2007/10/9, Risto Vääräniemi <[EMAIL PROTECTED]>:
> The behaviour of beamed-lengths beamed-minimum-free-lengths and
> beamed-extreme-minimum-free-lengths is also a bit fuzzy to me. If I've
> understood correctly the beamed-lengths specifies the basic length of the
> stem and beamed-extreme-minimum-f
One might attempt to fake it, but musically, ties, slurs and phrase
marks are different, and one can use all three on top (which, for
example, Carl Orff does in "Carmina Burana").
It would have been nice if one could add say an apostrophe of one of
the pairs "(", ")" respectively "\(", "\)"
On Oct 9, 2007, at 11:51 AM, steve berthiaume wrote:
could someone point me to where can i find the answer to this:
a note at the end of a repeat section needs to be tied back to the
first note of the section
thanks,
-steve (2.10.20)
possibly Sect. 6.5.4, the Laizzez vibrer tie?
Stan
could someone point me to where can i find the answer to this:
a note at the end of a repeat section needs to be tied back to the first
note of the section
thanks,
-steve (2.10.20)
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Dear All,
I've been playing with stem lengths because I haven't been completely happy
how they behave in forced directions. Especially in choir music, e.g.
soprano and alto voices are often combined into a single staff and they are
logically separated by forcing the stems in different directions.
Hi,
I have a score like this one (in Lilypond 2.10.5)
/
|||| ...
||
|||| ...
\
(ChoirStaff and PianoStaff, not shown here) and want to include an
incipit like this:
/
==|||| ...
||
==|||| ...
Hello Lilypond folk,
First, thanks for a wonderful product. While I am still getting comfortable
with it, I have already begun to create nice looking scores with it.
Now my question; in "simple" lead-sheets, sometimes no actual notes are
written, instead only "rhythmic patterns" and chords above
Le 09/10/07, Philippe Hyafil<[EMAIL PROTECTED]> a écrit :
> Bonjour,
Bonjour Philippe,
In case you didn't know, there's a special list for French-speaking
LilyPond users:
http://lists.gnu.org/mailman/listinfo/lilypond-user-fr
We hope to meet you there soon :)
Regards,
Valentin
___
I hope you have done a logout/login after you installed LilyPond
(maybe it's even enough to start the command prompt after the installation).
/Mats
Quoting Philippe Hyafil <[EMAIL PROTECTED]>:
Bonjour,
je souhaiterais utiliser midi2ly mais quand je le rentre en ligne de
commande,
windows me
Bonjour,
je souhaiterais utiliser midi2ly mais quand je le rentre en ligne de commande,
windows me dit qu'il ne le touve pas. J'ai cherche et je n'ai effectivement pas
trouve de de midi2ly.exe mais seulement midi2ly.py.
M'y suis-je mal pris dans l'installation?
merci
Philippe
Hi,
when I
OK, now I've isolated the problem
When I have two blocks following each other, and the lyrics of the first
block extends to the last note of the block, then I get the message:
programming error: Moment is not increasing. Aborting interpretation.
If I uncomment the last word of the lyrics, ther
Thanks, it makes sence! But when I tried to apply it to the larger
piece, i got this:
programming error: Moment is not increasing. Aborting interpretation.
I have a problem creating a minimal example, where the error occurs. But
I will try to make something as minimal as possible. The error occ
Your line
\context Lyrics = C \lyricsto tenorVerse \textVerseA
happens already from the beginning of the piece, whereas the line
\new Lyrics = "C" {s1}
which the former line refers to, happens (time-wise) after the intro.
The following version of the \score block, works as you would expec
Sorry for the confusion in my previous answer. A more precise statement
of what I tried to say yesterday is:
If you have polyphonic music and there was a note in some other
stave (or in some other voice of the same stave) one beat after
the beginning of the f2, then the turn will be placed exactl
I'm setting a vocal piece for SATB. There is an intro with SA and then T
and B join them in the verse. In the verse, I would like the lyrics to
be positioned between S and A and between T and B. But when I include
the intro I cannot get the lyrics to stay between T and B, they jump up
below A.
Mats Bengtsson escreveu:
Please search the mailing list archives for more information in this
issue, for example
http://lists.gnu.org/archive/html/lilypond-user/2007-01/msg00265.html
and
http://lists.gnu.org/archive/html/lilypond-user/2007-01/msg00305.html
/Mats
thanks
It's good
No more
Eyolf Østrem wrote:
> On 08.10.2007 (17:04), Mats Bengtsson wrote:
>> Exactly what do you mean. The spacing should be the same as if the turn
>> was appeared over a true note at the same position in the bar. Try
>> replacing
>> the "s" by a pitch to see this.
>
> Isn't that what the OP said? A qu
Please search the mailing list archives for more information in this
issue, for example
http://lists.gnu.org/archive/html/lilypond-user/2007-01/msg00265.html
and
http://lists.gnu.org/archive/html/lilypond-user/2007-01/msg00305.html
/Mats
Quoting Givaldo de Cidra <[EMAIL PROTECTED]>:
Hi,
I a
Hi,
I am trying to export an archive ly to svg.
I am using the following command:
$ lilypond - bsvg file.ly
But my archive has seven pages and when opening the archive .svg all the
pages comes mounted in the same page.
I tried the command
$ lilypond - beps file.ly
And later I did not obta
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