Graham Percival wrote on 2005 July 29 --
> I'd like to insert a page break in the middle of
> a long \markup section (or between two separate
> \markup sections). This is for a large \book; I'd
> like to have two or three pages of text before
> beginning the music.
One would think that just inse
Anyone have any idea what's going on with the space between the voice
and the piano staves in the opening of this bit of Mozart?
Clearly the first system is using the spacing of the *second* system,
which looks kinda insane given that the second system has 3 stanzas
while the first system has none
Changing fonts has become so much easier. See
http://pegasus.rutgers.edu/~elflord/unix/latex/no-bs.html
for what it takes to put a Type1 font into LaTeX (let alone into
LilyPond) and compare it to dropping the .pfa into ~/.fonts and doing
#(define fonts
(make-pango-font-tree
As I've directly jumped from 2.2 to 2.6, I have some little pb to solve.
I'm using accented characters (like é, û, and è) in my header, and Lily doesn't
translate them. I
must be a LateX pb, but I can't make it right...
Well, as 2.6 is _not_ using LateX any more, it cannot. Now Lilypond 2.6
c
- Original Message -
From: "Nicolas Sceaux" <[EMAIL PROTECTED]>
To: "Stephen" <[EMAIL PROTECTED]>
Cc:
Sent: Sunday, July 31, 2005 9:28 AM
Subject: Re: Staff.alignAboveContext and volta brackets
"Stephen" <[EMAIL PROTECTED]> writes:
Why not start with all three staffs and remove th
- Original Message -
From: "Nicolas Sceaux" <[EMAIL PROTECTED]>
To: "Stephen" <[EMAIL PROTECTED]>
Cc:
Sent: Sunday, July 31, 2005 9:28 AM
Subject: Re: Staff.alignAboveContext and volta brackets
"Stephen" <[EMAIL PROTECTED]> writes:
Why not start with all three staffs and remove th
I have the opposite opinion from Laura.
The first project I did using Lilypond was to convert an old file from 1.3
to 2.4.
It required a lot of hand editing. In the end, it is easier to hand edit a
file than to re-input all the notes. I had to manally move all the open
brackets for beaming o
How does the Embedding TeX commands snippet work in 2.6 - .7?
http://lsr.dsi.unimi.it/LSR/Item?id=107
Stephen
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Hi,
Every piece of documentation about grace notes I have found so far connects
the grace note with the normal note that follows it.
However, I want to add two grace notes that are sung on the same syllable as
the previous note, and hence they should be connected with a slur to the
previous note.
On Jul 27, 2005, at 11:16 PM, Graham Percival wrote:On 26-Jul-05, at 12:12 PM, Benjamin Esham wrote: On Jul 26, 2005, at 1:23 AM, Matthias Neeracher wrote: What is FONTCONFIG_FILE set to ? "echo $FONTCONFIG_FILE" should give you the value. Usually, I invoke LilyPond from inside Vim; this is a bit o
Hello!
I'm afraid I haven't been able to sort out this problem myself. I have recently
installed Lilypond as included in Suse linux 9.3. There seems to be font finding
problems. I tried the folowing (translation from Swedish within []):
[EMAIL PROTECTED]:~/musik/lilytest> export
TEXMF=/usr/share
Laura Conrad wrote:
HN> Discussing decisions beforehand is a nice democratic
HN> tradition, but Lily is not a democracy.
Neither is it a one-man development team for a program used by only
one person.
Well, whatever. Most changes are discussed with Jan, FWIW.
(and no, we don't have rec
> "HN" == Han-Wen Nienhuys <[EMAIL PROTECTED]> writes:
HN> Discussing decisions beforehand is a nice democratic
HN> tradition, but Lily is not a democracy.
Neither is it a one-man development team for a program used by only
one person.
HN> If you disagree with a change, you're we
On 8/1/05, Mats Bengtsson <[EMAIL PROTECTED]> wrote:
> Actually, there is a solution available. Since it's possible to
> include a full score in a Text Markup, I figured it should be
> possible to let the .ly file contain a single Text markup, which
> in turn contains a line with the two scores. T
As far as I can see, the \begin{flushright} doesn't solve
anything as long as you let lilypond-book determine the
line width of the scores, since they will be rather too long
then too short (see my email to bug-lilypond a few minutes ago).
However, if you explicitly set the line width of the music
Actually, there is a solution available. Since it's possible to
include a full score in a Text Markup, I figured it should be
possible to let the .ly file contain a single Text markup, which
in turn contains a line with the two scores. This is what I came
up with, starting from your example:
\ver
Jean-marc LEGRAND wrote:
Hi list !
Ah... it's been a long long time since I haven't been writting in this list !
As I've directly jumped from 2.2 to 2.6, I have some little pb to solve. Maybe
the answer is
somewhere already, but I can't find it.
Still using XP (...) and lily 2.6.
