Hello!
First of all: lilypond is nice!!
I have tried it out on Redhat 8.0 and everything worked great!
My problem is that i'm working on a Dell lapotop with Mandrake 9.1, and can't get lilypond to work.
It looks like I have problem with fonts. The .dvi file is missing noteheads and more. (see
[EMAIL PROTECTED] writes:
> >> Getting strange looking output. Looks like a font problem with latest
> >> CVS. It also shows up in the generated web-doc.
> >
> >Yes, as the ChangeLog says:
> >
> > * mf/feta-autometric.mf (code): start font at 32. WARNING: FONT
> > CHANGED.
> >
> >clean ou
hi,
All thanks I now understand \relative and I reread the manual and I
guess thats what it ment although it could have been a bit clear
but now I got it thanks
Aaron
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[EMAIL PROTECTED] writes:
> The problem is that when I'm trying to display an accidental without a
> number it doesn't line up properly.
>
> So, for example (#=sharp, b=flat !=natural):
>
> 4#
> b
>
> instead of
> 4#
> b
I've changed this in 1.7 CVS, by introducing
alignBassFigureAccidentals
[EMAIL PROTECTED] writes:
> HWN> bars, save for the graces following a trill.
>
> HWN> Getting grace notes right in various combinations is a lot of work, so
> HWN> I don't really want to add \aftergrace as well, unless it is really
> HWN> necessary.
>
> Here (do you mind if this is a facsimile?)
[EMAIL PROTECTED] writes:
> With 1.7.20 if a first ending goes to the next line the ending number is
> repeated. I have never seen this in printed music and I believe it
> makes the music harder to read. For someone who often is in a sight
> reading situation I find this an unnecessary distrac
[EMAIL PROTECTED] writes:
> Hi All,
>
> Is there a way to make a "modal" transposition? (not sure if "modal" is
> the correct term)
Sure. Write a function that frobnicates the 'pitch of NoteEvents, and
\apply that to the music.
--
Han-Wen Nienhuys | [EMAIL PROTECTED] | http://www.xs4al
> "Laura" == Laura Conrad <[EMAIL PROTECTED]> writes:
Laura> Is there some other way to set the property so that it
Laura> applies to only this verse, and not to all the lyrics?
Got it -- \property LyricsVoice, instead of \property Lyrics.
--
Laura (mailto:[EMAIL PROTECTED] , http:/
I'm trying to use the font-shape property to italicize every other
verse in a piece with 8 verses. This is commonly done in some
hymnals, and I find it helps to find the right verse when you move to
the next line.
The problem is that lily seems to apply the property vertically --
that is, if wor
On 17 Jul 2003, Aaron wrote:
> Well \relative in practice doesn't save me much time because a fourth
> with out ' or , is not enough and I can't seem to use \relative for the
> whole song. (could be I just don't know how)
>
> but even then I must fine tune the octave which takes me as much time as
Hi again,
does that mean that the fourth is in both directions??
It didn't seem to work that way for me but I wasn't pay that close
attention.
I will try it and see.
Aaron
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If the range is only an octave, you could pick the note in the middle of the
range and use that as the starting point. The following will give you an
ascending scale and descending scale:
song = \notes \relative a' {
e f g a b c d
}
The other thing you could do is write in octave 0 and transp
Well \relative in practice doesn't save me much time because a fourth
with out ' or , is not enough and I can't seem to use \relative for the
whole song. (could be I just don't know how)
but even then I must fine tune the octave which takes me as much time as
if I entered the , 's in the first pla
Perhaps I'm missing something here, but...
When in relative mode, you use ' and , to notate a range more than a fourth:
bass = \notes \relative c, {
e2.
g
a
c4. g'4.\4
fis
e
}
The second g is an octave higher than the first g. The f sharp is a half step
down from that (on
Hi all I am again finding myself in the postition of newbie who should
be a hacker.
I am trying to find a way to tell lilypond that when I enter a set of
notes e f g a b c d to read them as e' f' g' a' b' c' d'
\relative won't work for me because I need this to work for more than a
fourth.
what
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