Hi,
I'm trying to write a doublestop in a violin piece, where on note is
played as an artificail harmonic.
In the sequence '4'
The harmonic is placed above the 'eih' but should be placed above the
'd'. Is there any way to either flip the noteheads of the eih and d or
move the harmonic diamond ho
Actually, afterGraceFraction is defined as an ordinary LilyPond identifier,
in ly/music-functions-init.ly. So, one option for you if you want to
change the
setting globally for the full score is to add
afterGraceFraction = #(cons 7 8)
at the top level of the file (just as you can define mymelody
No, it means just "afterGraceFraction = #(cons 7 8)" - if you look into
music-functions-init.ly, you can find this declaration there.
Bert
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> > myvar = { a4 b c d | }
> > \appendToVariable #'myvar { e f g a | }
> >
> > { \myvar }
It's not completely clear why you need such a thing (except
performance maybe). AFAIK, this is the same as
myvar = { a4 b c d | }
myvar = { \myvar | e f g a | }
On the other hand, perhaps it's useful
Hello,
I'm not sure whether I'm doing this right but the manual states to change
the fraction of an afterGrace note(s):
The fraction 3/4 can be changed by setting afterGraceFraction, ie.
afterGraceFraction = #(cons 7 8). By setting does it mean \set
afterGraceFraction = #(cons 7 8).
I've t
Rick Hansen (aka RickH) escreveu:
This is what I was hoping for. So a lily PDF is really a mathematical
representation of the output, that can be applied over any size/res "pixel
grid" so to speak, as provided by the printing machinery itself. So it's
off to the printer!
not really. The fonts
Rick Hansen (aka RickH) escreveu:
IOW do I need to do one last compile of my lily work to produce a
"pre-press" PDF using some option flag I am not aware of ? Otherwise I will
no, -dresolution only applies to PNG images.
--
Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
Erik Sandberg escreveu:
On Wednesday 15 November 2006 13:25, Mads Sejersen wrote:
2006/11/14, Erik Sandberg <[EMAIL PROTECTED]>:
On Tuesday 14 November 2006 16:50, Peter O'Doherty wrote:
If you really need this, I'd recommend you to use sed or similar tool as
a preprocessing step for your score
Nicolas Sceaux wrote:
>
>
> What you want is not string concatenation. { a4 b c d } is a music
> expression, not a string, so look how it is stored internally:
>
> \displayMusic { a b c d | }
> \displayMusic { e f g a | }
> \displayMusic { a b c d | e f g a | }
>
> You'll see a Sequenc
Citando Mats Bengtsson <[EMAIL PROTECTED]>:
> One workaround is described in
> http://lists.gnu.org/archive/html/lilypond-user/2006-09/msg00015.html
>
>/Mats
>
Thanks Mats! I knew there was that page somewhere but couldn't narrow my search
sufficiently.
Best regards,
Eduardo
___
Peter O'Doherty wrote:
> Yes, this is precisely the idea. I'm typesetting music which jumps
> around a lot and instead of a,,, and a,, and c' and c which
> becomes very confusing, the convention I am using (simply because I am
> most familiar with it) is c-1, c0, c6, c7 and so forth. It is
"Rick Hansen (aka RickH)" <[EMAIL PROTECTED]> writes:
>
> Nicolas,
>
> I'm not the original poster, I was just wondering what this pre-processor
> was, I'm ok with the current relative/absolute note entry with apostrophes.
Oops! sorry.
> I am considering macros to provide more-or-less what you wo
"Rick Hansen (aka RickH)" <[EMAIL PROTECTED]> writes:
> I'm not a Scheme programmer, but how does one concatenate more data onto the
> end of an existing variable? Is there a string concatenation expression in
> scheme that will let someone "add onto" the end of a string using subsequent
> comman
Frédéric Chiasson wrote:
>
> Thanks for the quick answers! And yes, I will keep the tag, it is least I
> can do to encourage such a wonderful project!
>
> However is it possible to change the alignment, the size, the font or any
> other characteristic of the tagline (while keeping it noticeabl
Nicolas Sceaux wrote:
>
> "Rick Hansen (aka RickH)" <[EMAIL PROTECTED]> writes:
>
>> I want to begin compartmentalizing my rather long lilypond templates
>> to something beyond numerous \include files to make it easier to
>> manage.
