Well just to add more fuel to the fire.
I am curious how all this will the ability to analyse lilypond scores?
I like the flexibily of the various ways of entering notes, but mostly
want to know exactly whats happening.
The abc notation idea is that anything within a set octave will always
be sam
Hi David, Rune, Mats, all,
> I think it would be better to be able to leave and reenter
> relative pitch with a colon:
>
> a:,, b c d e a:,, b c d e
>
> The colon would anchor the note in the designated octave and then
> relative pitch (to it) would resume on the next note. This could be
> espe
> I think it would be better to be able to leave and reenter
> relative pitch with a colon:
>
> a:,, b c d e a:,, b c d e
>
Just for me to better understand what you have in mind,
would you please show how the sequence above should be
entered in "normal" relative mode. Of course, yet another
On Wednesday 22 October 2003 03:11 pm, Rune Zedeler wrote:
> I have an alternative suggestion for a relative mode.
> What do you think?
I think it would be better to be able to leave and reenter
relative pitch with a colon:
a:,, b c d e a:,, b c d e
The colon would anchor the note in the desig
I have an alternative suggestion for a relative mode.
f gives the f closest to the previous note - just like in relative mode.
f' gives the first f above the previous note.
f'' gives the second f above the prevous note.
f, gives the first f below the previous note.
So »c d e d c« and »c d' e' d, c
Wed, 22 Oct 2003 16:57:43 +0200, Darius a dit :
> Thanks for the answers
> At 10:06 22/10/2003 +0200, Mats Bengtsson wrote:
>> I certainly recognize the problem of having to correct a
>> few octave mistakes when entering a score, but I think the
>> general idea of relative mode is so in
Thanks for the answers
At 10:06 22/10/2003 +0200, Mats Bengtsson wrote:
I certainly recognize the problem of having to correct a
few octave mistakes when entering a score, but I think the
general idea of relative mode is so intuitive that I don't
have to spend much time and effort while typing
I certainly recognize the problem of having to correct a
few octave mistakes when entering a score, but I think the
general idea of relative mode is so intuitive that I don't
have to spend much time and effort while typing in the music.
However, you are certainly not alone, since a new octave check
