From: "Joe Neeman" <[EMAIL PROTECTED]>
To: "Trent J" <[EMAIL PROTECTED]>
CC: lilypond-user@gnu.org
Subject: Re: Staff.VerticalAxisGroup #'Y-extent no longer working in Windows
Lilypond 2.1
Date: Tue, 9 Jan 2007 08:05:37 +0200
On 1/9/07, Trent J <[EMAIL PROTECTED]> wrote:
Thanks for your he
On 1/9/07, Trent J <[EMAIL PROTECTED]> wrote:
Thanks for your help. I'd had gotten good page fill and SCORE like output
by
being able to manually fix the staff distances. I might stick with the
earlier version for now.
With the vertical-manual-setting - can this be set once for the entire
piece
Monica wrote:
To the crew at Lilypond. Hi. And first let me thank you for creating a program
such as this. I am already finding so much use in it. However, yesterday was
my first day using it and I'm having a bit of a problem with putting in a time
signature and a clef. I followed the instructi
To the crew at Lilypond. Hi. And first let me thank you for creating a program
such as this. I am already finding so much use in it. However, yesterday was
my first day using it and I'm having a bit of a problem with putting in a time
signature and a clef. I followed the instructions on the site
Try adding this with the other extra-offsets:
\override DynamicTextSpanner #'extra-offset = #'(0 . 1.75)
Perhaps this can be added to the manual.
-Jay Anderson
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/list
There is a way around it, scan the archive for "jazzychord", there are some
posts on using a chord names exceptions list, it should be in the manual
too.
Bryan Murdaugh wrote:
>
> If I try to display a chord symbol (in the ChordNames context), using
> "g1:5^3"
> (which looks like it should wor
Thanks Han-Wen, Jan, and everybody else who contributes to LilyPond, for a great
program! I'm just getting started out, making scale/exercise sheets for my
students, and I am saving lots of time while putting out better-looking parts.
Bravi; I look forward to contributing once I am not-so-new.
-
Hi everyone,
I wonder if is there neat way to create a text spanner similar to this:
string gen do
The syllables "string" and "do" can obviously be set by the edge-text property.
But how to account for the "gen" part?
It is certainly possible to place two spanners side by side in t
I'm trying to get piano centered dynamics, and my "cresc." is far
too close to the bottom staff. I'm just modifying the existing
template. My question is, which line of the code do I need to alter
to change this?
following is my offending code (stripped down as best as I could
\version
Hi!
I just worked with Graham to be able to use my score in SVG in Inkscape. A
one-page LilyPond score in SVG works well with Inkscape, but a multi-page
score in SVG does not. Does anyone know enough about SVG and/or Inkscape to
tell me how can I manipulate a multi-page score in SVG with Inkscape
Hello
I have a file made in OpenMusic that i try to convert into lilypond (pdf-file)
I asked a guy frm the ircam and he said me to use this command after the header
\version "2.11"
#(set-default-paper-size "a3" 'landscape)
#(set-global-staff-size 12)
\break
Still I get A4 output with bad breaks
Frédéric Chiasson wrote:
I tried :
mkdir ~/.fonts
mkdir /.fonts
But both don't make the fonts appear in Inkscape. In Gimp though, the
symbols appear.
mkdir ~/.fonts
ln -s
{path/to}/LilyPond.app/Contents/Resources/share/lilypond/current/fonts/otf/*.otf
~/.fonts/
(all one line)
works for m
Ted Walther wrote:
The documentation left it really unclear; does override only extend to
the next note? Can I do an override on a patch of music by using {}
immediately after the override? How about with \set?
\once \override does one note.
\override does all notes.
Did you read 5.1 or chap
From: "Joe Neeman" <[EMAIL PROTECTED]>
To: "Trent Johnston" <[EMAIL PROTECTED]>
CC: lilypond-user@gnu.org
Subject: Re: Staff.VerticalAxisGroup #'Y-extent no longer working in Windows
Lilypond 2.11.9??