>>
>> I wish there were a lilypond dedicated text editor with
Thanks for the quick answers! And yes, I will keep the tag, it is least I can do to encourage such a wonderful project!However is it possible to change the alignment, the size, the font or any other characteristic of the tagline (while keeping it noticeable!) ? Is it the same as using \override on
Then he could use 4c8 instead, or does lilypond have any special
meaning for prepended digits?
hm, then maybe 8c4 is an even better choice ("8th of pitch c4"). I
guessed
that the request for c4 syntax for pitches is related to some
musicological
convention where c4 is the actual pitch name
I'm not a Scheme programmer, but how does one concatenate more data onto the
end of an existing variable? Is there a string concatenation expression in
scheme that will let someone "add onto" the end of a string using subsequent
commands. For example (below is in a java pseudocode where "+=" mea
Frédéric Chiasson wrote:
> I just saw a message about the tagline "Engraved by Lilypond" and I was
> wondering if it is legal to sell our own partitions of our own
> compositions engraved with Lilypond? Is there any limitation you put
> against a «commercial» use (for now, it is really «on the side
Frédéric Chiasson wrote:
>
> Hi,
>
> I just saw a message about the tagline "Engraved by Lilypond" and I was
> wondering if it is legal to sell our own partitions of our own
> compositions
> engraved with Lilypond? Is there any limitation you put against a
> «commercial» use (for now, it is rea
"Rick Hansen (aka RickH)" <[EMAIL PROTECTED]> writes:
> I want to begin compartmentalizing my rather long lilypond templates
> to something beyond numerous \include files to make it easier to
> manage.
>
> I wish there were a lilypond dedicated text editor with plug-ins capability
> for managing l
"Frédéric Chiasson" <[EMAIL PROTECTED]> writes:
> I just saw a message about the tagline "Engraved by Lilypond" and I was
> wondering if it is legal to sell our own partitions of our own compositions
> engraved with Lilypond? Is there any limitation you put against a «commercial»
> use (for now, i
Hello,
I have a voice in the lower staff, that is so high, that it should be noted
in the upper staff, but logically it belongs to "lower". I tried to edit
this with staff change, but the "upper" staff is already full and the six
16th notes are moved to the next measure.
How can I get these six
Hi,I just saw a message about the tagline "Engraved by Lilypond" and I was wondering if it is legal to sell our own partitions of our own compositions engraved with Lilypond? Is there any limitation you put against a «commercial» use (for now, it is really «on the side» but still...)?
Frédéric Chia
Erik Sandberg-2 wrote:
>
> On Tuesday 14 November 2006 16:50, Peter O'Doherty wrote:
>> Hello,
>>
>> Is it possible to indicate pitches in the format c4 instead of c'?
>> And if not, does anybody know of any plans to create this possibility?
>
> If you really need this, I'd recommend you to us
4) see Lilypond-Index: tagLine,
Keep the copyright as mentioned in the footnote.
> -Ursprüngliche Nachricht-
> Von: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED] Im
> Auftrag von Martial
> Gesendet: Mittwoch, 15. November 2006 13:35
> An: lilypond-user@gnu.org
> Betreff: Re: silly newbie
Mats Bengtsson-4 wrote:
>
> All fonts should be Type1 fonts, i.e. they are described by
> vector graphics, not bitmaps. The same goes for slurs,
> beams and other objects that are output directly as
> graphics. So, there should be no need to worry about
> resolution as far as I know.
>
>/Ma
One workaround is described in
http://lists.gnu.org/archive/html/lilypond-user/2006-09/msg00015.html
/Mats
Eduardo Vieira wrote:
Hello, I'm using lilypond version 2.9.26 and am typesetting a vocal piece in
which there are 4 stanzas and a refrain. As the refrain starts about the middle
of the
Bob Kline wrote:
I'd like to set a song starting with the version in unison, which should
print a single staff for a couple of lines (systems), then on the third
line switch to the SATB chorus on two staves. How do I do that, please?
I've tried \RemoveStaffEmptyContext, but that doesn't get rid
I'd like to set a song starting with the version in unison, which should
print a single staff for a couple of lines (systems), then on the third
line switch to the SATB chorus on two staves. How do I do that, please?
I've tried \RemoveStaffEmptyContext, but that doesn't get rid of the
extra staff
All fonts should be Type1 fonts, i.e. they are described by
vector graphics, not bitmaps. The same goes for slurs,
beams and other objects that are output directly as
graphics. So, there should be no need to worry about
resolution as far as I know.