I'm usi
The solution you refer to is mostly relevant, even though you should
use the TrillSpanner object and the glyph names have changed from
xxx_yyy to xxx.yyy (which convert-ly should update correctly). The
following is the example of running trills from the manual, modified
to provide the two layouts
Note that LilyPond will only consider breaking score lines where there
is a bar line. So, if your manually inserted bar lines are very rare,
then you may have to insert some extra invisible bar lines, \bar "",
to allow for line breaks. One alternative to Kris' answer is to set
all default bar line
On 8/1/05, Han-Wen Nienhuys <[EMAIL PROTECTED]> wrote:
> Trevor Baca wrote:
> > What's the right way to start a new score in the middle of a line?
> >
>
> There isn't right now. The proper solution would be insert a routine
> before the page-breaking that tries to fold together fragments that fit
Try using
\set Score.timing = ##f
inside the \score block.
Kris Shaffer
On Sat, 30 Jul 2005 08:08:03 -0400, Matevz Jekovec
<[EMAIL PROTECTED]> wrote:
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
What's the easiest way of writing non-metrum music in LilyPond (like
chorals). What I want
Bruce,
Thanks for the reply.
To everyone,
I am thoroughly shocked to discover that the term referred to was
"moreable" which seems to be completely made up.
It is used by certain programmers to indicate a field for data entry
that can be "opened" for more information. So the field may conta
This is my newest achievement:
\newcommand{\preLilyPondExample}{\begin{flushright}}
\newcommand{\betweenLilyPondSystem}[1]{\hfill} % maybe not needed
\newcommand{\postLilyPondExample}{\end{flushright}}
This also gives acceptable results if you have set the instrument name. In
this case th
dax2 wrote:
I cannot get something like
\set Staff.instrument = "Violoncello-baroque-longissimo"
to print at all with 2.5.23. It prints with 2.4.5 but the length
of lines are cut on the right margin, and the long-long-name is
still cut on the left side.
One possible solution is to split
Hi list !
Ah... it's been a long long time since I haven't been writting in this list !
As I've directly jumped from 2.2 to 2.6, I have some little pb to solve. Maybe
the answer is
somewhere already, but I can't find it.
Still using XP (...) and lily 2.6.
I'm using accented characters (like
Trevor Baca wrote:
What's the right way to start a new score in the middle of a line?
There isn't right now. The proper solution would be insert a routine
before the page-breaking that tries to fold together fragments that fit
together on a single line. I can consider it for your sponsored f
Sven Axelsson wrote:
Since the Windows stand alone version of Lilypond 2.7.3 just appeared, I
decided to try it out. I use lilypond to write Scottish bagpipe music, and
that uses lots of complex grace notes. In version 2.7 the grace notes are
spaced wider apart than before. I don't like that - ho
Hi,
I want to add two grace notes that are sung on the same syllable as the
preceding note and are connected with a slur to the preceding note. I have
attached a small image that shows what I want to do.
So far I have only found \afterGrace to come close to what I want, but it
doesn't allow me
I'd recommend to keep discussion on the latest development
version 2.7 in the lilypond-devel mailing list in order to reach
the relevant readers and not confuse ordinary users who stick to
the stable versions.
/Mats
Sven Axelsson wrote:
Since the Windows stand alone version of Lilypond 2.7.3
Graham Percival <[EMAIL PROTECTED]> writes:
>>\column { " " " " " " " " " "
>
> I'm using
> \hspace #1
> instead of
> " "
> since there's no guarantee that lilypond will treat " " in the same
> way in the
> future -- I think that \hspace is a bit more reliable with regards to
> fut
As has been stated before: As long as you don't specify
the line width (or paper size) within the actual .ly code,
there should be no need to use this workaround.
/Mats
Martin Brodbeck wrote:
Graham Percival schrieb:
Known issue; please search the lilypond-user and bug-lilypond
mailist arc
Han-Wen Nienhuys wrote:
Graham Percival wrote:
Hrm? I'm missing something here... I'm still manually doing
# ln -s ~/usr/pkg/lilypond/share/lilypond//fonts/type1 ~/.fonts
is there a way to avoid having to update this every time?
this should no longer necessary, if both fontconfig and pang
On 1-Aug-05, at 1:40 AM, Nicolas Sceaux wrote:
This is exactly the kind of comment that I wished when I posted my
example, thanks! (but then, instead of stacks of \hspace #1, why don't
you write \hspace #5 for instance?)
In this:
\markup { \column{
\hspace #1
\hspace #1
foo
}}
there are thre
Just use text markup to typeset whatever you want above the staff.
For example, something like
\score{
{ \mark \markup{ \number 3 \large / \small \note #"4" #1 }
\time 3/4 \override Staff.TimeSignature #'transparent = ##t
c d e }
}
see the section on "Text" in "Advanced Notation" for more i
One reason to skip the \book was brought up in
http://lists.gnu.org/archive/html/lilypond-user/2005-06/msg00060.html
namely that you cannot define identifiers within a \book{...}.
/Mats
Graham Percival wrote:
On 30-Jul-05, at 1:25 PM, Mats Bengtsson wrote:
Do you have any particular reaso
Han-Wen Nienhuys wrote:
Changing fonts has become so much easier. See
http://pegasus.rutgers.edu/~elflord/unix/latex/no-bs.html
for what it takes to put a Type1 font into LaTeX (let alone into
LilyPond) and compare it to dropping the .pfa into ~/.fonts and doing
#(define fonts
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