Date: Sun, 7 Jan 2007 11:47:07 +0200
On 1/7/07, Trent Johnston <[EMAIL PROTECTED]> wrote:
The documentation left it really unclear; does override only extend to
the next note? Can I do an override on a patch of music by using {}
immediately after the override? How about with \set?
Ted
On Mon, Jan 08, 2007 at 09:41:46AM +0100, Mats Bengtsson wrote:
Maybe it's easier (and better) to
If I try to display a chord symbol (in the ChordNames context), using "g1:5^3"
(which looks like it should work from the manual) the chord name shows up as
just a G, rather than a G5 or G(no3) or something to indicate its openness. Is
there a way around this?
-Bryan
___
That worked nicely; I was so busy Googling I never thought of looking in
the beginning of the manual. Thank you Karl. The pages on lilypond and
accidentals that Google popped up didn't say a word about this.
Ted
On Mon, Jan 08, 2007 at 12:57:40PM +0100, Karl Hammar wrote:
I was entering Erik
Trevor Bača escreveu:
> But no padding happens. (See pic.) What am I missing? Does something
> have to be overriden for the feature to be turned on?
the code is surrounded by
#if 0
#endif
so it doesn't do anything.
my tip is to shorten the whole spanner by using bound-padding, and then mov
On 1/8/07, Han-Wen Nienhuys <[EMAIL PROTECTED]> wrote:
Trevor Bača escreveu:
> Hi,
>
> Is there any way to shoren one end (the right end) of a trill spanner by
> hand?
>
> Something like ...
>
> \once \override TrillSpanner #'shorten-pair = #'(0 . 2)
>
> ... would be ideal.
the easiest I can th
On 1/8/07, Han-Wen Nienhuys <[EMAIL PROTECTED]> wrote:
Trevor Bača escreveu:
> Hi,
>
> Is there any way to shoren one end (the right end) of a trill spanner by
> hand?
>
> Something like ...
>
> \once \override TrillSpanner #'shorten-pair = #'(0 . 2)
>
> ... would be ideal.
the easiest I can th
Are you interested in helping LilyPond? There are many tasks that are
available which do not have time to do ourselves. Some of these require
a fair amount of technical knowledge, but many of them only require a
moderate amount of lilypond skill.
Lilypond Odd Jobs
-
Cameron
When I was writing the Antlr version of the parser I realized that extending
the grammar in dozens of ways makes much more complicatons and unreadability
than you gain in compactness. Actually I don't like that I almost have to
reimplement LilyPond just to be able to decide if an input is syntac
Trevor Bača escreveu:
> Hi,
>
> Is there any way to shoren one end (the right end) of a trill spanner by
> hand?
>
> Something like ...
>
> \once \override TrillSpanner #'shorten-pair = #'(0 . 2)
>
> ... would be ideal.
the easiest I can think of is to shorten the spanner with bound-padding,
Hi!
I'd like to know how to put ties between a chord from a single voice
separating to the same notes but in two differents voice contexts in
polyphony.
With this example, the ties does not appear, without any warning though.
Frédéric
P.S. I also tried 4~, but the ties still don't appear.
___
Karl Hammar wrote:
[EMAIL PROTECTED]:
...
\hspace{1em}
\begin[fragment, staffsize=16]{lilypond}
\new RhythmicStaff {
\time 12/8
\partial 8
d8 d4 d8 d4 d8 d4 d8 d8 d8 d8 d4 d8 d4 d8 d4
}
\addlyrics{ Some TIME She USED to PUT me THROU
I tried :
mkdir ~/.fonts
mkdir /.fonts
But both don't make the fonts appear in Inkscape. In Gimp though, the
symbols appear.
Any other ideas?
Frédéric
(Mac OS X.4.8)
2007/1/8, Mats Bengtsson <[EMAIL PROTECTED]>:
Frédéric Chiasson wrote:
> Hello!
>
> I tried to open a SVG file from LilyPon
Hi,
Is there any way to shoren one end (the right end) of a trill spanner by hand?
Something like ...
\once \override TrillSpanner #'shorten-pair = #'(0 . 2)
... would be ideal.
