On Fri, 2003-02-28 at 15:36, Han-Wen Nienhuys wrote:
> [EMAIL PROTECTED] writes:
> > > > Is there any chance Lilypond will ever be able to take MusicXML as
> > > > input? How hard would it be, and how would it fit into lilypond's
> > > > architecture?
>
> > > I've written a MusicXML to Lilypond c
Works well ... many thanks!
I misunderstood your original comment and tried replacing \mark with \markup. The idea
of "\mark \markup ..." had never occurred to me.
Does this imply that "\mark" identifies a non-notecolumn location? (example could
\mark become the other end of a span? That l
On Sat, 01 Mar 2003 01:17:44 +0100
Han-Wen Nienhuys <[EMAIL PROTECTED]> wrote:
> [EMAIL PROTECTED] writes:
> > No, I think it's a real bug.
>
> I think this bug was recently fixed. Which 1.6 do you have ?
Oops. I'm still at 1.6.6. I definately shouldn't be sending or confirming
bug reports. :
[EMAIL PROTECTED] writes:
>
> No, I think it's a real bug.
>
> Consider this:
>
> \score{\notes{
> c4 c c c c | c c c c c | c c
> }}
>
> We should get "bar check error in line 1", right?
> -
> /home/gperciva/tmp/foo.ly:0:12: warning: barcheck failed at: 1/4:
> c4 c c c c |
> c
On Sat, 01 Mar 2003 01:01:02 +0100
Han-Wen Nienhuys <[EMAIL PROTECTED]> wrote:
> [EMAIL PROTECTED] writes:
> > \property Voice.TextScript \override #'extra-offset = #'(-6.0 . -3.0)
> > \time 4/4 c'\pp^\fermata^#"arco" ais'\mp^\fermata r2 |
> > \property Voice.TextScript \revert #'extra-offset
>
>
[EMAIL PROTECTED] writes:
> (Still on 7.1.12 - Suse 8.0)
>
> I tried the suggestion - works well for note-attached markup, but I can not get it
> to work for rehearsal marks.
>
this works over here. Please send a bug report if you can't get it
working:
global = \notes {
s1 | \mark "A"
s
[EMAIL PROTECTED] writes:
> On Sat, 22 Feb 2003 08:57:39 -0700
> Paul Scott <[EMAIL PROTECTED]> wrote:
> > Graham Percival wrote:
> > >If I wanted to use it now, I'd try using a bold, smaller-font "//" and use
> > >#'extra-offset to lower it until it covers those lines in the staff.
> > >
> > I may
On Sat, 22 Feb 2003 08:57:39 -0700
Paul Scott <[EMAIL PROTECTED]> wrote:
> Graham Percival wrote:
> >If I wanted to use it now, I'd try using a bold, smaller-font "//" and use
> >#'extra-offset to lower it until it covers those lines in the staff.
> >
> I may learn something basic about markup here
[EMAIL PROTECTED] writes:
> > > Is there any chance Lilypond will ever be able to take MusicXML as
> > > input? How hard would it be, and how would it fit into lilypond's
> > > architecture?
> > I've written a MusicXML to Lilypond converter, it is at
> > http://www.nongnu.org/xml2ly.
> I'm sure
David Boersma scripsit:
> Now the Soprano and Alto are in the same Voice context. The \voiceOne and
> \voiceTwo macros changes properties of this context. Apparently the
> \voiceTwo macro is processed after the \voiceOne, so those settings
> overwrite immediately those of voiceOne.
> ...
> \contex
Mats Bengtsson scripsit:
> You have to explicitly create separate Voice contexts for each
> line of music. Now, both sobran and alt end up in the same context
> and the \voiceTwo command overrides the \voiceOne command.
>
>\notes <
> \context Voice=sopran {\vo
(Following is a lengthy discussion on multiple voices - aimed at the newbie (such as
myself) and based on my recent experience. Apologies to the group's
experienced people for the length.)
Amelie has already answered the questions and her answer to #2 is right if the
question is truly about cho
(Following is a lengthy discussion on multiple voices - aimed at the newbie (such as
myself) and based on my recent experience. Apologies to the group's
experienced people for the length.)
Amelie has already answered the questions and her answer to #2 is right if the
question is truly about cho
Hi Fulko,
[snip]
>At the moment I want to set a piece of music that has four melody
>lines on two beams (treble and bass). The first melody (also on top),
>is also the melody of the lyrics. I want the lyrics between the two
>beams.
You probably mean "staves" not "beams".
>The problem I have is t
;
Hello Lilypond experts,
I'm stumbling over a problem I cannot fix. Because lilypond can set
such complex music, typesetting music exactly the way you want turns
out to be rather complex.
At the moment I want to set a piece of music that has four melody
lines on two beams (treble and bass). The
Hello,
Does anybody know how to insert spacing corrections in beamed groups ?
I.e. negative (printing them closer together) or positive (printing them
further apart).
TIA
Cheers,
--
Ryurick M. Hristev mailto:[EMAIL PROTECTED]
Computer Systems Manager
University of Canterbury, Physics & Astronom
Hi Chet,
> 1) I get beams on notes that I do not want to have beamed.
Use manual beaming by enclosing the notes you want beamed in square brackets,
e.g.:
[c8 d] e f [g a] b c
> 2) I have two cords that I want to slur. I can get a bottom slur or a top
> slur but I can not see how to place a top
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