Here is newbie problem. I installed the version of lilypond in my distro (suse
8.2). Following the examples I can use the ly2dvi program and create simple
postscript files that look fine with ggv. However, using the -p option I get
errors saying that various fonts cant be found. I'm not sure how
Ignore this. I saw the bug mentioned in the documentation. Sorry.
[EMAIL PROTECTED] (Jeffery B. Rancier) writes:
> In my StaffGroup context (from input/template/satb.ly), the following
> is set:
>
> \property Score.automaticMelismata = ##t
>
> Can I assume that should extend my lyric to the nex
In my StaffGroup context (from input/template/satb.ly), the following
is set:
\property Score.automaticMelismata = ##t
Can I assume that should extend my lyric to the next note? (It's even
tied to the same pitch). When I place the '__' in between, it extends
right across my rest.
--
Thanks,
J
Why in the following example does 'lower' staff inherit the time
signature property, but not the key signature? And is this the right
place to set them? (This is from the satb.ly template?) And is 's1'
just a name holder to associate each Lyrics and Staff contexts with
each other?
,
| \scor
Is there such a way I can create a 'spacer lyric'? E.g. if I have a four
part song, which shares the same lyrics 90% of the time, but differs
the remaining 10%, I don't want to print duplicate lyrics 4 times, 90%
of the time. I want to space the lyrics out until they diverge.
I read the manual (
Hello, Jeff (et al):
what about an XML rendition, employing Emacs' PSGML mode, when you
could insert XML nodes (via hotkeys, or a menu), use XERCES to
validate, then use a stylesheet and XALAN to transform the XML to a
.ly file?
There is already a basic MusicXML-to-Lilypond XSLT, which perhaps mi
[ Mac OS X 10.2.6 (Build 6L60); lilypond 1.9.2 ]
Howdy, y'all!
I seem to be having a problem getting truly high-resolution output from
my lilypond installation. Specifically, when I open the .ps file in
Adobe Illustrator, the fonts (e.g., dynamics) appear jagged at high
magnification.
I t
Aaron <[EMAIL PROTECTED]> writes:
> I have friends who I am trying to win over to lilypond, but they keep
> telling me its to complicated.
>
> an example to illustrate:
>
> -( -) slur
>
> would be much clearer for a newbie if it had notes attached to it.
> c4-( d4 e4-)
>
> and it doesn't take up
Hello, Felipe:
Don't I know you from somewhere?? ;-)
Open test.ly in your favorite text editor
(Windows users: run notepad test.ly).
[[Open it, but where is that file?.
Run notepad, and save as test.ly?
Yes.
in which directory]]
Doesn't matter (as long as you remember where you saved it!).
Ent
Pedro Kroger <[EMAIL PROTECTED]> writes:
> Debian Sid packages of Lilypond 1.9.8 are available from
> my website:
Could you make the sources available, too? I will try to
follow with Woody packages, then. Also, do you perhaps know
a way to build the lilypond deb only, not the docs? Or is
it th
Ok, i've found two ways for doing it. But they're not perfect. I'm, realizing that i
will need more effort than i thought on a first moment.
"Two$\frown$words"
\frown, \smile, and more, but the simbols don't fit well, and i don't know how to
arrange them. I plan to learn latex with time, but b
[EMAIL PROTECTED] wrote:
with this score in EMACS:
\score {
\notes { f16 g a b c[ < d f >]
}
\paper {}
}
EMACS claims that the closing parenthesis of the \notes block is
mismatched, and if i put in a second line of notes it wants to indent to
the < of the first line.
if i move the ] insid
Hi, I'm copying the instructions given at the web page, my coments in [[ ]] :
Testing LilyPond
Open a terminal window (Windows users: double click the "Cygwin" icon), and type
lilypond --help [[OK]]
in your window. You should see something similar to
GNU LilyPond 1.8.0
If you haven't found it yet in the archives, a solution was posted
in
http://mail.gnu.org/archive/html/lilypond-user/2003-01/msg00088.html
I hope it works also with the current versions of LilyPond.