Trevor.
___
lilypond-user mailing list
lilypond-user@gnu.org
http://
Graham Percival-2 wrote:
>
> Jan B wrote:
>> i need the output from lilypond white on black (for special presentations
>> with OpenOffice Impress).
>> Of course i can change the colors with i.e. Gimp, but we have to make
>> many
>> many presentations.
>> So i want to include a template to chang
Frédéric Chiasson wrote:
Hello!
I tried to open a SVG file from LilyPond in Inkscape. Since there was
no ~/.fonts directory to copy the OTF fonts into, I copied them in
those two directories :
Why not make the directory yourself?
mkdir ~/.fonts
/Mats
__
Jan B wrote:
i need the output from lilypond white on black (for special presentations
with OpenOffice Impress).
Of course i can change the colors with i.e. Gimp, but we have to make many
many presentations.
So i want to include a template to change all colors, but how can i change
ALL colors?
Hi,
i need the output from lilypond white on black (for special presentations
with OpenOffice Impress).
Of course i can change the colors with i.e. Gimp, but we have to make many
many presentations.
So i want to include a template to change all colors, but how can i change
ALL colors?
Can you hel
Hi all,
Again I couldn't figure out how to cope with "associatedVoice".
Why is the syllable "sau" aligned to 'c' and not to 'a'?
Thank you
Georg
<<
\relative \new Voice = "lahlah" {
\set Staff.autoBeaming = ##f
c4
<<
\new Voice = "alternative" {
\voiceOne
%
[EMAIL PROTECTED]:
...
> \hspace{1em}
>
> \begin[fragment, staffsize=16]{lilypond}
> \new RhythmicStaff {
> \time 12/8
> \partial 8
> d8 d4 d8 d4 d8 d4 d8 d8 d8 d8 d4 d8 d4 d8 d4
> }
> \addlyrics{ Some TIME She USED to PUT me THROUGH the re SPO
Hello!
I tried to open a SVG file from LilyPond in Inkscape. Since there was no
~/.fonts directory to copy the OTF fonts into, I copied them in those two
directories :
/Library/Fonts
/Applications/Inkscape.app/Contents/Resources/fonts
But it didn't work, did I miss something?
Frédéric
Hello folks.
I mailed this a few hours ago but it apparently didn't get through.
Hope it's not a double.
After your previous suggestions, I am experimenting the use of
lilypond-book for the small fragments of music in my LaTeX PhD
dissertation. Here is an example of what I am doing:
blah b
Hi,
I seem to remember Han-Wen recently (in the last 6 weeks or so) adding
something somewhere that shortens trill spanners just the right amount
so that ...
\pitchedTrill c'4 \startTrillSpan d'
\pitchedTrill c'4 \stopTrillSpan \startTrillSpan d'
c'4
... comes out perfectly, with both trill
On 1/8/07, Han-Wen Nienhuys <[EMAIL PROTECTED]> wrote:
Trevor Bača escreveu:
> Hi,
>
> Pitched trills seem always by default to print an accidental:
>
> \pitchedTrill c'4 \startTrillSpan d' c'4 \stopTrillSpan
>
> Is it possible to remove the natural sign from in front of the D?
>
> (There is Tri
Trevor Bača escreveu:
> Hi,
>
> Pitched trills seem always by default to print an accidental:
>
> \pitchedTrill c'4 \startTrillSpan d' c'4 \stopTrillSpan
>
> Is it possible to remove the natural sign from in front of the D?
>
> (There is TrillPitchHead grob which the docs list as implementing
I assume that you refer to the second example in that section.
If I was LilyPond and was asked to print bar numbers that were valid for
the
full score even though each stave has the bar lines at different places,
I would
certainly also get very confused.
Try to move the Bar_number_engraver from
Hi,
Pitched trills seem always by default to print an accidental:
\pitchedTrill c'4 \startTrillSpan d' c'4 \stopTrillSpan
Is it possible to remove the natural sign from in front of the D?
