On Sat, 2006-05-20 at 00:06 -0500, Stephen Torri wrote:
> I have a piece of music for church which had a key change only for the
> 5th measure.
Never send emails after 10 pm. Go to bed instead. Bah!
I mean to say that the key change occurs when playing the piece for the
5th time. So key of C for
I have a piece of music for church which had a key change only for the
5th measure. So I wrote the entire piece using a volta for the first
four measures. Now the lyrics for the first four measures are in the
right spot in the piece but I would like the lyrics for the fifth verse
to be just under t
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Hi Ben, I mailed the mailing list recently. I believe it's a problem
with the version of Python bundled with Lilypond. The people on the
mailing list never replied: I think they're tired of having to answer
Windows users that can't seem to get the Pyth
I use Lilypond 2.6.5 on Windows XP, and my MIDI2ly feature isn't working. I've seen stuff like this in the archives, but the closest I could find was about lilypond-book. This, however, dealt with latex not midi. Please help me sort out this problem.
The output I recieved from MIDI2ly is this:
D
Hello,I've come across a problem. I'm using cross-staff beams, in conjunction with voices using << \\ >>, but the note from the top staff doesn't line up with the notes from the bottom. Have a look:%\version "2.8.3"\layout { ragged-right = ##t }stemExtend = \once \override
Hairpins ending on a barline have been added to CVS,
How great!!! Thank you, everyone responsible! =)
Given the new code required for that, are there any new ways to get
Hairpins to stop before the next note (even if it's not right after a
barline) or have (e.g.) a whole note with a half-n
On 5/19/06, Graham Percival <[EMAIL PROTECTED]> wrote:
On 19-May-06, at 1:51 PM, Kieren Richard MacMillan wrote:> Just wondering if there's a way to set the length of a Hairpin as a> percentage of its "natural" length (as determined by Lilypond) -- for
> example, something like>> \once \overrid
On 19-May-06, at 1:51 PM, Kieren Richard MacMillan wrote:
Just wondering if there's a way to set the length of a Hairpin as a
percentage of its "natural" length (as determined by Lilypond) -- for
example, something like
\once \override Voice.Hairpin #'length = #0.8
I'm trying to come up
[ Lilypond 2.9.4-3 ]
Hey, y'all!
Just wondering if there's a way to set the length of a Hairpin as a
percentage of its "natural" length (as determined by Lilypond) -- for
example, something like
\once \override Voice.Hairpin #'length = #0.8
I'm trying to come up with the easiest way t
Anthony W. Youngman wrote:
In message <[EMAIL PROTECTED]>, Paul Scott
<[EMAIL PROTECTED]> writes
4) not sure what it's called, but it looks like a right parenthesis
hanging from the note head, usually seen for trombones and
trumpets, and again is a form of gliss.
I think this is called a "fal
From: "Roman" <[EMAIL PROTECTED]>
Sent: Thursday, May 18, 2006 3:09 PM
Kieren Richard MacMillan wrote:
Hi, Roman:
My Idea was to first write the notes in tenor clef so that I can check
if I did everything wright on an outprint.
If you are copying music written for the trombone using the tr
From: "Graham Percival" <[EMAIL PROTECTED]>
Sent: Thursday, May 18, 2006 12:29 PM
On 17-May-06, at 8:42 AM, Stephen wrote:
K, I get the error message 'The PostScript backend does not support the
'classic' framework. Use the EPS backend instead,
lilypond -b eps
or remove the lilypond-boo
In message <[EMAIL PROTECTED]>, Mats Bengtsson
<[EMAIL PROTECTED]> writes
I still think that you are confusing things with the issue of
transposing instruments,
see http://en.wikipedia.org/wiki/Transposing_instrument. I'm not an
expert in
brass instruments, but according to that article, trombon
In message <[EMAIL PROTECTED]>, Mats Bengtsson
<[EMAIL PROTECTED]> writes
If you want two separate scores printed below eachother, just include two
\score{...} blocks in your input file. If they fit on the same page,
LilyPond
will print them on the same page.
I'm trying to do roughly the same
In message <[EMAIL PROTECTED]>, Paul Scott
<[EMAIL PROTECTED]> writes
4) not sure what it's called, but it looks like a right parenthesis
hanging from the note head, usually seen for trombones and trumpets,
and again is a form of gliss.
I think this is called a "fall." Price: 65 EUR; I will ne
In message
<[EMAIL PROTECTED]>,
Ralph Little <[EMAIL PROTECTED]> writes
Hi,
I've just thought of a good example, and sorry if I sound patronising :(
Say you wanted to score a piano-accompanied solo for tenor trombone.
A tenor trombone is usually "pitched" in Bb.
Sorry. Wrong!
If you mean a t
In message <[EMAIL PROTECTED]>, Roman <[EMAIL PROTECTED]> writes
I think it's much more easier now to tranpose the notes in my head and
afterwards write them directly as a staff in bass clef, as Mats
Brengtsson proposed. My Idea was to first write the notes in tenor clef
so that I can check if
In message <[EMAIL PROTECTED]>, Mats Bengtsson
<[EMAIL PROTECTED]> writes
If the problem is that you don't know tenor clef yourself and input the
music,
pretending that it has a bass clef, not a tenor clef, then you will
input the
music a fifth too low, so you could use
\transpose f c'
Or pre
Han-Wen Nienhuys wrote:
[EMAIL PROTECTED] schreef:
Seeing as I've made enough of a fuss about other things ...
I've seen somebody else ask about modern "tram-line" caesurae, and I
want things like a free-format gliss ...
What sort of price am I looking at to sponsor these - I guess it's
jus
[EMAIL PROTECTED] schreef:
Seeing as I've made enough of a fuss about other things ...
I've seen somebody else ask about modern "tram-line" caesurae, and I want
things like a free-format gliss ...
What sort of price am I looking at to sponsor these - I guess it's just a new
character in a fon
This post has a part for the developers to consider and for the users
archive.
The part for the developers to consider is that Lilypond needs a display
font for the header. Sometimes enlarging and enboldening a text font does
not work as well as using a font that was designed to be displayed a
Mats Bengtsson schreef:
This clearly looks like a bug, so I forward it to bug-lilypond.
fixed in CVS.
--
Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
LilyPond Software Design
-- Code for Music Notation
http://www.lilypond-design.com
___
Seeing as I've made enough of a fuss about other things ...
I've seen somebody else ask about modern "tram-line" caesurae, and I want
things like a free-format gliss ...
What sort of price am I looking at to sponsor these - I guess it's just a new
character in a font?
Basically the four things
Hi
all,
Would someone kindly
give detailed directions on how to use the "convert-ly"program for non
programmers.(or an example)
OS - Win.XP
Home
\version
"2.8.0"
Kind
Regards,
Alan
Albury-Ward
--
Internal Virus Database is out-of-date.
Checked by AVG Free Edition.
Version: 7.1.385 / Vir
bernie arai schreef:
On 5/17/06, Han-Wen Nienhuys <[EMAIL PROTECTED]> wrote:
you have to add Parenthesis_engraver to the DrumVoice context definition
--
thanks, i didn't get contexts and was afraid to learn until now. how
do i customize the context plugins if my drumVoice is instantiated
thi
On 5/17/06, Han-Wen Nienhuys <[EMAIL PROTECTED]> wrote:
you have to add Parenthesis_engraver to the DrumVoice context definition
--
thanks, i didn't get contexts and was afraid to learn until now. how
do i customize the context plugins if my drumVoice is instantiated
this way:
\context DrumV
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