There is no direct support for such slashed beams in LilyPond, but if you
search the mailing list archives, you should find some tricks that people
have used as a workaround. Basically, what you can do is to add a slash
as a text script and then move it around to the desired position.
/Mats
Fr
The slurs follow the musical voices (i.e. the Voice contexts in
LilyPond), so
as long as you let the voice change staff, the slur will follow. See the
example
called slur-cross-staff.ly in the Regression Test document included in
the on-line
documentation for your version of LilyPond.
/Mats
Hello,I am trying to transcribe one of my own compositions on Lilypond 2.9.28. I need to have slash beamed gracenotes. I didn't find any way to do it on the mailing list. Did I miss something?The slashed beamed gracenote groups are quite common in contemporary music. I can give you some scanned exa
On Nov 6, 2006, at 12:38 PM, Graham Percival wrote:Please send future bug reports to the bug-lilypond mailist. Will do. I wasn't sure that this was a bug. There could have been good reasons for it, and I've now learned the trick of putting all marks in a silent part, which is a better way of avoidi
I have OSX vs. 10.2.8. What problems will I encounter
with LillyPond and use it in 10.2.8.
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Is there a way to initiate a slur on one staff and have it end on
another? For example, in a piano or harp arpeggio that starts in the
bass cleff and moves into the treble clef?
--
°
Chris°
°
><°>
Christopher A. LaFond[EMAIL PROTECTED]http://www.celticharper.net
There are several markup commands, where the exact layout depends
on some property settings. See the documentation of the \override
markup command in "Overview of Markup Commands".
/Mats
Quoting Kamal <[EMAIL PROTECTED]>:
Thank you.
This is exactly what I need.
But how do you specify the bo
-- Forwarded message --
From: Alexander Rose <[EMAIL PROTECTED]>
Date: Nov 6, 2006 8:38 PM
Subject: How to use thickness with \box in \markup ? Was: Golpe & Slap
To: Kamal <[EMAIL PROTECTED]>
Hi,
Am 06.11.2006 um 19:16 schrieb Kamal:
Thank you.
This is exactly what I need.
But
Eduardo Vieira-3 wrote:
>
> Hello list, is there a musical difference between these two styles of
> slurring?
>
> { e( f() g) } and { e( f g) }
>
> I have seen songs using either style. Which is more proper? Personally I
> prefer
> the latter. But I'm not a musician.
>
> Eduardo
>
>
>
On Mon, Nov 06, 2006 at 10:32:01AM -0800, Graham Percival wrote:
> Eduardo Vieira wrote:
> >Hello list, is there a musical difference between these two styles of
> >slurring?
> >
> >{ e( f() g) } and { e( f g) }
> >
> >I have seen songs using either style. Which is more proper? Personally I
> >pr
Victor Eijkhout wrote:
parta = { r1 \mark\default r1 }
partb = { c1 \mark\default c1 }
\score {
<<
\new Staff = "x" {\parta}
\new Staff = "y" {\partb}
>>
}
Thanks, I have added this as
http://code.google.com/p/lilypond/issues/detail?id=149
Please send future bug reports to the bug-lilypond m
Eduardo Vieira wrote:
Hello list, is there a musical difference between these two styles of slurring?
{ e( f() g) } and { e( f g) }
I have seen songs using either style. Which is more proper? Personally I prefer
the latter. But I'm not a musician.
As a string player, the latter is preferred.
Thank you.
This is exactly what I need.
But how do you specify the box's line thickness.
The documentation says: "\box: Looks at thickness, box-padding and
font-size" but it doesn't mention how to set them.
On 11/5/06, Alexander Rose <[EMAIL PROTECTED]> wrote:
Am 29.10.2006 um 22:37 schrieb Ka
Hi everybody,
I'd like to ask if anyone knows a way to make PartCombine print the "a2" mark
at the beginning of every system ( or after every line-break) until the two
voices are together, as a reminder (particularly useful at the beginning of a
new page).
Thank you,
Gianluca D'Orazio
___
On Monday 06 November 2006 12:59, Mats Bengtsson wrote:
> Erik Sandberg wrote:
> > On Monday 06 November 2006 09:25, Mats Bengtsson wrote:
> >
> > Mats, do you think it would be useful with an operator \newClone to clone
> > the current context? E.g.
> > \new Staff \with {\consists Foo_engraver bar
Hello list, is there a musical difference between these two styles of slurring?
{ e( f() g) } and { e( f g) }
I have seen songs using either style. Which is more proper? Personally I prefer
the latter. But I'm not a musician.
Eduardo
Am 05.11.2006 um 22:38 schrieb Mats Bengtsson:
One solution is [...]
/Mats
Nice, it works fine, thanks! But I think I found a bug, when you use
fingering instructions on the left in that setting. See attached
example.
For the record: I also put your solution into a function for easier
Am 06. November 2006, 13:09 Uhr (+0100) schrieb Mats Bengtsson:
> Just as any other context property, you can set it with \set. Example:
>
> \relative c'{
> c d e f g f e d
> \set Score.proportionalNotationDuration = #(ly:make-moment 1 64 )
> c d e f g f e d
> \unset Score.proportionalNotation
Just as any other context property, you can set it with \set. Example:
\relative c'{
c d e f g f e d
\set Score.proportionalNotationDuration = #(ly:make-moment 1 64 )
c d e f g f e d
\unset Score.proportionalNotationDuration
c d e f g f e d
}
/Mats
Orm Finnendahl wrote:
Hi,
I would lik
Erik Sandberg wrote:
On Monday 06 November 2006 09:25, Mats Bengtsson wrote:
Victor Eijkhout wrote:
So, if you want a limited scope, you can explicitly create a short-lived
context.
Here's an example that uses smaller note heads for one measure:
\relative c'{ c d e f \new Voice {\tiny g f
I hope you have looked in the manual for version 2.9, which is much better
than version 2.8 in this aspect. In particular, look into section "Advanced
tweaks with Scheme" and references therein.
/Mats
Orm Finnendahl wrote:
Hi,
can someone point me to the documentation of parametrized definit
Hi,
can someone point me to the documentation of parametrized definitions?
Here's what I want to do:
I need to set time signatures above the score without using horizontal
space. Therefore I removed the time signature engraver and added a
markup at each bar with a changed time signature like this
Hi,
I would like to change the amount of horizontal space for a specified
duration in the middle of a line (reflecting a tempo change) globally
(without having to deal with compress music for each staff).
Is there a way to override the setting of
Score.proportionalNotationDuration on the fly, or
On Monday 06 November 2006 09:25, Mats Bengtsson wrote:
> Victor Eijkhout wrote:
> So, if you want a limited scope, you can explicitly create a short-lived
> context.
> Here's an example that uses smaller note heads for one measure:
>
> \relative c'{ c d e f \new Voice {\tiny g f e d } c d e d c1 }
Chris probably wants
c4. c8[ b a ]
/Mats
Panteck wrote:
Try: c4. c8 b8[ a8]
The [] characters are used to manually start and stop beams.
--Steven
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
Christopher A. LaFond
Sent: Sunday, November 05, 2006
Victor Eijkhout wrote:
Beam breaking is a visual operation, not a mathematical one. I want a
sixteenth beam broken at any beat boundary, no matter whether this is
in 4/4 time or in a 27 over 26 fragment.
I don't agree completely. Beam breaking is used to clarify the rhythmic
structure,
so
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