Hello fellow lilyponders,
while trying to set a polymetric piece (Dufay) I ran into a problem.
Please try the following snippet - I get barlines after the whole note,
and after ONE quarter, and then
the counting seems to be ok for the rest
(as if I had written \time 4/4 c1 \time 1/4 c4 \time 4/
On 23-May-06, at 3:39 AM, bears388 wrote:
Downloaded the 2.8.2 Manual, and found the entries the same. I also
got a unicode character set, but no matter what I try, writing the
characters in unicode and saving them as utf-8 and then cutting and
pasting,I cannot get the umlauts on any letters
On Tue, May 23, 2006 at 11:17:37PM +0200, Jan Nieuwenhuizen scripsit:
> Quentin Spencer writes:
> > I mentioned on this list a while ago that I was trying to get
> > lilypond into Fedora Extras. The first packages were released
> > yesterday and they should now be installable using "yum install
> >
I'm working on what the Lilypond docs so nicely term a "musicological
document" with lilypond-book excerpts from a Bach fugue. (fis minor from WTCI)
I'm using \set Score.currentBarNumber to keep the bar numbering correct, and
it would be nice to have Lilypond put a bar number at the beginning of
On Tue, 2006-05-23 at 14:15 +0100, [EMAIL PROTECTED] wrote:
> I'm trying to fit a piece of music onto one page. By default, lily
> formats it as 11 systems, 10 on the first page, 1 on the second. So I
> told lily to fit it in 10 systems - which it nicely laid out as 9 on the
> first page, 1 on the
Quentin Spencer writes:
> I mentioned on this list a while ago that I was trying to get lilypond
> into Fedora Extras. The first packages were released yesterday and
> they should now be installable using "yum install lilypond".
That's grand, thanks!
Jan.
--
Jan Nieuwenhuizen <[EMAIL PROTECTED
Some things you might want to check out...
1. You really can tweak the margins.
2. In your paper block you can set between-system-padding . I find
that setting to 2 or 3 can sometimes compress things enough, even 1.
3. You might want to look at how much padding you have on any rehearsal
mark
I mentioned on this list a while ago that I was trying to get lilypond
into Fedora Extras. The first packages were released yesterday and they
should now be installable using "yum install lilypond". There is also a
lilypond-doc package available with the HTML docs. Right now these are
only avai
Belatedly, I remember that (taking a cue from the
definition of \oneVoice) there is way other than
\override NoteColumn #'force-hshift = #0.0 :
\revert NoteColumn
#'horizontal-shift
There is a subtle distinction between the two. But
what is it?
Stephen
- Original Message -
Hi,
what's the matter with beatLength in 2.8.2?
Trying to update the 13. Chopin Study on mutopia (which was still
typeset with 2.2.6) I found, that the setting for beatLength to quarters
in "\times 2/3" does no longer work.
I've tried to reproduce and demonstrate it with a very short example
con
Walter wrote:
annotate-spacing = ##t
For someone as geeky and obsessive-compulsive as I, this is one of
the coolest applications of technology that I've seen since www.visualthesaurus.com>.
Way to go, Lilypond Team!
Thanks,
Kieren.
___
lilypo
On 5/23/06 7:15 AM, "[EMAIL PROTECTED]"
<[EMAIL PROTECTED]> wrote:
> I'm trying to fit a piece of music onto one page. By default, lily
> formats it as 11 systems, 10 on the first page, 1 on the second. So I
> told lily to fit it in 10 systems - which it nicely laid out as 9 on the
> first page, 1
Hello, all --
Some time ago, Werner started a thread with
It seems that \parallelMusic doesn't work with \relative. This makes
it very unnatural to work with. Any chance to implement something
similar, say, a special mode where the first note in a `section' is
absolute and the remaining notes
Is it easier to see my reply if I place it on top?
Almost, rather than fiddle with the number try
using just zero: \override
NoteColumn #'force-hshift = #0.0
This usually works. It is from the larger
context: << {g4.( ~ | g8[ fis])} \\
{\override Staff.NoteCollision #'merge-diff
Hi,
> > E.g. cdoit-c'
> >
> > Not sure on what would be appropriate syntax though :(
>
> One problem is that the versions I'm used to don't really
> "go" anywhere. I'm going to look at this when I get a chance
> (probably some time next week), and write it up for Han-Wen.
> I guess we want on
From: <[EMAIL PROTECTED]>
Sent: Tuesday, May 23, 2006 8:15 AM
I'm trying to fit a piece of music onto one page. By default, lily
formats it as 11 systems, 10 on the first page, 1 on the second. So I
told lily to fit it in 10 systems - which it nicely laid out as 9 on the
first page, 1 on the s
I'm trying to fit a piece of music onto one page. By default, lily
formats it as 11 systems, 10 on the first page, 1 on the second. So I
told lily to fit it in 10 systems - which it nicely laid out as 9 on the
first page, 1 on the second! :-(
When I tell it to fit it in 9 systems, it finally puts
Hello,
I tried to typeset fragments that have slurs and ties that continue to the part
of music that is not in the fragment. The fragments are block-aligned; I would
like to produce the slur/tie as if the fragment was line-broken at the end, but
without the other line appearing. I tried two approa
Atte André Jensen wrote:
Darius Blasband wrote:
We are currently looking at the possibility of using Lilypond as
typesetting back-end for Finale.
Sounds very interresting, at least I know now that serious people is
taking this seriously :-)
Well, I would definitely not consider myself ser
Darius Blasband wrote:
We are currently looking at the possibility of using Lilypond as
typesetting back-end for Finale.
Sounds very interresting, at least I know now that serious people is
taking this seriously :-)
The Finale export of MusicXML seems to be decent (There was a bad glitch
wit
Hi,
There are some nice examples (hand written) here:
http://bands.army.mil/masterclass/tusafb/dec2000/jazz.htm
What exactly are we asking for then?
I think what's been mentioned so far is what the above page calls
"Drops", "Falls", "Doits"(?) and "Bends".
The rest of what I've seen and is mentio
Hello,
We are currently looking at the possibility of using Lilypond as
typesetting back-end for Finale. In other words, the process we (I mean,
Han-Wen and I) are
looking at goes as follows:
- Music XML export
- Convert to lily
- Print on the fly.
I understand that the converter is meant
Hi,
Put me down for 20 euros.
Regards,
Ralph
> At this point I agree that I don't know how to do it either. So now
we
> need more money to get these features. Any more people willing to
> contribute?
TRIBAL TECHNOLOGY IS A MEMBER OF THE TRIBAL GROUP plc www.tribalgroup.co.uk
This email and
Unfortunately, you have not told us, what OS and Lilypond version you are
using (Linux or Windows). Anyway, the solution below should work. Just make
sure you have German keyboard support installed on your system. Since
lilypond 2.6 (I think) UTF-8 input is supported. There is no need to use
speci
Hi
I teach piano in a couple of music schools. Teachers there use
everything from finale, sibelius, musicator and cubase to abc to typeset
the stuff we give to students.
It would be nice to be able to share sheets between teachers, so I'm
thinking about making a web based system that would a
Hello,
I played a little with my example and things are getting slightly more
complicated, because a \layout block of my example contains folowing line:
\override VerticalAxisGroup #'minimum-Y-extent = #'(-1 . 1)
So if I use your \with statement, the \layout overriding is applied
instead of
Hello,
thanks for your answer. it helped me very much.
Bottom line: You have answered my mail very quickly, unfortunately my
public mail service provider has tossed it into Spam folder, where I
discovered it a few minutes ago.
Tomas Valusek
Mats Bengtsson napsal(a):
See the section on Vert
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