Mats
arie-lily wrote:
On Fri, 2003-09-12 at 20:11, Arvid Grøtting wrote:
arie-lily <[EMAIL PROT
Mostly, the music corresponding to the melisma is typeset
with a slur over the notes. LilyPond knows about this practice
and will consider all the slured notes as a single syllable, see
http://lilypond.org/doc/v1.8/Documentation/user/out-www/lilypond/Printing-lyrics.html
If you don't want the slur,
[EMAIL PROTECTED] writes:
> great, but i hope there won't be the same degree of syntax updating
> going to the next version as there was from 1.8.0 to 1.9.8! i don't
I hope there would, since we only make changes if it improves anything
:-)
--
Han-Wen Nienhuys | [EMAIL PROTECTED] |
Please read
http://lilypond.org/doc/v1.8/Documentation/user/out-www/lilypond/The-Lyrics-context.html
and take a look at the satb.ly example at the end of the page.
Mats
Ricardo Kirkner wrote:
hi: sorry to bother again, but i am having some trouble with the lyrics.
I just don't know what it can
See http://mail.gnu.org/archive/html/lilypond-user/2003-08/msg00033.html
and the other emails in the same thread.
Mats
José Luis Cruz wrote:
You can use double quotes around the two syllabs, so that they could
be treated as a single one:
no me gus -- "ta el" mar
That is the solution for being
with this score in EMACS:
\score {
\notes { f16 g a b c[ < d f >]
}
\paper {}
}
EMACS claims that the closing parenthesis of the \notes block is
mismatched, and if i put in a second line of notes it wants to indent to
the < of the first line.
if i move the ] inside the chord like: < d f]
Hello, Han-Wen:
the < \\ > only needs to be used for the last chord, not for A-flat.
Ah, I didn't know voice contexts could be instantiated for partial
measures -- that did the trick... =)
Thanks,
Kieren.
___
Lilypond-user mailing list
[EMAIL PROTE
Han-Wen Nienhuys wrote:
[EMAIL PROTECTED] writes:
is there any plan to support tremolos shorter than a quarter?
i.e. \repeat "tremolo" 2 { c32 e32 }
i've had occasion to need them, but they generate a warning and end up
looking like squished-together quarter tremolos with no beam between t
Arvid Grøtting <[EMAIL PROTECTED]> writes:
> Bernard Meylan <[EMAIL PROTECTED]> writes:
>
>> Sorry, my reply was empty.
>
> The .ly file used would be helpful as well,
It would, really...
> but just a hunch: are you
> using \partial correctly for the first (partial) measure?
...but please disre
Mats Bengtsson wrote:
Please send us a small example file illustrating the problem.
/Mats
Bernard Meylan wrote:
When I filled one hole bar (C) with a centered rest (R1), my next bar
appear normally with the notes but also with one hole bar rest; as I
use the (r1), my hole bar rest is norma
Bernard Meylan <[EMAIL PROTECTED]> writes:
> Sorry, my reply was empty.
The .ly file used would be helpful as well, but just a hunch: are you
using \partial correctly for the first (partial) measure? Do you use
bar checks ("|") and if so, do you get any "barcheck failed" warnings?
IME, barcheck
I rather thought of an example LilyPond input file that illustrates
the problem. I don't think anybody on this list is clairvoyant enough
to guess what you wrote in the input to produce that specific output.
/Mats
Bernard Meylan wrote:
Mats Bengtsson wrote:
Please send us a small example file
Mats Bengtsson wrote:
Please send us a small example file illustrating the problem.
/Mats
Bernard Meylan wrote:
When I filled one hole bar (C) with a centered rest (R1), my next bar
appear normally with the notes but also with one hole bar rest; as I
use the (r1), my hole bar rest is norma
Did you look at the section on "An orchestral part" in the Tutorial?
There's no right or wrong here, in addition to the tutorial, you could
also get some hints by looking at files at
http://www.mutopiaproject.org/
/Mats
Bernard Meylan wrote:
After a time of practice, I wish now to enter a bigge
Please send us a small example file illustrating the problem.
/Mats
Bernard Meylan wrote:
When I filled one hole bar (C) with a centered rest (R1), my next bar
appear normally with the notes but also with one hole bar rest; as I use
the (r1), my hole bar rest is normally not centered and the
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