Re: How to lengthen dynamics hairpin

2004-08-24 Thread Michael Lakes
It's Essential Dictionary of Music Notation from Alfred Publishing, a small big-pocket size book :-) From: David Rogers <[EMAIL PROTECTED]> To: Lilypond-User <[EMAIL PROTECTED]> Subject: Re: How to lengthen dynamics hairpin Date: Tue, 24 Aug 2004 21:39:24 -0700 On Aug 24, 2004, at 9:26 PM, Michae

Re: How to lengthen dynamics hairpin

2004-08-24 Thread David Rogers
On Aug 24, 2004, at 9:26 PM, Michael Lakes wrote: I have a music notation book, it shows the cresc/dim start from the left of the note and ends in the right side of the other note. Which music notation book is it? I was just trying to infer something from a few examples, of course... David __

Adjusting slur lines?

2004-08-24 Thread Michael Lakes
I was wondering if it's possible to adjust the slur lines a little higher. In the example below, the slur is a little to low, is it possible to move the slur line up? Like a padding property of sorts? Thanks %version 2.2.2 \score { \new staff{ \notes { \time 6/8

Re: How to lengthen dynamics hairpin

2004-08-24 Thread Michael Lakes
From: David Rogers <[EMAIL PROTECTED]> To: Lilypond-User <[EMAIL PROTECTED]> Subject: Re: How to lengthen dynamics hairpin Date: Tue, 24 Aug 2004 15:31:02 -0700 On Aug 24, 2004, at 2:27 PM, Bertalan Fodor wrote: I was thinking about it and I think the problem is general with dynamics. I suppose th

Re: How to lengthen dynamics hairpin

2004-08-24 Thread Graham Percival
On 24-Aug-04, at 2:27 PM, Bertalan Fodor wrote: I was thinking about it and I think the problem is general with dynamics. I suppose they shouldn't start and end where they do now. They start too late and end too soon. The latter is more important. Some hand-engraved score could help deciding thi

Re: How to lengthen dynamics hairpin

2004-08-24 Thread David Rogers
On Aug 24, 2004, at 2:27 PM, Bertalan Fodor wrote: I was thinking about it and I think the problem is general with dynamics. I suppose they shouldn't start and end where they do now. They start too late and end too soon. The latter is more important. Some hand-engraved score could help deciding

Re: How to lengthen dynamics hairpin

2004-08-24 Thread Bertalan Fodor
I was thinking about it and I think the problem is general with dynamics. I suppose they shouldn't start and end where they do now. They start too late and end too soon. The latter is more important. Some hand-engraved score could help deciding this. Generally I feel that the < and > mark shoul

Re: How to lengthen dynamics hairpin

2004-08-24 Thread Erik Sandberg
On Tuesday 24 August 2004 22.01, Bertalan Fodor wrote: > I would like to lengthen the dynamics hairpin in this case: > > d16\> dis\! > > Setting minimum-length is not good, because it makes bigger space > between the two notes. > > The problem is essentially that the end of the decrescendo is alway

How to lengthen dynamics hairpin

2004-08-24 Thread Bertalan Fodor
I would like to lengthen the dynamics hairpin in this case: d16\> dis\! Setting minimum-length is not good, because it makes bigger space between the two notes. The problem is essentially that the end of the decrescendo is always attached to the left side of the note and not the right side (whic

Re: automatic piano reduction

2004-08-24 Thread Felix Jaacks
Bertalan Fodor wrote: > I've never used \partcombine, but I suppose it could be good: > http://www.lilypond.org/doc/v2.2/Documentation/user/out-www/lilypond/Automatic-part-combining.html Hello Bertalan, I entered the piano part from scratch. \partcombine works according to the manual only with tw