Bert
Tomas Valusek írta:
Hello,
t
Hi Daniel
If you look in Bach-Invention-01.ly you will see it
says \version "2.7.40" just after the header block.
This shows which version of LilyPond it was written
for. You will have downloaded a more recent version
of LilyPond, and the format of the input file has
changed slightly between the
2008/1/19, Eric Patton <[EMAIL PROTECTED]>:
> Hi,
>
> The subject line says it all...I've scored up a piece of music for bass
> guitar, and everything looks fine on the staff; when I play it back in
> timidity, the piece is transposed an octave higher that it should be.
>
> Is there a simple fix fo
I'm transcribing a piece that has some weird chords in it. There are two in
particular I would like to know how to code so they appear exactly as:
"G6(add 9)" -- with the 6 as a superscript of course
"Fmaj7/add9"
I've looked through the documentation, and can't seem to find the necessary
coding
Please, ease our lifes giving an URL for the file. The Utopia inside
Mutopia would be that old versions of many files could be processed in
a simple way, but lilypond syntax has changed very much from the
beginning and all you can do is update the file version with
convert-ly and then guess what th
Hi
Windows Vista
I have just started downloading Lilypond and installed it
I have downloaded a Bach Invention
Bach-Invention-01.ly
on Mutopia
When I double click to execute, I receive the following error messge (in
French, sorry!)
"
# -*-compilation-*-
impossible de changer le répertoire de trava
Trevor Daniels wrote:
Paul Scott wrote:
...
> Thanks much. (I don't how I looked right past "direction" in the
RehearsalMark standard settings). :)
I see it's not mentioned in the Notation Reference (I've
made a note to add it to section 1.8.1 Text marks),
Good idea!!
Paul
__
Paul Scott wrote:
>
> Trevor Daniels wrote:
> > Paul
> >
> > \override Score.RehearsalMark #'break-visibility =
> > #begin-of-line-invisible
> > ...
> > \break % (if needed)
> > \once \override Score.RehearsalMark #'self-alignment-X =
> > #RIGHT
> > \once \override Score.RehearsalMark #'dire
Trevor Daniels wrote:
Paul
\override Score.RehearsalMark #'break-visibility =
#begin-of-line-invisible
...
\break % (if needed)
\once \override Score.RehearsalMark #'self-alignment-X =
#RIGHT
\once \override Score.RehearsalMark #'direction = #DOWN
\mark \markup Hi
Thanks much. (I don't
Hello,
thanks for showing me that thread. I read only mails with a subject that
gets my attention in any way, and the subject Lilypond API wasn't one i
would consider interesting for me nor be related to Notepad++. So this
is just another reminder there are people using Notepad++ and some day
2008/1/19, Jamie Bullock <[EMAIL PROTECTED]>:
> Out of interest, where would one file such a request?
Here: http://code.google.com/p/lilypond/issues/detail?id=561
Actually, requests are first gathered and approved by the bugmeister
-- namely myself :)
You can also send requests to the lilypond-
2008/1/19, Tomas Valusek <[EMAIL PROTECTED]>:
> Hello,
>
> is there a lilypond language definition available for Notepad++ 4.7,
> which supports user language definitions? Thank you.
You might be interested in reading the whole conversation on
http://lists.gnu.org/archive/html/lilypond-user/2006-1
2008/1/19, Damian leGassick <[EMAIL PROTECTED]>:
> i like the graphic measure GROPING indications at
Oops :)
thanks, updated.
Cheers,
Valentin
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Hi Mats,
FWIW, if Lilypond had an \em multiplier (cf. \mm, \in, etc.)
then we'd easily get typographic distance control, yes?
No, it's not that simple. The horizontal spacing between notes
is far from proportional to the durational spacing (unless
you do all the settings needed to get proport
Hi,
The subject line says it all...I've scored up a piece of music for bass
guitar, and everything looks fine on the staff; when I play it back in
timidity, the piece is transposed an octave higher that it should be.
Is there a simple fix for this, or has anyone encountered this before?
Than
On Fri, 2008-01-18 at 01:45 +0100, Valentin Villenave wrote:
> 2008/1/18, Trevor Bača <[EMAIL PROTECTED]>:
>
> > FWIW, I would vote for missing feature. Some sort of chord trill certainly
> > necessary, but all the examples of pitched trill notation have always shown
> > only a single note, I bel
Hi,
Trevor, thanks for summarising this so coherently.
On Thu, 2008-01-17 at 17:50 -0600, Trevor Bača wrote:
>
> The array of posts here have been pretty interesting. Reading through
> everything the last couple of nights, I'm realizing that we've got a
> couple of related topics in the thread
Hello,
is there a lilypond language definition available for Notepad++ 4.7,
which supports user language definitions? Thank you.
Tomas Valusek
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i like the graphic measure GROPING indications at
http://lsr.dsi.unimi.it/LSR/Item?id=261
d :-)
On 19 Jan 2008, at 10:06, Hans Aberg wrote:
On 19 Jan 2008, at 01:48, Valentin Villenave wrote:
% inspired from http://lsr.dsi.unimi.it/LSR/Item?id=261
#(define (double-time one two three four)
Hi Kostia,
[first of all: is it the right way to reply via email? i've never
used this kind of mailing lists but just ordinary insternet
discussion boards. will our conversation (maybe including useful
information for others) be visible on the archive on the lilypond-
website?]
You need
Paul
\override Score.RehearsalMark #'break-visibility =
#begin-of-line-invisible
...
\break % (if needed)
\once \override Score.RehearsalMark #'self-alignment-X =
#RIGHT
\once \override Score.RehearsalMark #'direction = #DOWN
\mark \markup Hi
Trevor D
> -Original Message-
> From:
On 19 Jan 2008, at 01:48, Valentin Villenave wrote:
% inspired from http://lsr.dsi.unimi.it/LSR/Item?id=261
#(define (double-time one two three four)
(markup #:override '(baseline-skip . 0) #:number
(#:line ((#:column (one two)) #:vcenter "|" (#:column (three
four))
\relative {
\
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