It seems that Xemacs differs from ordinary Gnu Emacs when it comes to
internationalization support (at least on Windows). I found the
following information in the FAQ for Xemacs:
Q1.3.1: What is the status of internation
How can a golpe or a slap notation be achieved in lilypond?
golpe.png
Description: PNG image
slap.png
Description: PNG image
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
See http://lists.gnu.org/archive/html/lilypond-user/2005-11/msg00496.html
for example.
/Mats
Andrew Black - lists wrote:
Hi
I want to set more than one word to a note . So for example I might have
Semibreve| minim minim
c1 | c2 c2
Glory be t
I hope you have seen the section on "Writing music in parallel"
in the manual.
Regarding the division between people who think melodically
versus harmonically, I've always thought that it depends mostly
on what instrument you play. If you play the piano or some other
instrument where it's easy to
Hi
I want to set more than one word to a note . So for example I might have
Semibreve| minim minim
c1 | c2 c2
Glory be to the father and to the
Cheers
___
lilypond-user mailing list
lilypond-
Hello Trevor,
I thank you for your contribution ; of course here we need a detailed
scientific study and we can't write a general, narrow-minded theory of
music history.
However, the american "chord-based thinking" you focus on could be an
excellent way to approach English/American music writing
Warning: off-topic :-)
I think that Valentin's comment here is particularly interesting:
-You've got to think very _VERY_ horizontally, and not vertically like
in Sibelius or Finale. This has been the major difficulty to me. But
if you think about it, you'll realize that it helps you indeed by
Mats Bengtsson wrote:
This is a well-known bug in the MIDI output. The problem is that you
never specified any absolute dynamics (like \p or \mf or \ff or ...)
before the crescendo, so LilyPond has no idea on what dynamics to start
the crescendo. For some silly reason, it then doesn't start at
Hello,
I would be very grateful if some one could give me some pointers on
using midi2ly; I keep getting an error message in terminal. Here is
what I do:
The first command I enter is:
/Applications/LilyPond.app/Contents/Resources/bin/midi2ly
That seems to work okay and I get a list of inst
This is a well-known bug in the MIDI output. The problem is that you
never specified any absolute dynamics (like \p or \mf or \ff or ...)
before the crescendo, so LilyPond has no idea on what dynamics to start
the crescendo. For some silly reason, it then doesn't start at the
default dynamics le
I have also tried several players & all of them are not outputting
sound when there's (de)crescendos.
So I guess this is a bug from lilypond?
On 10/29/06, John Mandereau <[EMAIL PROTECTED]> wrote:
Kamal wrote:
> I am using lilypond 2.8.6
>
> If I use the following code snippet:
> a\< b c d\!
>
Kamal wrote:
> I am using lilypond 2.8.6
>
> If I use the following code snippet:
> a\< b c d\!
>
> then a silent passage will be produced in the midi output although the
> documentation says that unterminated crescendos will produce that.
>
> Can can this be overcome?
>
As far as I have exper
http://lilypond.org/doc/v2.9/Documentation/user/lilypond/Notes-for-the-MacOS-X-app.html#Notes-for-the-MacOS-X-app
On 10/29/06, Peter O'Doherty <[EMAIL PROTECTED]> wrote:
Hello,I would be very grateful if some one could give me some pointers onusing midi2ly; I keep getting an error message in termin
Ian Hulin wrote:
> I’m getting a warning saying lily can’t find the start of a
> (de)crescendo, although it seems happy with crescendo passages
> immediately before and after. As far as I can tell the syntax for the
> \< … \! block looks OK in all cases.
>
[snip]
> %{
> This crescendo pas
14 matches
Mail list logo