(There is TrillPitchHead grob which the docs list as implementing the
pitched-trill-interface. Looking up
> I was entering Erik Satie's piece "Vexations" which is heavy on
> accidentals. In front of the sharps and flats, lilypond puts a (*)
> symbol, where * represents the "natural" accidental. This gets
> annoying. Is there a way to turn it off? I just want the accidentals
> themselves to be shown
Could somebody please explain how this works? I've moved the Timing_translator
as described in section 8.4.1 of the manual (Polymetric notation). Now bar
numbers appear only irregularly throughout my score (on 2 pages out of 7 ) and
are also incorrect!
Confusingly, the bar numbers don't print e
> >\foo c \nul 4. % \nul would be a sort of syntactic "breath mark"
> >\foo c \ 4. % \ -- same idea as \nul (short, but maybe risky?)
> >\foo c \\ 4.% \\ -- same as \nul
> >\foo c =4. % = prefixed to any expression: "this is separate item"
> . . . If we should add a
I think one important conceptual idea of LilyPond is that the input
file is
mainly used to describe the music and the structure of the music, not
primarily how it should be printed on paper. Therefore, I agree with
Henning that it's much better to directly learn the correct syntax for
repeats in
Manuel wrote:
Am 02/01/2007 um 21:21 schrieb fiëé visuëlle:
Don't you think \repeat{} makes more sense?
(I prefer logical over visual markup.)
Henning, I don't know if that would be the simplest thing to learn at
the beginning. How would you put it?
I think one important conceptual ide
Am 02/01/2007 um 21:21 schrieb fiëé visuëlle:
Don't you think \repeat{} makes more sense?
(I prefer logical over visual markup.)
Henning, I don't know if that would be the simplest thing to learn at
the beginning. How would you put it?
I'd introduce bar checks before partials.
I think
Am 03/01/2007 um 13:46 schrieb Diosnel Herrnsdorf:
As I told Christopher a few days ago (my mistake for not sending
the message to the list), here in Paraguay we use "sostenido" for
sharp and "sostenida" for sustain.
Diosnel, I agree with you: the masculine is right, though many may
use
Frédéric Chiasson wrote:
Hi,
Using : LilyPond 2.11.9 on Mac OS X.4.8
I would like to put a markup text as : (left arrow) (quarter note) =
(dotted quarter note) (right arrow), for making Carter-like "rythmic
modulations".
I don't know how to put arrows. Putting the arrow from the Mac text
That's not available. However, I hope you have seen the link in Section
"Melisma"
on how to turn off the automatic beaming.
/Mats
Ted Walther wrote:
Hi. I'm typesetting some Sacred Harp music. This is four part vocal
music. For clarity in singing, is there a knob or setting so that notes
Try
\override LyricText #'self-alignment-X = #LEFT
(the default value is #CENTER)
/Mats
Ted Walther wrote:
Hi. I'm typing in some Sacred Harp music. Is there a way to make a
word in a melisma be aligned the same as words that are tied to a single
note?
See, in the four part music, for long
Maybe it's easier (and better) to input the music the way you want it to
sound
and make the accidentals invisible in the printed output if you want.
\override Accidental #'transparent = ##t
One big advantage if such an approach is that you easily can print the
music according to some other typese
See the section on "Accidentals".
/Mats
Ted Walther wrote:
I was entering Erik Satie's piece "Vexations" which is heavy on
accidentals. In front of the sharps and flats, lilypond puts a (*)
symbol, where * represents the "natural" accidental. This gets
annoying. Is there a way to turn it o
[EMAIL PROTECTED] wrote:
Increasing the number of different argument types for music functions
would almost certainly be extremely useful for users, who, judging from
this mailing list, seem to have an unlimited imagination when it comes to
wanting to be able to extend LP syntax.
I doubt th
Read the output of
lilypond --help
or read about "Command line options" in the manual or search the mailing
list archives.
/Mats
Frédéric Chiasson wrote:
Hi again,
i'm trying to get a SVG file as an output so I can modify it with
Inkscape. For this, I am typing :
lilypond --format=svg
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