In message <[EMAIL PROTECTED]>, Han-Wen Nienhuys
<[EMAIL PROTECTED]> writes
If I get the time, I'll code it myself (I want to learn) but what it
would need is some way of specifying the fundamental note (eg for a
trumpet I would choose concert B flat below middle C), and once you've
Try writing a
[EMAIL PROTECTED] writes:
> In message <[EMAIL PROTECTED]>, Han-Wen Nienhuys
> <[EMAIL PROTECTED]> writes
> >[EMAIL PROTECTED] writes:
> >> >
> >> >^ and _ are provided as a shorthand for:
> >> >
> >> > \override Script #'direction = UP/DOWN
> >>
> >> My only comment here is that (when using \mar
In message <[EMAIL PROTECTED]>, Han-Wen Nienhuys
<[EMAIL PROTECTED]> writes
[EMAIL PROTECTED] writes:
>
>^ and _ are provided as a shorthand for:
>
> \override Script #'direction = UP/DOWN
My only comment here is that (when using \markup) it does not appear to
be a shorthand for *override*. It se
[EMAIL PROTECTED] writes:
> >
> >^ and _ are provided as a shorthand for:
> >
> > \override Script #'direction = UP/DOWN
>
> My only comment here is that (when using \markup) it does not appear to
> be a shorthand for *override*. It seems to be a shorthand for *specify*.
> In other words, an ov
In message <[EMAIL PROTECTED]>, Jan Nieuwenhuizen
<[EMAIL PROTECTED]> writes
David Raleigh Arnold writes:
-4 4- and 3-4 are all very useful in fingering, and they have been
requested and used for years. Why should c_-5 c^5- or c_5-4 remain a
problem?
You're just trolling, right?
Anyway, there's t
I've never used \partcombine, but I suppose it could be good:
http://www.lilypond.org/doc/v2.2/Documentation/user/out-www/lilypond/Automatic-part-combining.html
Bert
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There's actually an even better solution to that problem, see
http://lilypond.org/doc/v2.2/Documentation/user/out-www/lilypond/Accidentals.html
/Mats
Peter B. Steiger wrote:
On Mon, 2004-08-23 at 04:46, Mats Bengtsson wrote:
I hope you know how to force the natural sign of the
next note manually
On Mon, 2004-08-23 at 04:46, Mats Bengtsson wrote:
> I hope you know how to force the natural sign of the
> next note manually: just add an exclamation mark after
> the note name!
What perfect timing that you mentioned that trick! I have a quartet
piece, and on the bass clef the baritone has f#
Unfortunately, LilyPond is not clever enough to handle the translation
for the moment. I hope you know how to force the natural sign of the
next note manually: just add an exclamation mark after the note name!
/Mats
Frédéric Bron wrote:
Dear all,
I would like to print a turn sign with a sharp si
Hello,
I am working on a Haendel Aria and already entered the string's notes.
There is a piano reduction in the score as well and I wonder wether
there is a way to merge the Violins and the Viola to a right hand piano
staff.
I tried to copy all events of Lilypond's midi output into one track but
On Monday 23 August 2004 01.25, Kieren Richard MacMillan wrote:
> Erik:
> > (ugly, but it should work)
>
> Yup (to both!)... ;-)
> Thanks!
>
> BTW: is this a known "bug"/"feature", or should I report it?
It's a consequence of the way grace note timing currently works.
After thinking twice, I foun
This looks like a bug to me.
However, why do you use the verticalExtent property instead of
the minimumVerticalExtent, as described in
http://lilypond.org/doc/v2.3/Documentation/user/out-www/lilypond/Vertical-spacing.html
If you change that, it seems that the rests position is correct.
/Mats
Jef
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