the \tweak you suggest does not work (unfortunatly)...
ole
Am 26.08.2007 um 01:38 schrieb Han-Wen Nienhuys:
Ole Schmidt escreveu:
Dear all,
is there a way to place a rest (higher) in \drummode? (like with
\rest
command in normal staffs)
\override the staff-position of the Rest, or perh
does not work with dotted rests...
ole
Am 25.08.2007 um 21:40 schrieb pascal lawrynowicz:
Hi,
Maybe this will help :
\once \override Rest #'extra-offset = #'( 0.0 . 5.0) r4
PL
www.percunivers.com
Message: 1
Date: Sat, 25 Aug 2007 03:39:18 +0200
From: Ole Schmidt <[EMAIL PROTECTED]>
Subject
Ole Schmidt escreveu:
> Dear all,
>
> is there a way to place a rest (higher) in \drummode? (like with \rest
> command in normal staffs)
\override the staff-position of the Rest, or perhaps using tweak.
Untested code follows:
< \tweak #'staff-position #5 r >
--
Han-Wen Nienhuys - [EMAIL
Joe Neeman escreveu:
> On Tuesday 21 August 2007 20:34, Valentin Villenave wrote:
>> That being said, do you think it would be a good idea to make
>> TimeSignature accept the break-alignable-interface?
>
> No, because TimeSignature already accepts an interface
> (break-aligned-interface) that det
Hello everyone,
Since most of the horizontal and vertical spacing hacks of Joe have
stabilized, I think it is time now to start considering a new stable
release. With the current release process, it should be possible to
build a new stable release in a matter of days, so the real question,
are
Hi Trevor (et al.):
Yup, this is indeed very useful. Here's me discovering this construct
just a couple of days ago for double-voiced noteheads and stems that
cross over in piano music:
The other really helpful (at least for me) situation this handles is
lyrics: the lyrics automatically foll
Hi Kieren,
On 8/25/07, Kieren MacMillan <[EMAIL PROTECTED]> wrote:
>
>
> If you read the Hara_kiri_engraver docs, it says
> __
>
> Like Axis_group_engraver, but make a hara-kiri spanner, and add
> interesting items (ie. note heads, lyric syllables and normal rests)
>
> Properti
On 8/25/07, Kieren MacMillan <[EMAIL PROTECTED]> wrote:
> Hi Ed:
>
> >These voices are all separate from the voice that contains the
> > notes just
> >outside the << \\ >> construct. This should be noted when making
> > changes at
> >the voice level. This also means that slurs and ties
Hi,
Maybe this will help :
\once \override Rest #'extra-offset = #'( 0.0 . 5.0) r4
PL
www.percunivers.com
Message: 1
Date: Sat, 25 Aug 2007 03:39:18 +0200
From: Ole Schmidt <[EMAIL PROTECTED]>
Subject: \rest in \drummode?
To: lilypond-user@gnu.org
Message-ID: <[EMAIL PROTECTED]>
Content-Type: t
Hi Neil,
I've tried messing around with keepAliveInterfaces, and this is
quite pleasing:
Nicely done -- I hereby retract my offer of sponsorship... =)
Best regards,
Kieren.
p.s. This is *definitely* an LSR-worthy tip/trick!
___
lilypond-user ma
Hi Neil:
The closest I've got is in creating a new staff context with the
properties of \RemoveEmptyStaffContext,
but it only allows you to choose whether a particular stave can be
hidden or not.
If you read the Hara_kiri_engraver docs, it says
__
Like Axis_group_engrav
Hi Kieren,
On 8/24/07, Kieren MacMillan <[EMAIL PROTECTED]> wrote:
>
>
> Just wondering if anyone has solved the problem of turning the hara-
> kiri-ability of a Staff on the fly?
I haven't had much success, unfortunately.
The closest I've got is in creating a new staff context with the propert
Hi Ed:
These voices are all separate from the voice that contains the
notes just
outside the << \\ >> construct. This should be noted when making
changes at
the voice level. This also means that slurs and ties cannot go
into or out
of a << \\ >> construct.
That's because of t
Please send a complete example, not just the lilypond portion. The only
other thing I can think of is to remove the fragment, and add {} around
the notes.
HTH,
- Graham
mojocojo2000 wrote:
I am using lilypond version 2.10.29. I'm trying to integrate music
into a paper I have for a class.
> I am not top posting
You have your problem (partly) resolved in the documentation
D.2.4 Piano centered dynamics.
I am also interested in a good MIDI output.
At he beginning, I was hiding some dynamics, particularly
after a (de)crescendo, but now I prefer writing the dynamics
separately from the
In the LilyPond docs, it says:
http://lilypond.org/doc/v2.10/Documentation/user/lilypond/Basic-polyphony#Basic-polyphony
These voices are all separate from the voice that contains the notes just
outside the << \\ >> construct. This should be noted when making changes at
the voice lev
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