/Mats
Rick Hansen (aka RickH) wrote:
I am u
>Hi,
>I am looking for a way to print an articulation made of the combination
of
>an accent (>) and a tenuto (_)
>of course if I put I get an ugly result where
the accent
>is much wider than the tenuto.
Could you use a greater-than-or-equal-to
sign inserted as text? Seems like it might work.
I am under the impression that the "dresolution" option flag setting only
applies to PNG generation. Is this true? And that the PDF that lily
generates really has no "resolution" of it's own to worry about? IOW can I
assume that the PDF file is already at "pre-press quality" if it is being
prin
On Wednesday 15 November 2006 13:25, Mads Sejersen wrote:
> 2006/11/14, Erik Sandberg <[EMAIL PROTECTED]>:
> > On Tuesday 14 November 2006 16:50, Peter O'Doherty wrote:
> > If you really need this, I'd recommend you to use sed or similar tool as
> > a preprocessing step for your score. It should be
Hi,I am looking for a way to print an articulation made of the combination of an accent (>) and a tenuto (_)of course if I put I get an ugly result where the accent is much wider than the tenuto.
If it's not yet the case these articulations http://www.dolmetsch.com/musictheory21.htm should be adde
[EMAIL PROTECTED] escreveu:
Is it a known issue that the timings of the midi files created by lilypond
aren't sync'd properly?
this might happen in the presence of grace notes. Unfortunately the MIDI
output isn't too dependable.
--
Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl
Hi,
1) no only on the last page
2) you can change in the header bloc
\header {
tagline = "My beautiful score engraving by Lilypond"
}
3) Headers may be completely removed by setting them to false.
\header {
tagline = ##f %not recommended by respect
composer = ##f
}
> Is there a command to p
2006/11/14, Erik Sandberg <[EMAIL PROTECTED]>:
On Tuesday 14 November 2006 16:50, Peter O'Doherty wrote:
If you really need this, I'd recommend you to use sed or similar tool as a
preprocessing step for your score. It should be fairly easy to lexically
replace c4 with c', c5 with c'', etc. It wil
Please send bug reports (and even better, bug fixes like below) to
[EMAIL PROTECTED] I forward this email there!
/Mats
Tapio Tuovila wrote:
Mats Bengtsson kirjoitti:
Probably, you will have to update the syntax of the file from Denemo
using convert-ly, but I wouldn't expect any other prob
On Tuesday 14 November 2006 16:50, Peter O'Doherty wrote:
> Hello,
>
> Is it possible to indicate pitches in the format c4 instead of c'?
> And if not, does anybody know of any plans to create this possibility?
If you really need this, I'd recommend you to use sed or similar tool as a
preprocessi
Hi,
I just tried out printing a sheet with lilypond.
Is there a command to prevent that
"Music engraving by LilyPond 2.10.0-www.lilypond.org"
is printed on every page?
Thank you
best ole
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Hello, I'm using lilypond version 2.9.26 and am typesetting a vocal piece in
which there are 4 stanzas and a refrain. As the refrain starts about the middle
of the system, I decided to center vertically the refrain in relation to the
lyrics but couldn't get it to work. So, I search the users list,
Is it a known issue that the timings of the midi files created by lilypond
aren't sync'd properly?
Or am I doing something wrong?
I have an ensemble piece (5 instruments).
I've written the piece by creating a separate file for each instrument and
then a "score" file that uses the \include comman
I'm suggesting something more along the lines of \include
"english.ly", whereby you can enter fsharp instead of fis. So instead
of c', you can enter c4, c5 instead of c''.
How would you differentiate c4 meaing "c in the 4th octave" from c4
meaning "a quarter note c"? That's why I don't see any
Mats Bengtsson kirjoitti:
> Probably, you will have to update the syntax of the file from Denemo
> using convert-ly, but I wouldn't expect any other problems.
>
> /Mats
>
But yes, there seems to be a minor problem with convert-ly in 2.10.0
I would suggest that there are two possible mistakes in
Yes, I'm familiar with relative music input. However, in my case it
won't work as I'm typesettling music which leaps around an awful lot.
I'm suggesting something more along the lines of \include
"english.ly", whereby you can enter fsharp instead of fis. So instead
of c', you can enter c4,
Iain Archibald wrote:
Hi,
I get an error message in the log file which says:
programming error: Tie without heads. Suicide
continuing, cross fingers
Well it seems to compile OK. But I went throught he file and checked
each tie (the tilde ~) to see that it went somewhere and they do
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